fixing links

participants/cedric-parizot/index.html

@@ -9,6 +9,5 @@ title : Cédric Parizot
 <hr />
 <h2>Exhibiting with <a href="../joana-moll">Joana Moll</a></h2>
 <h3>The Virtual Watchers</h3>
-<p>The Virtual Watchers questions the dynamics of crowdsourcing the national security and border control through social media. The project focuses on the exchanges that occurred within a Facebook group that gathered American volunteers ready to monitor US-Mexico border through an online platform that displayed live screenings of CCTV cameras. The declared aim of this operation was to bring American citizens to participate in reducing border crime and block the entrance of illegal immigration to the US by means of crowdsourcing. This initiative, a public-private partnership, was originally launched in 2008 and consisted of a website and a network of 200 cameras and sensors located in strategic areas along the US Mexico border. Some of these cameras were also installed in the private properties of volunteering citizens. The online platform gave free access to the camera broadcasts 24/7 and allowed users to report anonymously if they noticed any suspicious activity on the border. The Virtual Watchers offers an interactive window that allows the public to access some of the original video feeds recorded by the RedServant’s surveillance cameras, and dive into the conversations, jokes, and questionings of the Facebook group that gathered some of the volunteering citizens that actively used the platform. By doing so, it highlights to what extent the emotional investment and exchanges of these people work as an essential mechanism in the construction and legitimization of a post-panoptic system.</p>
-
-<p>Visit the project here: <a href="http://www.virtualwatchers.de/" target="_blank">http://www.virtualwatchers.de/</a></p>
+<p><a href="http://www.virtualwatchers.de/" target="_blank">Project Website</a></p>
+<p>The Virtual Watchers questions the dynamics of crowdsourcing the national security and border control through social media. The project focuses on the exchanges that occurred within a Facebook group that gathered American volunteers ready to monitor US-Mexico border through an online platform that displayed live screenings of CCTV cameras. The declared aim of this operation was to bring American citizens to participate in reducing border crime and block the entrance of illegal immigration to the US by means of crowdsourcing. This initiative, a public-private partnership, was originally launched in 2008 and consisted of a website and a network of 200 cameras and sensors located in strategic areas along the US Mexico border. Some of these cameras were also installed in the private properties of volunteering citizens. The online platform gave free access to the camera broadcasts 24/7 and allowed users to report anonymously if they noticed any suspicious activity on the border. The Virtual Watchers offers an interactive window that allows the public to access some of the original video feeds recorded by the RedServant’s surveillance cameras, and dive into the conversations, jokes, and questionings of the Facebook group that gathered some of the volunteering citizens that actively used the platform. By doing so, it highlights to what extent the emotional investment and exchanges of these people work as an essential mechanism in the construction and legitimization of a post-panoptic system.</p>

participants/joana-moll/index.html

@@ -10,6 +10,5 @@ title : Joana Moll
 <hr />
 <h2>Exhibiting with <a href="../cedric-parizot">Cédric Parizot</a></h2>
 <h3>The Virtual Watchers</h3>
-<p>The Virtual Watchers questions the dynamics of crowdsourcing the national security and border control through social media. The project focuses on the exchanges that occurred within a Facebook group that gathered American volunteers ready to monitor US-Mexico border through an online platform that displayed live screenings of CCTV cameras. The declared aim of this operation was to bring American citizens to participate in reducing border crime and block the entrance of illegal immigration to the US by means of crowdsourcing. This initiative, a public-private partnership, was originally launched in 2008 and consisted of a website and a network of 200 cameras and sensors located in strategic areas along the US Mexico border. Some of these cameras were also installed in the private properties of volunteering citizens. The online platform gave free access to the camera broadcasts 24/7 and allowed users to report anonymously if they noticed any suspicious activity on the border. The Virtual Watchers offers an interactive window that allows the public to access some of the original video feeds recorded by the RedServant’s surveillance cameras, and dive into the conversations, jokes, and questionings of the Facebook group that gathered some of the volunteering citizens that actively used the platform. By doing so, it highlights to what extent the emotional investment and exchanges of these people work as an essential mechanism in the construction and legitimization of a post-panoptic system.</p>
-
-<p>Visit the project here: <a href="http://www.virtualwatchers.de/" target="_blank">http://www.virtualwatchers.de/</a></p>
+<p><a href="http://www.virtualwatchers.de/" target="_blank">Project Website</a></p>
+<p>The Virtual Watchers questions the dynamics of crowdsourcing the national security and border control through social media. The project focuses on the exchanges that occurred within a Facebook group that gathered American volunteers ready to monitor US-Mexico border through an online platform that displayed live screenings of CCTV cameras. The declared aim of this operation was to bring American citizens to participate in reducing border crime and block the entrance of illegal immigration to the US by means of crowdsourcing. This initiative, a public-private partnership, was originally launched in 2008 and consisted of a website and a network of 200 cameras and sensors located in strategic areas along the US Mexico border. Some of these cameras were also installed in the private properties of volunteering citizens. The online platform gave free access to the camera broadcasts 24/7 and allowed users to report anonymously if they noticed any suspicious activity on the border. The Virtual Watchers offers an interactive window that allows the public to access some of the original video feeds recorded by the RedServant’s surveillance cameras, and dive into the conversations, jokes, and questionings of the Facebook group that gathered some of the volunteering citizens that actively used the platform. By doing so, it highlights to what extent the emotional investment and exchanges of these people work as an essential mechanism in the construction and legitimization of a post-panoptic system.</p>

participants/linda-dement/index.html

@@ -10,7 +10,7 @@ title : Linda Dement
 <hr />
 <h2>Exhibiting and Performing with <a href="../nancy-mauro-flude" target="_blank">Nancy Mauro-Flude</a></h2>
 <h3>AWRY SIGNALS: A Eulogy for the Stellar [Girls]</h3>
-<p><a href="http://www.lindadement.com/awry-signals.htm" target="_blank">Project Site</a></p>
+<p><a href="http://www.lindadement.com/awry-signals.htm" target="_blank">Project Website</a></p>
 <p>Awry Signals: A Eulogy for the Stellar [Girls] is code séance performance installation, a device to tap into a starlight WIFI beam in order to receive messages from the three stellar punks now making their way along it to the heavens; they shine up the cathedrals of light in the night sky.</p>
 
 <p>Awry Signals: A Eulogy for the Stellar [Girls] is an homage to the radical lives of three great women who are all recently deceased: Ari Up of the Slits (1962–2010), Poly Styrene of X-Ray Spex (1957–2011), and Chrissy Amphlett of the Divinyls (1959–2013).</p>

participants/nancy-mauro-flude/index.html

@@ -10,14 +10,14 @@ title : Nancy Mauro-Flude
 <hr />
 <h2>Presenting</h2>
 <h3>Divination: A Romantic Mutiny in a Maelstrom of Data</h3>
-<p><a href="http://divination.cc" target="_blank">Project Site</a></p>
+<p><a href="http://divination.cc" target="_blank">Project Website</a></p>
 <p>Divination is a new networked performance. The maiden voyage – set sail for the duration of June 2016 -the Museum of New and old art –festival Dark Mofo. Divination - traditionally a method of visualising the unseen - highlights the ease of access to so-called ‘private data’ and offers an alternative view of the information we transmit on a daily basis. Audiences were chaperoned by human and non-human agents (that is, ‘chatbots’) called Pirate Girls, through an energetic collision of nautical mythology, computer culture and transgressive fiction.</p>
 
 <p>The performance lecture will focus upon how the performance explores our relationship with mysterious or communal forces and how they relate to 21C mass electronic surveillance programs. The audience' [remote or local] are invited to think about the delphic relationship you may have with networks, signals, codes and other things you can not fully comprehend, but may opt in to. The modern Pyrate Queen, was not asking for gold to attend - but the audience’s data for the crew’s collective treasure chest - in order to steer the artwork. After opting in – audience experience network hauntings by Pirate girls who observe and act performatively to highlight how technical agents within networked systems have become increasingly inconspicuous.</p>
 
 <h2>Exhibiting and Performing with <a href="../linda-dement">Linda Dement</a></h2>
 <h3>AWRY SIGNALS: A Eulogy for the Stellar [Girls]</h3>
-<p><a href="http://www.lindadement.com/awry-signals.htm" target="_blank">Project Site</a></p>
+<p><a href="http://www.lindadement.com/awry-signals.htm" target="_blank">Project Website</a></p>
 <p>Awry Signals: A Eulogy for the Stellar [Girls] is code séance performance installation, a device to tap into a starlight WIFI beam in order to receive messages from the three stellar punks now making their way along it to the heavens; they shine up the cathedrals of light in the night sky.</p>
 
 <p>Awry Signals: A Eulogy for the Stellar [Girls] is an homage to the radical lives of three great women who are all recently deceased: Ari Up of the Slits (1962–2010), Poly Styrene of X-Ray Spex (1957–2011), and Chrissy Amphlett of the Divinyls (1959–2013).</p>

participants/nicolas-maigret/index.html

@@ -12,6 +12,7 @@ title : Nicolas Maigret
 <hr />
 <h2>Exhibiting and Presenting</h2>
 <h3>The Pirate Cinema</h3>
+<p><a href="http://thepiratecinema.com/" target="_blank">Project Website</a></p>
 <p>In the context of omnipresent telecommunications surveillance, “The Pirate Cinema” makes the hidden activity and geography of peer-to-peer file sharing visible. The project is presented as a monitoring room, which shows peer-to-peer transfers happening in real time on networks using the BitTorrent protocol. The installation produces an arbitrary cut-up of the files currently being exchanged. This immediate and fragmentary rendering of digital activity, embedding information about its source and destination, thus depicts the topology of digital media consumption and uncontrolled content dissemination.</p>
 
 <p><a href="http://thepiratecinema.com/" target="_blank">The Pirate Cinema</a> is based on a data interception software. It reveals, through a simple diversion, different aspects of exchange platforms, such as the global and multi-situated nature of peer-to-peer networks (P2P), the potential for viral transmission, and alternative social models. Its purpose is to make available for aesthetic exploration the pre-existing potentials of Peer-to-Peer architectures.</p>