fixed nancy and lindas links

participants/linda-dement/index.html

@@ -3,7 +3,7 @@ layout: page
 title : Linda Dement
 ---
 <h3>Linda Dement</h3>
-<img src="linda.png" />
+<img src="linda.jpg" />
 <p><a href="http://www.lindadement.com/" target="_blank">Website</a> | <a href="https://twitter.com/lucretiaCrouch" target="_blank">Twitter</a></p>
 <p>Linda Dement is a Sydney based artist who has worked in arts computing since the late 1980s. Originally a photographer, her digital practice spans the programmed, performative, textual and virtual. Her work deals with issues of disturbance, commingling psycho-sexual corporeality and the digital and electronic, giving form to the difficult territory of the unbearable and conflicted with precision and control.</p>
 

participants/nancy-mauro-flude/index.html

@@ -10,7 +10,7 @@ title : Nancy Mauro-Flude
 <hr />
 <h2>Presenting</h2>
 <h3>Divination: A Romantic Mutiny in a Maelstrom of Data</h3>
-<p>Project site <a href="http://divination.cc" target="_blank">http://divination.cc</a></p>
+<p><a href="http://divination.cc" target="_blank">Project Site</a></p>
 <p>Divination is a new networked performance. The maiden voyage – set sail for the duration of June 2016 -the Museum of New and old art –festival Dark Mofo. Divination - traditionally a method of visualising the unseen - highlights the ease of access to so-called ‘private data’ and offers an alternative view of the information we transmit on a daily basis. Audiences were chaperoned by human and non-human agents (that is, ‘chatbots’) called Pirate Girls, through an energetic collision of nautical mythology, computer culture and transgressive fiction.</p>
 
 <p>The performance lecture will focus upon how the performance explores our relationship with mysterious or communal forces and how they relate to 21C mass electronic surveillance programs. The audience' [remote or local] are invited to think about the delphic relationship you may have with networks, signals, codes and other things you can not fully comprehend, but may opt in to. The modern Pyrate Queen, was not asking for gold to attend - but the audience’s data for the crew’s collective treasure chest - in order to steer the artwork. After opting in – audience experience network hauntings by Pirate girls who observe and act performatively to highlight how technical agents within networked systems have become increasingly inconspicuous.</p>