updating program participants

_site/2018/07/07/Call-For-Proposals-Open.html

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     <br/>
     <h3>Bail Bloc <a href="../participants/grayson-earle/">by Grayson Earle</a></h3>
-    <p><img src="bailbloc.gif" width="100%" style="max-width: 285px" /></p>
-    <p>Bail Bloc, which was released in 2017, is a distributed cryptocurrency mining project that uses the money generated to pay bail for low income people. A New York Times op-ed states that 90% of people who cannot afford bail will take a plea deal, which is a guilty plea without a day in court. Furthermore, the conviction rate for people who can afford to make bail is 50% while people who spend time in pre-trial detention face a 92% conviction rate. Put simply, these people are found guilty of being poor. This effects communities of color in particular, and one can conceptualize of the prison system as a form of currency mining on marginalized people.</p>
+    <p><img src="fbcard.png" width="100%" style="max-width: 285px" /></p>
+    <p>Bail Bloc is a cryptocurrency scheme against bail.</p>
+
+    <p>Its software uses idle processing power on your computer to mine for cryptocurrency, which is then used to help people awaiting trial who can’t afford to post bail.</p>
 
-    <p>If twice as many people could afford to pay bail, the already-impacted courts would have no way of hearing the ensuing cases, as they are premised on the assumption that the majority of people won't take their cases to trial if they cannot afford bail. Bail Bloc opens up the possibility of tipping the scales and letting the courts collapse under their own weight. The project is more valuable than the sum of its hashrate, however, and seeks to open up a dialogue about the need to end the cash bail system.</p>
+    <p>Additional collaborators include Maya Binyam, Francis Tseng, JB Rubinovitz, Sam Lavigne, Dhruv Mehrotra, and the Dark Inquiry collective.</p>
 
     <br/>
     <h3>Boattr - Living On the Cut by <a href="../participants/adnan-hadzi/">Adnan Hadzi</a> and Natascha Sturny</h3>
@@ -280,8 +290,8 @@
 
     <br/>
     <h3>A Transmaterial Body: Envisioning (trans)embodiment beyond the traditional limits of the corporeal <a href="../participants/chelsea-thompto/">by Chelsea Thompto</a></h3>
-    <!-- <p><img src="" width="100%" style="max-width: 400px" /></p> -->
-    <p><em>A Transmaterial Body</em> consists of a mobile network created by a small linux machine, broadcasting two wireless signals which together create a mesh network. This network is battery powered and carried on Chelsea at all times. As such, the network and herself are constantly centered on and overlapping with each other. Users who connect to this network will find their device's web browsers redirecting them to a page accessible on the network that contains live streamed biological data, selected texts (including source material for recreating this project), and other media.</p>
+    <p><img src="transmat2_sized.jpg" width="100%" style="max-width: 600px" /></p>
+    <p>A <em>Transmaterial Body</em> consists of a mobile network created by a small linux machine, broadcasting a wireless signal creating a localized intranet wireless network. This network is battery powered and carried on Chelsea at all times. As such, the network and herself are constantly centered on and overlapping with each other. Users who connect to this network will find their device's web browsers redirecting them to a web page accessible to them only while on the network that contains live streamed biological data, selected texts (including source material for recreating this project), and other media.</p>
 
     <br/>
     <h3>Dark Patterns: An Immersive Story Probing Surveillance <a href="../participants/mani-nilchiani/">by Mani Nilchiani</a> <a href="../participants/caroline-sinders/">and Caroline Sinders</a></h3>

_site/index.html

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_site/participants/adnan-hadzi/index.html

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     <h3>Adnan Hadzi</h3>
 <p><img src="adnan_hadzi.jpg" width="256px" /></p>
-<p><a href="" target="_blank">Website</a></p>
 <p>Adnan Hadzi, Digital Arts, University of Malta, is co-editing and producing the after.video video book, exploring video as theory, reflecting upon networked video, as it profoundly re-shapes medial patterns (Youtube, citizen journalism, video surveillance etc.). A thorough multi-faceted critique of media images that takes up perspectives from practitioners, theoreticians, sociologists, programmers and artists, presenting a publication which reflects upon video theoretically.</p>
 
 <p>Adnan has been a regular at Deckspace Media Lab, for the last decade, a period over which he has developed his research at Goldsmiths, University of London, based on his work with Deptford.TV. It is a collaborative video editing service hosted in Deckspace’s racks, based on free and open source software, compiled into a unique suite of blog, film database and compositing tools. Adnan’s current documentary project focuses on his involvement in the media arts collective !Mediengruppe Bitnik. A collective of contemporary artists working on and with the Internet. Bitnik’s practice expands from the digital to affect physical spaces, often intentionally applying loss of control to challenge established structures and mechanisms.</p>
 
 <hr />
 
-<h2>Presenting and Exhibiting</h2>
+<h2>Presenting with <a href="../tamino-boehm/">Tamino Böhm</a> and Exhibiting</h2>
 <h3>Boattr - Towpath as Urban Commons</h3>
 <p>The ‘boattr – living on the cut’ installation (by Natascha Sturny &amp; Adnan Hadzi) depicts the canals of the British Waterways as a digital urban commons, through the artists’ journey on the narrow boat ‘Quintessence’ and the development of the ‘boattr’ prototype in collaboration with MAZI. The photographic triptych, by Natascha Sturny,
 is showcasing canal life in combination with the boattr prototype. Experience the British Waterways through accessing boattr with your WiFi enabled device over the WiFi SSID ‘boattr’.</p>

_site/participants/benedict-lau/index.html

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_site/participants/caroline-sinders/index.html

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_site/participants/chelsea-thompto/index.html

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 <h2>Exhibiting</h2>
 <h3>A Transmaterial Body: Envisioning (trans)embodiment beyond the traditional limits of the corporeal</h3>
-<p>A mobile network, using a small linux machine and two wireless signals to create a mesh network. This network is battery powered and carried on my person at all times, as such the network and I become constantly centered on and overlapping with each other. Users who connect to this network will find there devices web browsers redirecting them to page locally maintained with the network that contains live stream biological data, selected texts (including source material for recreating this project), and other media.</p>
+<p><img src="transmat2_sized.jpg" width="100%" style="max-width: 600px" /></p>
+<p>A <em>Transmaterial Body</em> consists of a mobile network created by a small linux machine, broadcasting a wireless signal creating a localized intranet wireless network. This network is battery powered and carried on Chelsea at all times. As such, the network and herself are constantly centered on and overlapping with each other. Users who connect to this network will find their device's web browsers redirecting them to a web page accessible to them only while on the network that contains live streamed biological data, selected texts (including source material for recreating this project), and other media.</p>
 
   </div>
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_site/participants/christopher-csikszentmihalyi/index.html

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_site/participants/eileen-wagner/index.html

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_site/participants/elektra-wagenrad/index.html

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 <h2>Presenting and Exhibiting</h2>
 <h3>Bail Bloc</h3>
-<p>Last year I released Bail Bloc, a distributed cryptocurrency mining project that uses the money generated to pay bail for low income people. A New York Times op-ed states that 90% of people who cannot afford bail will take a plea deal, which is a guilty plea without a day in court. Furthermore, the conviction rate for people who can afford to make bail is 50% while people who spend time in pre-trial detention face a 92% conviction rate. Put simply, these people are found guilty of being poor. This effects communities of color in particular, and one can conceptualize of the prison system as a form of currency mining on marginalized people.</p>
+<p><img src="fbcard.png" width="100%" style="max-width: 285px" /></p>
+<p>Bail Bloc is a cryptocurrency scheme against bail.</p>
 
-<p>If twice as many people could afford to pay bail, the already-impacted courts would have no way of hearing the ensuing cases, as they are premised on the assumption that the majority of people won't take their cases to trial if they cannot afford bail. Bail Bloc opens up the possibility of tipping the scales and letting the courts collapse under their own weight. The project is more valuable than the sum of its hashrate, however, and seeks to open up a dialogue about the need to end the cash bail system.</p>
+<p>Its software uses idle processing power on your computer to mine for cryptocurrency, which is then used to help people awaiting trial who can’t afford to post bail.</p>
 
-<p>My talk would include a brief history and description of the project, as well as consideration for the horizon of activism; Given the idea of the Operational Image, that most images created today are not intended for the human eye, art and cultural production must engage in a new modality of moving beyond occupying visual culture, and towards mounting systems as arguments and interventions.</p>
+<p>Additional collaborators include Maya Binyam, Francis Tseng, JB Rubinovitz, Sam Lavigne, Dhruv Mehrotra, and the Dark Inquiry collective.</p>
 
 <p>
 	<a href="https://github.com/thenewinquiry/bailbloc" target="_blank">Github</a>

_site/participants/adam-ringwood/index.html → _site/participants/houssam-al-deen/index.html

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     <meta charset="utf-8">
     <meta http-equiv="X-UA-Compatible" content="IE=edge">
 
-    <title>Adam Ringwood</title>
+    <title>Houssam Al Deen</title>
     
     <meta name="author" content="Radical Networks">
 
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   <div class="col-xs-12">
-    <h3>Adam Ringwood</h3>
-<p><img src="adam-ringwood.jpeg" width="256px" /></p>
-<p><a href="https://www.ringwood.io/" target="_blank">Website</a> | <a href="https://twitter.com/avidhacker/" target="_blank">Twitter</a></p>
-<p>Adam Ringwood is a security researcher and distributed systems engineer. He has previously given talks around university LDAP data privacy, and building security culture. He has also help build several email phishing, and password cracking tools, and has been  working to build and secure cloud infrastructure.</p>
+    <h3>Houssam Al Deen</h3>
+<p>While in his native Syria, Houssam worked as a language and Political Sciences professor, and as as a  producer,  local liaison and translator for international media such as the BBC, ABC (Australia), Al-Jazeera and France 2. Together with international film crews, he filmed documentaries and segments on social issues in Syria, notably the situation of Iraqi refugees. He was arrested five times, after which he finally fled abroad. He’s been living in Germany since 2012 and continues to work as a freelance producer and research assistant for radio and television projects covering topics throughout the Middle East and North Africa.</p>
 
 <hr />
 
-<h2>Presenting</h2>
-<h3>Internet Background Traffic</h3>
-<p>Ever wonder what happens if you stand up a server on the internet and monitor all incoming traffic? There are more people looking at you then you think.  I've been running honeypots on the internet for the last 4 years on approximately a dozen servers across the internet. This talk will focus on internet background traffic that you will see regardless of what your server is being used for. We will discuss often run services such as ssh and wordpress and the spam it attracts and the attacks against them. The internet is being scanned every day by individuals who are monitoring it. Classifying this traffic and looking at who the sending party is can tell us valuable information about their intentions. It's also worth looking at what this background traffic can tell us about network design and topology in general and it can inform us as we build the next generation of network protocols. This talk will feature a heavy emphasis on visual representations of the above topics to give a more intuitive understand of them.</p>
+<h2>Panel Presentation with <a href="../rhianna-kemi/">Rhianna Kemi</a> and <a href="../jorge-vega/">Jorge Vega Matos</a></h2>
+<h3>A world of diasporas: transnational mobilization in times of crises</h3>
+<p>Individuals in a diaspora are often in a precarious situation, facing deep questions about their identity in the countries or societies they are in, while dealing issues from the countries they or their families come from. To cope with their translocal status, diasporas have embraced models of distributed power, decentralized organization, and hybrid identity that seem tailor-made for contemporary society. This is particularly obvious in times that require mobilization in response to political issues, natural disasters, and forced migration. In this session, we will explore experiences from the Puerto Rican, Syrian, and Caribbean/black British diaspora. What are the common challenges and themes of Diaspora communities as they mobilize around different issues? What role has technology played or might play? How might Diaspora communities inspire other types of networks?</p>
 
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 </div>

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     <h3>2018 Radical Networks Participants</h3>
 	<ul>
 	  
-		<li><a href="/participants/adam-ringwood/">Adam Ringwood</a></li>  
-	  
 		<li><a href="/participants/adnan-hadzi/">Adnan Hadzi</a></li>  
 	  
 		<li><a href="/participants/benedict-lau/">Benedict Lau</a></li>  
@@ -268,6 +274,8 @@
 		<li><a href="/participants/giseli-vasconcelos/">Giseli Vasconcelos</a></li>  
 	  
 		<li><a href="/participants/grayson-earle/">Grayson Earle</a></li>  
+
+		<li><a href='/participants/houssam-al-deen/'>Houssam Al Deen</a></li>
 	  
 		<li><a href="/participants/jorge-vega/">Jorge Vega</a></li>  
 	  
@@ -292,6 +300,8 @@
 		<li><a href="/participants/raphael-bastide/">Raphaël Bastide</a></li>  
 	  
 		<li><a href="/participants/rebecca-uliasz/">Rebecca Uliasz</a></li>  
+
+		<li><a href='/participants/rhianna-kemi/'>Rhianna Kemi</a></li>
 	  
 		<li><a href="/participants/roel-roscam-abbing/">Roel Roscam Abbing</a></li>  
 	  
@@ -305,10 +315,16 @@
 	  
 		<li><a href="/participants/silvia-dal-dosso/">Silvia Dal Dosso</a></li>  
 	  
+		<li><a href="/participants/sisters-akousmatica/">Sisters Akousmatica</a></li>  
+	  
 		<li><a href="/participants/taller-de-casqueria/">Taller de Casquería</a></li>  
+
+		<li><a href="/participants/tamino-boehm/">Tamino Böhm</a></li>  
 	  
 		<li><a href="/participants/theresa-enghardt/">Theresa Enghardt</a></li>  
 	  
+		<li><a href="/participants/wendy-van-wynsberghe/">Wendy Van Wynsberghe</a></li>  
+	  
 		<li><a href="/participants/zenna-fiscella/">Zenna Fiscella</a></li>  
 
 	</ul>

_site/participants/jorge-vega/index.html

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 <hr />
 
-<h2>Panel Presentation</h2>
+<h2>Panel Presentation with <a href="../rhianna-kemi/">Rhianna Kemi</a> and <a href="../houssam-al-deen/">Houssam Al Deen</a></h2>
 <h3>A world of diasporas: transnational mobilization in times of crises</h3>
-<p>Diaspora communities are often in a precarious situation in the countries or societies they are in, but nevertheless showcase models of distributed power, decentralized organization, and collective identity that seem tailor-made for contemporary society, amid calls for new thinking around transnational ties, personal identity, and political mobilization. This is particularly obvious in times of increased conflict, natural disasters, and forced migration when Diaspora communities often take the initiative in mobilizing political power or kick-starting reconstruction in their homeland. 
-
-In this session, we will explore the experience of three diaspora activists that have been active mobilizing their communities to respond to natural disaster, civil war, and political repression back home in Puerto Rico, Syria, and Turkey. What are the common challenges and themes of Diaspora communities as they respond to crisis? What role has technology played or might play? What strategies and models from Diaspora communities are representative of a new status quo for other types of networks?</p>
+<p>Individuals in a diaspora are often in a precarious situation, facing deep questions about their identity in the countries or societies they are in, while dealing issues from the countries they or their families come from. To cope with their translocal status, diasporas have embraced models of distributed power, decentralized organization, and hybrid identity that seem tailor-made for contemporary society. This is particularly obvious in times that require mobilization in response to political issues, natural disasters, and forced migration. In this session, we will explore experiences from the Puerto Rican, Syrian, and Caribbean/black British diaspora. What are the common challenges and themes of Diaspora communities as they mobilize around different issues? What role has technology played or might play? How might Diaspora communities inspire other types of networks?</p>
 
   </div>
 </div>

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_site/participants/rhianna-kemi/index.html

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+
+<!DOCTYPE html>
+<html lang="en">
+  <head>
+    <meta charset="utf-8">
+    <meta http-equiv="X-UA-Compatible" content="IE=edge">
+
+    <title>Rhianna Kemi</title>
+    
+    <meta name="author" content="Radical Networks">
+
+    <!-- Enable responsive viewport -->
+    <meta name="viewport" content="width=device-width, initial-scale=1.0">
+    <meta property="og:url"                content="http://radicalnetworks.org" />
+    <meta property="og:title"              content="Radical Networks 2018" />
+    <meta property="og:description"        content="October 19-21, 2018 in Berlin, Germany" />
+    <meta property="og:site_name"          content="Radical Networks"/>
+    <meta property="og:image"              content="https://radicalnetworks.org/assets/themes/images/radnets_logo_larger.png"/>
+
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+    
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+    <link href='https://fonts.googleapis.com/css?family=Lato:300,400,700' rel='stylesheet' type='text/css'>
+    <link href="/assets/themes/css/style.css?body=1" rel="stylesheet" type="text/css" media="all">
+
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+      <script src="https://oss.maxcdn.com/libs/respond.js/1.3.0/respond.min.js"></script>
+    <![endif]-->
+  </head>
+
+  <body>
+    <div id="wrap">
+      <div class="container">
+        <nav class="row navbar" role="navigation">
+  <!-- Brand and toggle get grouped for better mobile display -->
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+    <button type="button" class="navbar-toggle" data-toggle="collapse" data-target="#jb-navbar-collapse">
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+      <img class="logo" src="/assets/themes/images/radnets_logo.png" width="500" height="76" />
+    </a>
+    <h2>October 19-21, 2018<br/>Berlin, Germany</h2>
+  	<div class="social">
+      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
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+<!--       <a class="press" href="/assets/themes//pdf/radical_networks_2017_press_kit.pdf">2017 Press Kit</a> -->
+  	</div>
+  </div>
+</header>
+
+        <div class="row">
+          <div class="col-md-8 content">
+            
+<div class="row">
+  <div class="col-xs-12">
+    <h3>Rhianna Kemi</h3>
+<p><a href="https://twitter.com/rhiannakemi" target="_blank">Twitter</a></p>
+<p>Rhianna grew up in London and moved to Berlin in January 2018. She is currently Events Manager at be'kech anti-cafe, where she curates a series of discussions and workshops exploring black diaspora experiences across Europe. She graduated with a politics degree from Cambridge in 2015, and has spent the last few years working as a project and community coordinator with youth organisations in the USA, Ghana and UK. She has curated and facilitated a wide-range of trainings, events and exhibitions, often focused on the themes of migration, technology and political engagement. Her writings have been published on national platforms such as the Huffington Post and The Independent; as well as Black British media outlets, including gal-dem and NoFlyOnTheWall. In her free time, she writes, reads and travels.</p>
+
+<hr />
+
+<h2>Panel Presentation with <a href="../houssam-al-deen/">Houssam Al Deen</a> and <a href="../jorge-vega/">Jorge Vega Matos</a></h2>
+<h3>A world of diasporas: transnational mobilization in times of crises</h3>
+<p>Individuals in a diaspora are often in a precarious situation, facing deep questions about their identity in the countries or societies they are in, while dealing issues from the countries they or their families come from. To cope with their translocal status, diasporas have embraced models of distributed power, decentralized organization, and hybrid identity that seem tailor-made for contemporary society. This is particularly obvious in times that require mobilization in response to political issues, natural disasters, and forced migration. In this session, we will explore experiences from the Puerto Rican, Syrian, and Caribbean/black British diaspora. What are the common challenges and themes of Diaspora communities as they mobilize around different issues? What role has technology played or might play? How might Diaspora communities inspire other types of networks?</p>
+
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+

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+
+<!DOCTYPE html>
+<html lang="en">
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+    <a href="/">
+      <img class="logo" src="/assets/themes/images/radnets_logo.png" width="500" height="76" />
+    </a>
+    <h2>October 19-21, 2018<br/>Berlin, Germany</h2>
+  	<div class="social">
+      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
+      <a href="mailto:info@radicalnetworks.org"><img src="/assets/themes//images/email.png" width="37" height="37" /></a>
+      <a href="http://list.weise7.org/listinfo/radnets" target="_blank"><img src="/assets/themes//images/mailing-list.png" alt="mailing list" width="37" height="37" /></a>
+<!--       <a class="press" href="/assets/themes//pdf/radical_networks_2017_press_kit.pdf">2017 Press Kit</a> -->
+  	</div>
+  </div>
+</header>
+
+        <div class="row">
+          <div class="col-md-8 content">
+            
+<div class="row">
+  <div class="col-xs-12">
+    <h3>Sisters Akousmatica</h3>
+<p><img src="SA_logonew.jpg" width="256px" /></p>
+<p><a href="http://www.sistersakousmatica.org" target="_blank">Website</a> | <a href="https://www.instagram.com/radioqueens/" target="_blank">Instagram</a></p>
+<p>Sisters Akousmatica is the collaborative project of Julia Drouhin and Phillipa Stafford. Together we create expanded radio projects. We produced large-scale public transmission projects, a retreat for women and non-binary artists, workshops and commissions with organisations such as Mona Foma, Liquid Architecture, Next Wave Festival, Hobiennale, The Channel, Signal, Radiophrenia, Australia Council for the Arts and Arts Tasmania. Sisters Akousmatica and 3CR were awarded the CBAA Excellence in Music Programming award at the 2017 Community Broadcasting Association of Australia Conference.</p>
+
+<hr />
+
+<h2>Performing</h2>
+<h3>CHAPTER 3: EARTH_MOON_EARTH</h3>
+<p>Sisters Akousmatica will perform a remote live radio play based of their third chapter of SK, Earth-Moon-Earth, followed by a Q&amp;R discussion, from the island of Tasmania where the artists live. Set up on the longest possible terrestrial journey between shortwave radio stations, SK is a score for Sisters Akousmatica to examine further the phenomenon of anonymous/clandestine radio broadcast as a vehicle for rewriting/reimagining women and non-binary people's role in radio arts, explored broadly through “The Silent Key”. “The Silent Key” generates its own content and also uses other events and projects as a interrogative, parasitical way of creating and collecting content.</p>
+
+<p>Seeding investigations of The Silent Key was developed with funding from South Australian arts organisation Vitalstatistix, through their national hot-housing project Adhocracy. Sisters Akousmatica was awarded the WISWOS commission to perform their first live remote broadcast for the International Women’s Day event, Celebrating Women in Sound 2018, at the Goldsmiths University, London. They performed in Hobart, walked in Hong Kong, radio played “Chapter One: Signal fantôme ~ Onde fantôme” in London, using field recordings, hurdy gurdy, pink noise machine, electromagnetic pick up, voice and radio broadcast. This piece took its script from the first chapter of SK to be published as part of The People’s Library in 2018. They played the CHAPTER TWO: Propaganda, from Bloemfontein, South Africa to The Gender Diversity in Music Making Conference, Monash University, Melbourne, Australia in July 2018.</p>
+
+  </div>
+</div>
+
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+<!-- 	Download our <a href="/assets/themes//pdf/radical_networks_2018_press_kit.pdf">2018 Press Kit</a>
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+

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+    <h2>October 19-21, 2018<br/>Berlin, Germany</h2>
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+
+        <div class="row">
+          <div class="col-md-8 content">
+            
+<div class="row">
+  <div class="col-xs-12">
+    <h3>Tamino Böhm</h3>
+<p><img src="tamino.jpg" width="256px" /></p>
+<p><a href="https://sea-watch.org" target="_blank">Website</a> | <a href="https://twitter.com/tamhimo" target="_blank">Twitter</a></p>
+<p>The activist Tamino Böhm is the Head of Operation Moonbird - Sea-Watch e.v. He has been volunteering with Sea-Watch since the beginning of 2016. Since January 2018 he has been supervising the air surveillance project ‚Operation Moonbird‘. After the first operational year in 2015, Sea-Watch recognised that an air surveillance asset would be of high advantage in the Search and Rescue of boat people in distress. In 2016 several proto-missions took place with different aircrafts, until in 2017 ‚Operation Moonbird‘ was launched, which Tamino helped to set up. The aircraft is currently flying again from an alternative base after its operations had been criminalised and it had been blocked by Maltese authorities for more than 3 months.</p>
+
+<p>He will highlight the current political and pretextual legal challenges
+of civil Search and Rescue operations in the Central Mediterranean.</p>
+
+<hr />
+
+<h2>Presenting with <a href="../adnan-hadzi/">Adnan Hadzi</a></h2>
+<h3>Boattr - Towpath as Urban Commons</h3>
+<p>The ‘boattr – living on the cut’ installation (by Natascha Sturny &amp; Adnan Hadzi) depicts the canals of the British Waterways as a digital urban commons, through the artists’ journey on the narrow boat ‘Quintessence’ and the development of the ‘boattr’ prototype in collaboration with MAZI. The photographic triptych, by Natascha Sturny,
+is showcasing canal life in combination with the boattr prototype. Experience the British Waterways through accessing boattr with your WiFi enabled device over the WiFi SSID ‘boattr’.</p>
+
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+

_site/participants/theresa-enghardt/index.html

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_site/participants/wendy-van-wynsberghe/index.html

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+    </a>
+    <h2>October 19-21, 2018<br/>Berlin, Germany</h2>
+  	<div class="social">
+      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
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+<!--       <a class="press" href="/assets/themes//pdf/radical_networks_2017_press_kit.pdf">2017 Press Kit</a> -->
+  	</div>
+  </div>
+</header>
+
+        <div class="row">
+          <div class="col-md-8 content">
+            
+<div class="row">
+  <div class="col-xs-12">
+    <h3>Wendy Van Wynsberghe</h3>
+<p>Wendy Van Wynsberghe is a DIY and digital artist, sound &amp; field recorder, in love with nature and its wildlife, fascinated by the protocol in all its forms, including inter-human and non-human relations, script coder, physical computing aficionado, net neutrality custodian, dabbling in embroidery, crochet &amp; knitting (with or without eTextiles). Since 2004 she was involved in the project Ellentriek that organized a series of open hardware workshops where artists worked together on their projects, mostly thematic. From 2015 to 2016 she organised Objects in common, a series of eventsthat explored “other ways of doing” such as design for functional diversity, situated digital manufacturing in for example African cities. She works with electronics, textile, sounds, open hardware, using only free software, all work under a free art license. <a href="http://wvw.collectifs.net/" target="_blank">http://wvw.collectifs.net/</a></p>
+
+<hr />
+
+<h2>Presenting</h2>
+<h3>Networks of One's Own, Episode 1: Etherbox</h3>
+<p>Constant member Wendy Van Wynsberghe will present the Etherbox, the first issue in the series of Networks of One's Own.</p>
+
+<p>Etherbox is a situated network from a feminist perspective that grew out of collective practices developed in and around Constant. Etherbox is an actively used working environment for collaborative publishing, but also became a platform to reflect on network technologies, on how to document artistic processes and on collaboration.
+As part of its programme, Constant, an organisation for arts and media in Brussels, regularly organises situations in which artists, activists, programmers, academics, designers and other researchers collaborate, exchange and reflect. Participants are invited to appropriate physical spaces for the time of the meeting: they share tables, couches, a library, the kitchen and its utensils, the basement or the closet. etherbox extends this hospitality into digital space. It is the installation of a temporary local platform that foregrounds the sociality of DIWO infrastructures over the services of often commercially owned spaces in global networks. Etherbox is not an 'offline network', rather it is a network with an attitude in which the local situation, archiving and conviviality take preference.</p>
+
+<p>Networks Of One's Own is set up as a series of platforms that reflect upon and experiment with collaborative on-line publishing practices in a time when commercial interests dominate digital working conditions. It appears at a moment when under the guise of data protection (GDPR), self-hosted, un-supervised network practices are under threat of being reigned in as potential liability. "Cloud services" offered via Internet access are typically provided by multinational corporations and it is easy to forget that the seamless experience historically originates in an "inter-network" linking together different autonomous and disconnected networks of varying scales: institutional, personal, educational and military.</p>
+
+<p>The title Networks of One's Own refers to Virginia Woolf's classic essay A Room of One's Own which makes the case for a woman needing a space to herself to write. It was published in the historical context of Victorian England where women were expected to occupy themselves with domestic and marital duties rather than the autonomous practice of writing. Woolf's claim for a Room Of Her Own is complicated by the fact that her autonomy depended on her ability to hire staff that she could outsource her household chores to. Networks Of Ones Own takes this text as an inspiration to rethink digital intimacy, dependencies and relations in networked practices. It wants to re-imagine how technical and content work grow together, and radically questions the way tools and practices are shaping collaborative content and vice versa.</p>
+
+<p>The series Networks Of One's Own is taken care of by related but independent collectives. For each of the episodes, we propose different experimental tools for situated writing and publishing. In this way, the series allows for showing multiple perspectives, to generate multivoiced forms of documentation. It makes the editorial process of each episode a testcase for the same technologies that it reflects upon. Like the old adage of the PERL community ('There is More Than One Way To Do It'), this project is about the heterogeneity of tools and of practices, ultimately foregrounding the inherent sociality of software.</p>
+<p>Constant: <a href="http://constantvzw.org/" target="_blank">http://constantvzw.org/</a></p>
+<p>Networks of One's Own: <a href="http://etherbox.constantvzw.org/etherdump/MANUAL.html" target="_blank">http://etherbox.constantvzw.org/etherdump/MANUAL.html</a></p>
+
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+

_site/participants/zenna-fiscella/index.html

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_site/policies/index.html

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_site/program/index.html

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@@ -312,7 +320,7 @@
 					</td>
 					<td class="workshop">
 						<a href="../participants/eileen-wagner/">
-							<span class="title">Workshop: Communicating Privacy in Open</span></br>
+							<span class="title">Workshop: Communicating Privacy in Open Networks</span></br>
 							Eileen Wagner</a>
 					</td>
 				</tr>
@@ -326,10 +334,10 @@
 					<td></td>
 				</tr>
 				<tr class="public">
-					<td>19:00 til 23:00</td>
-					<td colspan="2">Opening party<br/>Free and open to the public!</td>
+					<td>19:00</td>
+					<td colspan="2">Radical Networks Opening ~ Free and open to the public!</td>
 				</tr>
-				<tr>
+				<tr class="public">
 					<td>19:30</td>
 					<td></td>
 					<td>
@@ -338,7 +346,7 @@
 							Chelsea Thompto</a>
 					</td>
 				</tr>
-				<tr>
+				<tr class="public">
 					<td>20:00</td>
 					<td></td>
 					<td>
@@ -347,7 +355,7 @@
 							Grayson Earle</a>
 					</td>
 				</tr>
-				<tr>
+				<tr class="public">
 					<td>21:00</td>
 					<td></td>
 					<td>
@@ -358,7 +366,7 @@
 				</tr>
 				<tr class="public">
 					<td>til 23:00</td>
-					<td colspan="2">Opening party<br/>Free and open to the public!</td>
+					<td colspan="2">Radical Networks Opening ~ Free and open to the public!</td>
 				</tr>
 			</tbody>
 		</table>
@@ -483,8 +491,13 @@
 					<td></td>
 				</tr>
 				<tr class="public">
-					<td>til 21:00</td>
-					<td colspan="2">Open Gallery Hours<br/>Free and open to the public!</td>
+					<td>18:00 till 21:00</td>
+					<td>Open Gallery Hours<br/>Free and open to the public!</td>
+					<td>
+						<a href="../participants/sisters-akousmatica/">
+							<span class="title">Performance:</span> Sisters Akousmatica - CHAPTER 3: EARTH_MOON_EARTH
+						</a>
+					</td>
 				</tr>
 			</tbody>
 		</table>
@@ -534,9 +547,9 @@
 				<tr>
 					<td>13:30</td>
 					<td>
-						<a href="../participants/adam-ringwood/">
-							<span class="title">Internet Background Traffic</span></br>
-							Adam Ringwood
+						<a href="../participants/wendy-van-wynsberghe/">
+							<span class="title">Networks of One's Own, Episode 1: Etherbox</span></br>
+							Wendy Van Wynsberghe
 						</a>
 					</td>
 				</tr>
@@ -589,8 +602,8 @@
 					</td>
 				</tr>
 				<tr class="public">
-					<td>til 23:00</td>
-					<td>Closing party<br/>Free and open to the public!</td>
+					<td>18:00 til 23:00</td>
+					<td>Closing party ~ Free and open to the public!</td>
 				</tr>
 			</tbody>
 		</table>

_site/shop/index.html

@@ -127,6 +127,14 @@
       
         
       
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_site/shop/sold-out.html

@@ -127,6 +127,14 @@
       
         
       
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_site/shop/success.html

@@ -127,6 +127,14 @@
       
         
       
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@@ -127,6 +127,14 @@
       
         
       
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@@ -127,6 +127,14 @@
       
         
       
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@@ -127,6 +127,14 @@
       
         
       
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gallery/index.html

@@ -33,10 +33,12 @@ order: 3
 
     <br/>
     <h3>Bail Bloc <a href="../participants/grayson-earle/">by Grayson Earle</a></h3>
-    <p><img src="bailbloc.gif" width="100%" style="max-width: 285px" /></p>
-    <p>Bail Bloc, which was released in 2017, is a distributed cryptocurrency mining project that uses the money generated to pay bail for low income people. A New York Times op-ed states that 90% of people who cannot afford bail will take a plea deal, which is a guilty plea without a day in court. Furthermore, the conviction rate for people who can afford to make bail is 50% while people who spend time in pre-trial detention face a 92% conviction rate. Put simply, these people are found guilty of being poor. This effects communities of color in particular, and one can conceptualize of the prison system as a form of currency mining on marginalized people.</p>
+    <p><img src="fbcard.png" width="100%" style="max-width: 285px" /></p>
+    <p>Bail Bloc is a cryptocurrency scheme against bail.</p>
 
-    <p>If twice as many people could afford to pay bail, the already-impacted courts would have no way of hearing the ensuing cases, as they are premised on the assumption that the majority of people won't take their cases to trial if they cannot afford bail. Bail Bloc opens up the possibility of tipping the scales and letting the courts collapse under their own weight. The project is more valuable than the sum of its hashrate, however, and seeks to open up a dialogue about the need to end the cash bail system.</p>
+    <p>Its software uses idle processing power on your computer to mine for cryptocurrency, which is then used to help people awaiting trial who can’t afford to post bail.</p>
+
+    <p>Additional collaborators include Maya Binyam, Francis Tseng, JB Rubinovitz, Sam Lavigne, Dhruv Mehrotra, and the Dark Inquiry collective.</p>
 
     <br/>
     <h3>Boattr - Living On the Cut by <a href="../participants/adnan-hadzi/">Adnan Hadzi</a> and Natascha Sturny</h3>
@@ -47,8 +49,8 @@ order: 3
 
     <br/>
     <h3>A Transmaterial Body: Envisioning (trans)embodiment beyond the traditional limits of the corporeal <a href="../participants/chelsea-thompto/">by Chelsea Thompto</a></h3>
-    <!-- <p><img src="" width="100%" style="max-width: 400px" /></p> -->
-    <p><em>A Transmaterial Body</em> consists of a mobile network created by a small linux machine, broadcasting two wireless signals which together create a mesh network. This network is battery powered and carried on Chelsea at all times. As such, the network and herself are constantly centered on and overlapping with each other. Users who connect to this network will find their device's web browsers redirecting them to a page accessible on the network that contains live streamed biological data, selected texts (including source material for recreating this project), and other media.</p>
+    <p><img src="transmat2_sized.jpg" width="100%" style="max-width: 600px" /></p>
+    <p>A <em>Transmaterial Body</em> consists of a mobile network created by a small linux machine, broadcasting a wireless signal creating a localized intranet wireless network. This network is battery powered and carried on Chelsea at all times. As such, the network and herself are constantly centered on and overlapping with each other. Users who connect to this network will find their device's web browsers redirecting them to a web page accessible to them only while on the network that contains live streamed biological data, selected texts (including source material for recreating this project), and other media.</p>
 
     <br/>
     <h3>Dark Patterns: An Immersive Story Probing Surveillance <a href="../participants/mani-nilchiani/">by Mani Nilchiani</a> <a href="../participants/caroline-sinders/">and Caroline Sinders</a></h3>

participants/adam-ringwood/index.md

@@ -1,13 +0,0 @@
----
-layout: page
-title: Adam Ringwood
----
-<h3>Adam Ringwood</h3>
-<img src="adam-ringwood.jpeg" width="256px" />
-<p><a href="https://www.ringwood.io/" target="_blank">Website</a> | <a href="https://twitter.com/avidhacker/" target="_blank">Twitter</a></p>
-<p>Adam Ringwood is a security researcher and distributed systems engineer. He has previously given talks around university LDAP data privacy, and building security culture. He has also help build several email phishing, and password cracking tools, and has been  working to build and secure cloud infrastructure.</p>
-
-<hr />
-<h2>Presenting</h2>
-<h3>Internet Background Traffic</h3>
-<p>Ever wonder what happens if you stand up a server on the internet and monitor all incoming traffic? There are more people looking at you then you think.  I've been running honeypots on the internet for the last 4 years on approximately a dozen servers across the internet. This talk will focus on internet background traffic that you will see regardless of what your server is being used for. We will discuss often run services such as ssh and wordpress and the spam it attracts and the attacks against them. The internet is being scanned every day by individuals who are monitoring it. Classifying this traffic and looking at who the sending party is can tell us valuable information about their intentions. It's also worth looking at what this background traffic can tell us about network design and topology in general and it can inform us as we build the next generation of network protocols. This talk will feature a heavy emphasis on visual representations of the above topics to give a more intuitive understand of them.</p>

participants/adnan-hadzi/index.md

@@ -4,13 +4,12 @@ title: Adnan Hadzi
 ---
 <h3>Adnan Hadzi</h3>
 <img src="adnan_hadzi.jpg" width="256px" />
-<p><a href="" target="_blank">Website</a></p>
 <p>Adnan Hadzi, Digital Arts, University of Malta, is co-editing and producing the after.video video book, exploring video as theory, reflecting upon networked video, as it profoundly re-shapes medial patterns (Youtube, citizen journalism, video surveillance etc.). A thorough multi-faceted critique of media images that takes up perspectives from practitioners, theoreticians, sociologists, programmers and artists, presenting a publication which reflects upon video theoretically.</p>
 
 <p>Adnan has been a regular at Deckspace Media Lab, for the last decade, a period over which he has developed his research at Goldsmiths, University of London, based on his work with Deptford.TV. It is a collaborative video editing service hosted in Deckspace’s racks, based on free and open source software, compiled into a unique suite of blog, film database and compositing tools. Adnan’s current documentary project focuses on his involvement in the media arts collective !Mediengruppe Bitnik. A collective of contemporary artists working on and with the Internet. Bitnik’s practice expands from the digital to affect physical spaces, often intentionally applying loss of control to challenge established structures and mechanisms.</p>
 
 <hr />
-<h2>Presenting and Exhibiting</h2>
+<h2>Presenting with <a href="../tamino-boehm/">Tamino Böhm</a> and Exhibiting</h2>
 <h3>Boattr - Towpath as Urban Commons</h3>
 <p>The ‘boattr – living on the cut’ installation (by Natascha Sturny &amp; Adnan Hadzi) depicts the canals of the British Waterways as a digital urban commons, through the artists’ journey on the narrow boat ‘Quintessence’ and the development of the ‘boattr’ prototype in collaboration with MAZI. The photographic triptych, by Natascha Sturny,
 is showcasing canal life in combination with the boattr prototype. Experience the British Waterways through accessing boattr with your WiFi enabled device over the WiFi SSID ‘boattr’.</p>

participants/chelsea-thompto/index.md

@@ -10,4 +10,5 @@ title: Chelsea Thompto
 <hr />
 <h2>Exhibiting</h2>
 <h3>A Transmaterial Body: Envisioning (trans)embodiment beyond the traditional limits of the corporeal</h3>
-<p>A mobile network, using a small linux machine and two wireless signals to create a mesh network. This network is battery powered and carried on my person at all times, as such the network and I become constantly centered on and overlapping with each other. Users who connect to this network will find there devices web browsers redirecting them to page locally maintained with the network that contains live stream biological data, selected texts (including source material for recreating this project), and other media.</p>
+<img src="transmat2_sized.jpg" width="100%" style="max-width: 600px" />
+<p>A <em>Transmaterial Body</em> consists of a mobile network created by a small linux machine, broadcasting a wireless signal creating a localized intranet wireless network. This network is battery powered and carried on Chelsea at all times. As such, the network and herself are constantly centered on and overlapping with each other. Users who connect to this network will find their device's web browsers redirecting them to a web page accessible to them only while on the network that contains live streamed biological data, selected texts (including source material for recreating this project), and other media.</p>

participants/grayson-earle/index.md

@@ -10,11 +10,12 @@ title: Grayson Earle
 <hr />
 <h2>Presenting and Exhibiting</h2>
 <h3>Bail Bloc</h3>
-<p>Last year I released Bail Bloc, a distributed cryptocurrency mining project that uses the money generated to pay bail for low income people. A New York Times op-ed states that 90% of people who cannot afford bail will take a plea deal, which is a guilty plea without a day in court. Furthermore, the conviction rate for people who can afford to make bail is 50% while people who spend time in pre-trial detention face a 92% conviction rate. Put simply, these people are found guilty of being poor. This effects communities of color in particular, and one can conceptualize of the prison system as a form of currency mining on marginalized people.</p>
+<p><img src="fbcard.png" width="100%" style="max-width: 285px" /></p>
+<p>Bail Bloc is a cryptocurrency scheme against bail.</p>
 
-<p>If twice as many people could afford to pay bail, the already-impacted courts would have no way of hearing the ensuing cases, as they are premised on the assumption that the majority of people won't take their cases to trial if they cannot afford bail. Bail Bloc opens up the possibility of tipping the scales and letting the courts collapse under their own weight. The project is more valuable than the sum of its hashrate, however, and seeks to open up a dialogue about the need to end the cash bail system.</p>
+<p>Its software uses idle processing power on your computer to mine for cryptocurrency, which is then used to help people awaiting trial who can’t afford to post bail.</p>
 
-<p>My talk would include a brief history and description of the project, as well as consideration for the horizon of activism; Given the idea of the Operational Image, that most images created today are not intended for the human eye, art and cultural production must engage in a new modality of moving beyond occupying visual culture, and towards mounting systems as arguments and interventions.</p>
+<p>Additional collaborators include Maya Binyam, Francis Tseng, JB Rubinovitz, Sam Lavigne, Dhruv Mehrotra, and the Dark Inquiry collective.</p>
 
 <p>
 	<a href="https://github.com/thenewinquiry/bailbloc" target="_blank">Github</a>

participants/houssam-al-deen/index.md

@@ -0,0 +1,11 @@
+---
+layout: page
+title: Houssam Al Deen
+---
+<h3>Houssam Al Deen</h3>
+<p>While in his native Syria, Houssam worked as a language and Political Sciences professor, and as as a  producer,  local liaison and translator for international media such as the BBC, ABC (Australia), Al-Jazeera and France 2. Together with international film crews, he filmed documentaries and segments on social issues in Syria, notably the situation of Iraqi refugees. He was arrested five times, after which he finally fled abroad. He’s been living in Germany since 2012 and continues to work as a freelance producer and research assistant for radio and television projects covering topics throughout the Middle East and North Africa.</p>
+
+<hr />
+<h2>Panel Presentation with <a href='../rhianna-kemi/'>Rhianna Kemi</a> and <a href='../jorge-vega/'>Jorge Vega Matos</a></h2>
+<h3>A world of diasporas: transnational mobilization in times of crises</h3>
+<p>Individuals in a diaspora are often in a precarious situation, facing deep questions about their identity in the countries or societies they are in, while dealing issues from the countries they or their families come from. To cope with their translocal status, diasporas have embraced models of distributed power, decentralized organization, and hybrid identity that seem tailor-made for contemporary society. This is particularly obvious in times that require mobilization in response to political issues, natural disasters, and forced migration. In this session, we will explore experiences from the Puerto Rican, Syrian, and Caribbean/black British diaspora. What are the common challenges and themes of Diaspora communities as they mobilize around different issues? What role has technology played or might play? How might Diaspora communities inspire other types of networks?</p>

participants/index.html

@@ -10,8 +10,6 @@ order: 1
     <h3>2018 Radical Networks Participants</h3>
 	<ul>
 	  
-		<li><a href="/participants/adam-ringwood/">Adam Ringwood</a></li>  
-	  
 		<li><a href="/participants/adnan-hadzi/">Adnan Hadzi</a></li>  
 	  
 		<li><a href="/participants/benedict-lau/">Benedict Lau</a></li>  
@@ -35,6 +33,8 @@ order: 1
 		<li><a href="/participants/giseli-vasconcelos/">Giseli Vasconcelos</a></li>  
 	  
 		<li><a href="/participants/grayson-earle/">Grayson Earle</a></li>  
+
+		<li><a href='/participants/houssam-al-deen/'>Houssam Al Deen</a></li>
 	  
 		<li><a href="/participants/jorge-vega/">Jorge Vega</a></li>  
 	  
@@ -59,6 +59,8 @@ order: 1
 		<li><a href="/participants/raphael-bastide/">Raphaël Bastide</a></li>  
 	  
 		<li><a href="/participants/rebecca-uliasz/">Rebecca Uliasz</a></li>  
+
+		<li><a href='/participants/rhianna-kemi/'>Rhianna Kemi</a></li>
 	  
 		<li><a href="/participants/roel-roscam-abbing/">Roel Roscam Abbing</a></li>  
 	  
@@ -72,10 +74,16 @@ order: 1
 	  
 		<li><a href="/participants/silvia-dal-dosso/">Silvia Dal Dosso</a></li>  
 	  
+		<li><a href="/participants/sisters-akousmatica/">Sisters Akousmatica</a></li>  
+	  
 		<li><a href="/participants/taller-de-casqueria/">Taller de Casquería</a></li>  
+
+		<li><a href="/participants/tamino-boehm/">Tamino Böhm</a></li>  
 	  
 		<li><a href="/participants/theresa-enghardt/">Theresa Enghardt</a></li>  
 	  
+		<li><a href="/participants/wendy-van-wynsberghe/">Wendy Van Wynsberghe</a></li>  
+	  
 		<li><a href="/participants/zenna-fiscella/">Zenna Fiscella</a></li>  
 
 	</ul>

participants/jorge-vega/index.md

@@ -8,8 +8,6 @@ title: Jorge Vega Matos
 <p>I am Jorge, a strategist and researcher focused on emerging technologies and behavior, particularly as it relates to creating and accelerating alternative models of ownership, commerce, political participation, and collective infrastructure in places like São Paulo, Lyon, and Jeddah. I'm fascinated about how people envision the future and act on it - especially in the peripheries or edges where different cultures, generations, and identities meet.</p>
 
 <hr />
-<h2>Panel Presentation</h2>
+<h2>Panel Presentation with <a href='../rhianna-kemi/'>Rhianna Kemi</a> and <a href='../houssam-al-deen/'>Houssam Al Deen</a></h2>
 <h3>A world of diasporas: transnational mobilization in times of crises</h3>
-<p>Diaspora communities are often in a precarious situation in the countries or societies they are in, but nevertheless showcase models of distributed power, decentralized organization, and collective identity that seem tailor-made for contemporary society, amid calls for new thinking around transnational ties, personal identity, and political mobilization. This is particularly obvious in times of increased conflict, natural disasters, and forced migration when Diaspora communities often take the initiative in mobilizing political power or kick-starting reconstruction in their homeland. 
-
-In this session, we will explore the experience of three diaspora activists that have been active mobilizing their communities to respond to natural disaster, civil war, and political repression back home in Puerto Rico, Syria, and Turkey. What are the common challenges and themes of Diaspora communities as they respond to crisis? What role has technology played or might play? What strategies and models from Diaspora communities are representative of a new status quo for other types of networks?</p>
+<p>Individuals in a diaspora are often in a precarious situation, facing deep questions about their identity in the countries or societies they are in, while dealing issues from the countries they or their families come from. To cope with their translocal status, diasporas have embraced models of distributed power, decentralized organization, and hybrid identity that seem tailor-made for contemporary society. This is particularly obvious in times that require mobilization in response to political issues, natural disasters, and forced migration. In this session, we will explore experiences from the Puerto Rican, Syrian, and Caribbean/black British diaspora. What are the common challenges and themes of Diaspora communities as they mobilize around different issues? What role has technology played or might play? How might Diaspora communities inspire other types of networks?</p>

participants/rhianna-kemi/index.md

@@ -0,0 +1,12 @@
+---
+layout: page
+title: Rhianna Kemi
+---
+<h3>Rhianna Kemi</h3>
+<p><a href="https://twitter.com/rhiannakemi" target="_blank">Twitter</a></p>
+<p>Rhianna grew up in London and moved to Berlin in January 2018. She is currently Events Manager at be'kech anti-cafe, where she curates a series of discussions and workshops exploring black diaspora experiences across Europe. She graduated with a politics degree from Cambridge in 2015, and has spent the last few years working as a project and community coordinator with youth organisations in the USA, Ghana and UK. She has curated and facilitated a wide-range of trainings, events and exhibitions, often focused on the themes of migration, technology and political engagement. Her writings have been published on national platforms such as the Huffington Post and The Independent; as well as Black British media outlets, including gal-dem and NoFlyOnTheWall. In her free time, she writes, reads and travels.</p>
+
+<hr />
+<h2>Panel Presentation with <a href='../houssam-al-deen/'>Houssam Al Deen</a> and <a href='../jorge-vega/'>Jorge Vega Matos</a></h2>
+<h3>A world of diasporas: transnational mobilization in times of crises</h3>
+<p>Individuals in a diaspora are often in a precarious situation, facing deep questions about their identity in the countries or societies they are in, while dealing issues from the countries they or their families come from. To cope with their translocal status, diasporas have embraced models of distributed power, decentralized organization, and hybrid identity that seem tailor-made for contemporary society. This is particularly obvious in times that require mobilization in response to political issues, natural disasters, and forced migration. In this session, we will explore experiences from the Puerto Rican, Syrian, and Caribbean/black British diaspora. What are the common challenges and themes of Diaspora communities as they mobilize around different issues? What role has technology played or might play? How might Diaspora communities inspire other types of networks?</p>

participants/sisters-akousmatica/index.md

@@ -0,0 +1,15 @@
+---
+layout: page
+title: Sisters Akousmatica
+---
+<h3>Sisters Akousmatica</h3>
+<img src="SA_logonew.jpg" width="256px" />
+<p><a href="http://www.sistersakousmatica.org" target="_blank">Website</a> | <a href="https://www.instagram.com/radioqueens/" target="_blank">Instagram</a></p>
+<p>Sisters Akousmatica is the collaborative project of Julia Drouhin and Phillipa Stafford. Together we create expanded radio projects. We produced large-scale public transmission projects, a retreat for women and non-binary artists, workshops and commissions with organisations such as Mona Foma, Liquid Architecture, Next Wave Festival, Hobiennale, The Channel, Signal, Radiophrenia, Australia Council for the Arts and Arts Tasmania. Sisters Akousmatica and 3CR were awarded the CBAA Excellence in Music Programming award at the 2017 Community Broadcasting Association of Australia Conference.</p>
+
+<hr />
+<h2>Performing</h2>
+<h3>CHAPTER 3: EARTH_MOON_EARTH</h3>
+<p>Sisters Akousmatica will perform a remote live radio play based of their third chapter of SK, Earth-Moon-Earth, followed by a Q&R discussion, from the island of Tasmania where the artists live. Set up on the longest possible terrestrial journey between shortwave radio stations, SK is a score for Sisters Akousmatica to examine further the phenomenon of anonymous/clandestine radio broadcast as a vehicle for rewriting/reimagining women and non-binary people's role in radio arts, explored broadly through “The Silent Key”. “The Silent Key” generates its own content and also uses other events and projects as a interrogative, parasitical way of creating and collecting content.</p>
+
+<p>Seeding investigations of The Silent Key was developed with funding from South Australian arts organisation Vitalstatistix, through their national hot-housing project Adhocracy. Sisters Akousmatica was awarded the WISWOS commission to perform their first live remote broadcast for the International Women’s Day event, Celebrating Women in Sound 2018, at the Goldsmiths University, London. They performed in Hobart, walked in Hong Kong, radio played “Chapter One: Signal fantôme ~ Onde fantôme” in London, using field recordings, hurdy gurdy, pink noise machine, electromagnetic pick up, voice and radio broadcast. This piece took its script from the first chapter of SK to be published as part of The People’s Library in 2018. They played the CHAPTER TWO: Propaganda, from Bloemfontein, South Africa to The Gender Diversity in Music Making Conference, Monash University, Melbourne, Australia in July 2018.</p>

participants/tamino-boehm/index.md

@@ -0,0 +1,17 @@
+---
+layout: page
+title: Tamino Böhm
+---
+<h3>Tamino Böhm</h3>
+<img src="tamino.jpg" width="256px" />
+<p><a href="https://sea-watch.org" target="_blank">Website</a> | <a href="https://twitter.com/tamhimo" target="_blank">Twitter</a></p>
+<p>The activist Tamino Böhm is the Head of Operation Moonbird - Sea-Watch e.v. He has been volunteering with Sea-Watch since the beginning of 2016. Since January 2018 he has been supervising the air surveillance project ‚Operation Moonbird‘. After the first operational year in 2015, Sea-Watch recognised that an air surveillance asset would be of high advantage in the Search and Rescue of boat people in distress. In 2016 several proto-missions took place with different aircrafts, until in 2017 ‚Operation Moonbird‘ was launched, which Tamino helped to set up. The aircraft is currently flying again from an alternative base after its operations had been criminalised and it had been blocked by Maltese authorities for more than 3 months.</p>
+
+<p>He will highlight the current political and pretextual legal challenges
+of civil Search and Rescue operations in the Central Mediterranean.</p>
+
+<hr />
+<h2>Presenting with <a href="../adnan-hadzi/">Adnan Hadzi</a></h2>
+<h3>Boattr - Towpath as Urban Commons</h3>
+<p>The ‘boattr – living on the cut’ installation (by Natascha Sturny &amp; Adnan Hadzi) depicts the canals of the British Waterways as a digital urban commons, through the artists’ journey on the narrow boat ‘Quintessence’ and the development of the ‘boattr’ prototype in collaboration with MAZI. The photographic triptych, by Natascha Sturny,
+is showcasing canal life in combination with the boattr prototype. Experience the British Waterways through accessing boattr with your WiFi enabled device over the WiFi SSID ‘boattr’.</p>

participants/wendy-van-wynsberghe/index.md

@@ -0,0 +1,22 @@
+---
+layout: page
+title: Wendy Van Wynsberghe
+---
+<h3>Wendy Van Wynsberghe</h3>
+<p>Wendy Van Wynsberghe is a DIY and digital artist, sound & field recorder, in love with nature and its wildlife, fascinated by the protocol in all its forms, including inter-human and non-human relations, script coder, physical computing aficionado, net neutrality custodian, dabbling in embroidery, crochet & knitting (with or without eTextiles). Since 2004 she was involved in the project Ellentriek that organized a series of open hardware workshops where artists worked together on their projects, mostly thematic. From 2015 to 2016 she organised Objects in common, a series of eventsthat explored “other ways of doing” such as design for functional diversity, situated digital manufacturing in for example African cities. She works with electronics, textile, sounds, open hardware, using only free software, all work under a free art license. <a href="http://wvw.collectifs.net/" target="_blank">http://wvw.collectifs.net/</a></p>
+
+<hr />
+<h2>Presenting</h2>
+<h3>Networks of One's Own, Episode 1: Etherbox</h3>
+<p>Constant member Wendy Van Wynsberghe will present the Etherbox, the first issue in the series of Networks of One's Own.</p>
+
+<p>Etherbox is a situated network from a feminist perspective that grew out of collective practices developed in and around Constant. Etherbox is an actively used working environment for collaborative publishing, but also became a platform to reflect on network technologies, on how to document artistic processes and on collaboration.
+As part of its programme, Constant, an organisation for arts and media in Brussels, regularly organises situations in which artists, activists, programmers, academics, designers and other researchers collaborate, exchange and reflect. Participants are invited to appropriate physical spaces for the time of the meeting: they share tables, couches, a library, the kitchen and its utensils, the basement or the closet. etherbox extends this hospitality into digital space. It is the installation of a temporary local platform that foregrounds the sociality of DIWO infrastructures over the services of often commercially owned spaces in global networks. Etherbox is not an 'offline network', rather it is a network with an attitude in which the local situation, archiving and conviviality take preference.</p>
+
+<p>Networks Of One's Own is set up as a series of platforms that reflect upon and experiment with collaborative on-line publishing practices in a time when commercial interests dominate digital working conditions. It appears at a moment when under the guise of data protection (GDPR), self-hosted, un-supervised network practices are under threat of being reigned in as potential liability. "Cloud services" offered via Internet access are typically provided by multinational corporations and it is easy to forget that the seamless experience historically originates in an "inter-network" linking together different autonomous and disconnected networks of varying scales: institutional, personal, educational and military.</p>
+
+<p>The title Networks of One's Own refers to Virginia Woolf's classic essay A Room of One's Own which makes the case for a woman needing a space to herself to write. It was published in the historical context of Victorian England where women were expected to occupy themselves with domestic and marital duties rather than the autonomous practice of writing. Woolf's claim for a Room Of Her Own is complicated by the fact that her autonomy depended on her ability to hire staff that she could outsource her household chores to. Networks Of Ones Own takes this text as an inspiration to rethink digital intimacy, dependencies and relations in networked practices. It wants to re-imagine how technical and content work grow together, and radically questions the way tools and practices are shaping collaborative content and vice versa.</p>
+
+<p>The series Networks Of One's Own is taken care of by related but independent collectives. For each of the episodes, we propose different experimental tools for situated writing and publishing. In this way, the series allows for showing multiple perspectives, to generate multivoiced forms of documentation. It makes the editorial process of each episode a testcase for the same technologies that it reflects upon. Like the old adage of the PERL community ('There is More Than One Way To Do It'), this project is about the heterogeneity of tools and of practices, ultimately foregrounding the inherent sociality of software.</p>
+<p>Constant: <a href="http://constantvzw.org/" target="_blank">http://constantvzw.org/</a></p>
+<p>Networks of One's Own: <a href="http://etherbox.constantvzw.org/etherdump/MANUAL.html" target="_blank">http://etherbox.constantvzw.org/etherdump/MANUAL.html</a></p>

program/index.html

@@ -79,7 +79,7 @@ order: 2
 					</td>
 					<td class="workshop">
 						<a href="../participants/eileen-wagner/">
-							<span class="title">Workshop: Communicating Privacy in Open</span></br>
+							<span class="title">Workshop: Communicating Privacy in Open Networks</span></br>
 							Eileen Wagner</a>
 					</td>
 				</tr>
@@ -93,10 +93,10 @@ order: 2
 					<td></td>
 				</tr>
 				<tr class="public">
-					<td>19:00 til 23:00</td>
-					<td colspan="2">Opening party<br/>Free and open to the public!</td>
+					<td>19:00</td>
+					<td colspan="2">Radical Networks Opening ~ Free and open to the public!</td>
 				</tr>
-				<tr>
+				<tr class="public">
 					<td>19:30</td>
 					<td></td>
 					<td>
@@ -105,7 +105,7 @@ order: 2
 							Chelsea Thompto</a>
 					</td>
 				</tr>
-				<tr>
+				<tr class="public">
 					<td>20:00</td>
 					<td></td>
 					<td>
@@ -114,7 +114,7 @@ order: 2
 							Grayson Earle</a>
 					</td>
 				</tr>
-				<tr>
+				<tr class="public">
 					<td>21:00</td>
 					<td></td>
 					<td>
@@ -125,7 +125,7 @@ order: 2
 				</tr>
 				<tr class="public">
 					<td>til 23:00</td>
-					<td colspan="2">Opening party<br/>Free and open to the public!</td>
+					<td colspan="2">Radical Networks Opening ~ Free and open to the public!</td>
 				</tr>
 			</tbody>
 		</table>
@@ -250,8 +250,13 @@ order: 2
 					<td></td>
 				</tr>
 				<tr class="public">
-					<td>til 21:00</td>
-					<td colspan="2">Open Gallery Hours<br/>Free and open to the public!</td>
+					<td>18:00 till 21:00</td>
+					<td>Open Gallery Hours<br/>Free and open to the public!</td>
+					<td>
+						<a href="../participants/sisters-akousmatica/">
+							<span class="title">Performance:</span> Sisters Akousmatica - CHAPTER 3: EARTH_MOON_EARTH
+						</a>
+					</td>
 				</tr>
 			</tbody>
 		</table>
@@ -301,9 +306,9 @@ order: 2
 				<tr>
 					<td>13:30</td>
 					<td>
-						<a href="../participants/adam-ringwood/">
-							<span class="title">Internet Background Traffic</span></br>
-							Adam Ringwood
+						<a href="../participants/wendy-van-wynsberghe/">
+							<span class="title">Networks of One's Own, Episode 1: Etherbox</span></br>
+							Wendy Van Wynsberghe
 						</a>
 					</td>
 				</tr>
@@ -356,8 +361,8 @@ order: 2
 					</td>
 				</tr>
 				<tr class="public">
-					<td>til 23:00</td>
-					<td>Closing party<br/>Free and open to the public!</td>
+					<td>18:00 til 23:00</td>
+					<td>Closing party ~ Free and open to the public!</td>
 				</tr>
 			</tbody>
 		</table>