accidentally deleted participant and program templates

_site/2018/12/12/See-You-Next-Year.html

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-              <li><a href="/participants/">Participants</a></li>
+              <li><a href="/location/">Location</a></li>
             
           
         
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       <li class="prev disabled"><a>&larr; Previous</a></li>
     
     
-      <li class="next"><a href="/2019/04/01/Announcing-2019-Dates-and-Location.html" title="Announcing 2019 Dates and Location">Next &raquo;</a></li>
+      <li class="next"><a href="/2019/04/01/Announcing-2019-Dates-and-Location" title="Announcing 2019 Dates and Location">Next &raquo;</a></li>
     
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_site/2019/04/01/Announcing-2019-Dates-and-Location.html

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+              <li><a href="/location/">Location</a></li>
             
           
         
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     <ul class="pagination">
     
-      <li class="prev"><a href="/2018/12/12/See-You-Next-Year.html" title="See You Next Year">&laquo; Previous</a></li>
+      <li class="prev"><a href="/2018/12/12/See-You-Next-Year" title="See You Next Year">&laquo; Previous</a></li>
     
     
-      <li class="next"><a href="/2019/05/16/Calling-all-Proposals.html" title="Calling all Proposals">Next &raquo;</a></li>
+      <li class="next"><a href="/2019/05/16/Calling-all-Proposals" title="Calling all Proposals">Next &raquo;</a></li>
     
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_site/2019/05/16/Calling-all-Proposals.html

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-              <li><a href="/participants/">Participants</a></li>
+              <li><a href="/location/">Location</a></li>
             
           
         
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     <ul class="pagination">
     
-      <li class="prev"><a href="/2019/04/01/Announcing-2019-Dates-and-Location.html" title="Announcing 2019 Dates and Location">&laquo; Previous</a></li>
+      <li class="prev"><a href="/2019/04/01/Announcing-2019-Dates-and-Location" title="Announcing 2019 Dates and Location">&laquo; Previous</a></li>
     
     
-      <li class="next"><a href="/2019/07/02/Deadline-Extended.html" title="Deadline Extended">Next &raquo;</a></li>
+      <li class="next"><a href="/2019/07/02/Deadline-Extended" title="Deadline Extended">Next &raquo;</a></li>
     
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_site/2019/07/02/Deadline-Extended.html

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+              <li><a href="/location/">Location</a></li>
             
           
         
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     <ul class="pagination">
     
-      <li class="prev"><a href="/2019/05/16/Calling-all-Proposals.html" title="Calling all Proposals">&laquo; Previous</a></li>
+      <li class="prev"><a href="/2019/05/16/Calling-all-Proposals" title="Calling all Proposals">&laquo; Previous</a></li>
     
     
-      <li class="next"><a href="/2019/08/01/Status-of-Submissions.html" title="Status of Submissions">Next &raquo;</a></li>
+      <li class="next"><a href="/2019/08/01/Status-of-Submissions" title="Status of Submissions">Next &raquo;</a></li>
     
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_site/2019/08/01/Status-of-Submissions.html

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-              <li><a href="/participants/">Participants</a></li>
+              <li><a href="/location/">Location</a></li>
             
           
         
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     <ul class="pagination">
     
-      <li class="prev"><a href="/2019/07/02/Deadline-Extended.html" title="Deadline Extended">&laquo; Previous</a></li>
+      <li class="prev"><a href="/2019/07/02/Deadline-Extended" title="Deadline Extended">&laquo; Previous</a></li>
     
     
-      <li class="next"><a href="/2019/09/16/Program-Announced.html" title="Program Announced">Next &raquo;</a></li>
+      <li class="next"><a href="/2019/09/16/Program-Announced" title="Program Announced">Next &raquo;</a></li>
     
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   </div>

_site/2019/09/16/Program-Announced.html

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+              <li><a href="/participants/">Participants</a></li>
             
           
         
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-              <li><a href="/participants/">Participants</a></li>
+              <li><a href="/location/">Location</a></li>
             
           
         
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     <div class="content">
       <h3>Program Announced</h3>
 
-<p>The 2019 program is live! We are thrilled to have over 50 presenters this year giving talks, workshops, performances, and more. Check out the program <a href="/program">here</a>!</p>
+<p>The 2019 program is live! We are thrilled to have over 50 presenters this year giving talks, workshops, performances, and more. Check out the program <a href="/program/">here</a>!</p>
 
     </div>
 
@@ -293,7 +291,7 @@
   
     <ul class="pagination">
     
-      <li class="prev"><a href="/2019/08/01/Status-of-Submissions.html" title="Status of Submissions">&laquo; Previous</a></li>
+      <li class="prev"><a href="/2019/08/01/Status-of-Submissions" title="Status of Submissions">&laquo; Previous</a></li>
     
     
       <li class="next disabled"><a>Next &rarr;</a>

_site/about/index.html

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-              <li><a href="/location/">Location</a></li>
+              <li><a href="/participants/">Participants</a></li>
             
           
         
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-              <li><a href="/participants/">Participants</a></li>
+              <li><a href="/location/">Location</a></li>
             
           
         

_site/archives/index.html

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+              <li><a href="/participants/">Participants</a></li>
             
           
         
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-              <li><a href="/participants/">Participants</a></li>
+              <li><a href="/location/">Location</a></li>
             
           
         

_site/gallery/index.html

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-              <li><a href="/location/">Location</a></li>
+              <li><a href="/participants/">Participants</a></li>
             
           
         
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-              <li><a href="/participants/">Participants</a></li>
+              <li><a href="/location/">Location</a></li>
             
           
         
@@ -292,6 +290,30 @@
 
     <p>The difference of this type of capitalism is substantial as it integrates the human experiences of private realm in the production processes without the individual being fully conscious. This affects the economic sphere but also the independence of the human being, because with the logic of maximizing profits the companies will try to modify the user's behaviour without the user being able to do much to defend himself. The aim of the project is to disrupt this mechanics, adding noise to the captured data, making it difficult to transform the captured user data into predictions, thus devaluing the value of the extracted data.</p>
 
+    <br/>
+    <h3>Liquid Router <a href="../participants/emma-rae-norton/">by Emma Rae Norton,</a> <a href="../participants/nicholas-gregg/">Nicholas Gregg,</a> <a href="../participants/sukanya-aneja/">and Sukanya Aneja</a></h3>
+    <p><img src="LiquidRouter.jpg" width="100%" style="max-width: 600px" /></p>
+    <p><em>Liquid Router</em> is a physical artwork that takes the form of an active Wi-Fi router––using the router as a medium to explore and demystify the implications of third-party web tracking. Through this project we are interested in asking questions of the development and architecture of hyper-scale tracking systems. We are also committed to raising awareness around the lack of transparency built into them.</p>
+
+    <p>The <em>Liquid Router</em> is built with a Raspberry Pi, and provides users with a wi-fi network to connect to. As they browse the Internet, the router 'leaks' liquid every time a request is sent to a known third-party tracker. Colored liquid diffuses into clear liquid, serving as a metaphor to the difficulty in quantifying and isolating the effects of these tracking systems. The router also displays information about the individual tracker, putting a face to this invisible background activity. Information on how this technology works, and the entire landscape around data harvesting will be disseminated through the form of a zine.</p>
+    
+    <br/>
+    <h3>Slow Net <a href="../participants/beverly-chou/">by Beverly Chou</a></h3>
+    <p><img src="slownet.jpg" width="100%" style="max-width: 600px" /></p>
+    <p>Privacy concerns have made news headlines recently, and it’s clear that our behavioral data is collected when we’re online. Some of the data is used for improving user experience, but much of it is used to predict and influence our behaviors in real-time. Data collectors can use the data to intervene and divert our actions. In this process, humans are reduced to interchangeable pieces of data in a homogenous population of data laborers. As a result, power and wealth is concentrated among those who are able to collect and gatekeep vast amounts of information. Our identities get privatized and our autonomy is threatened.</p>
+
+    <p>Because real-time collection of data is enabled by fast Internet speeds, one form of resistance could involve co-opting a tactic from labor unions called the slowdown strike, in which workers deliberately reduce their productivity. <em>Slow Net</em> aims to utilize this strategy of purposeful inefficiency in three pieces.</p>
+
+    <ul>
+        <ol>A zine called <em>A Quick Guide to the Slow Net</em> provides context about the problems underpinning online data collection and how slow networks could be used to resist data-collecting companies.</ol>
+        
+        <ol>An online messaging application, <em>Slow Chat</em>, forces users to write longer messages and wait longer between messages as conversations progress.</ol>
+
+        <ol><em>A Slow Router</em> provides free wifi at a much slower speed than expected.</ol>
+    </ul>
+
+    <p>Each of these pieces functions with the goal of slowing the capture of personal data, encouraging more intentional action, and creating opportunities for idle time that allow for introspection and self-development. Collectively these actions attempt to preserve our autonomy and identity. My hope is that as users we can reconsider our relationship with many of the internet platforms we use that exploit us, and as technologists we can re-examine our role in working with and developing these technologies.</p>
+
     <br/>
     <h3>Remembering Network <a href="../participants/sarah-friend/">by Sarah Friend</a></h3>
     <p><img src="remembering-network.png" width="100%" style="max-width: 600px" /></p>
@@ -314,6 +336,7 @@
 
     <br/>
     <h3>(no)control <a href="../participants/esther-bouquet/">by Esther Bouquet</a></h3>
+    <img src="nocontrol.jpg" width="100%" style="max-width: 600px" />
     <p>Considering the web as a free space where our private life can still be preserved often implies forgetting the strong implications and conflicts linked to the data we generate while we browse and which build our digital identity. As those tracks are collected, indexed, stored, copied, combined and agregated with each other, they raise control and surveillance questions on the network. This hidden and insidious design of control is developed by and for companies. It thus shapes a society focused towards an extreme rationalisation, that advocates for transparency while maintaining opacity regarding its infrastructures.</p>
 
     <p><em>(no)control</em> tries to unveil the mechanisms of control and their asymmetry on the web by physically embodying them. The kinect captures the face of person A standing/walking in front of the mirror structure. The person can only go back and forth or slightly move in front of it and see their face reflecting in the mirror. They cannot help but notice the camera, however interacting directly with the displayed result is impossible as the mirror structure is behind the wall where the kinect feed is projected. They embody the web users. It is person B, emboying a corporation, who can see, interact and thus control what the kinect captures. A potentiometer enables this person to have control over the portrait of person A. By turning the knob, they can manipulate as they wish the representation of the web user. They can display from a very detailed to a more geometrical face.</p>
@@ -321,33 +344,8 @@
     <p>This installation tries to illustrate how data based companies process, control and manipulate our data without our consent, awareness or involvement. The web user can never see what the corporation decides to render while the corporation has a complete takeover.</p>
 
     <br/>
-    <h3>Liquid Router <a href="../participants/emma-rae-norton/">by Emma Rae Norton,</a> <a href="../participants/nicholas-gregg/">Nicholas Gregg,</a> <a href="../participants/sukanya-aneja/">and Sukanya Aneja</a></h3>
-    <!-- <p><img src="liquid-router.jpg" width="100%" style="max-width: 600px" /></p> -->
-    <p><em>Liquid Router</em> is a physical artwork that takes the form of an active Wi-Fi router––using the router as a medium to explore and demystify the implications of third-party web tracking. Through this project we are interested in asking questions of the development and architecture of hyper-scale tracking systems. We are also committed to raising awareness around the lack of transparency built into them.</p>
-
-    <p>The <em>Liquid Router</em> is built with a Raspberry Pi, and provides users with a wi-fi network to connect to. As they browse the Internet, the router 'leaks' liquid every time a request is sent to a known third-party tracker. Colored liquid diffuses into clear liquid, serving as a metaphor to the difficulty in quantifying and isolating the effects of these tracking systems. The router also displays information about the individual tracker, putting a face to this invisible background activity. Information on how this technology works, and the entire landscape around data harvesting will be disseminated through the form of a zine.</p>
-
-    <br/>
-
     <h3>Here Be Dragons <a href="../participants/phillip-david-stearns/">by Phillip David Stearns</a></h3>
     <p><em>Here Be Dragons</em> transforms malicious network traffic, attacks on servers located around the globe, directly into sound. The project is an exercise in using the sense of sound to experience low intensity cyber conflict. Virtual Private Servers are configured as honeypots and forward copies of in and out bound packets to raspberry pis installed in the gallery. Port scans, exploit attempts, brute force login attacks, and other forms of unwarranted traffic are made audible in real-time through headphones. A guide to identifying the sonic signatures of such attacks will be accessible online to accompany the piece.</p>
-
-    <br/>
-    <h3>Slow Net <a href="../participants/beverly-chou/">by Beverly Chou</a></h3>
-    <!-- <p><img src="slownet.jpg" width="100%" style="max-width: 600px" /></p> -->
-    <p>Privacy concerns have made news headlines recently, and it’s clear that our behavioral data is collected when we’re online. Some of the data is used for improving user experience, but much of it is used to predict and influence our behaviors in real-time. Data collectors can use the data to intervene and divert our actions. In this process, humans are reduced to interchangeable pieces of data in a homogenous population of data laborers. As a result, power and wealth is concentrated among those who are able to collect and gatekeep vast amounts of information. Our identities get privatized and our autonomy is threatened.</p>
-
-    <p>Because real-time collection of data is enabled by fast Internet speeds, one form of resistance could involve co-opting a tactic from labor unions called the slowdown strike, in which workers deliberately reduce their productivity. <em>Slow Net</em> aims to utilize this strategy of purposeful inefficiency in three pieces.</p>
-
-    <ul>
-        <ol>A zine called <em>A Quick Guide to the Slow Net</em> provides context about the problems underpinning online data collection and how slow networks could be used to resist data-collecting companies.</ol>
-        
-        <ol>An online messaging application, <em>Slow Chat</em>, forces users to write longer messages and wait longer between messages as conversations progress.</ol>
-
-        <ol><em>A Slow Router</em> provides free wifi at a much slower speed than expected.</ol>
-    </ul>
-
-    <p>Each of these pieces functions with the goal of slowing the capture of personal data, encouraging more intentional action, and creating opportunities for idle time that allow for introspection and self-development. Collectively these actions attempt to preserve our autonomy and identity. My hope is that as users we can reconsider our relationship with many of the internet platforms we use that exploit us, and as technologists we can re-examine our role in working with and developing these technologies.</p>
   </div>
 </div>
 

_site/index.html

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-              <li><a href="/location/">Location</a></li>
+              <li><a href="/participants/">Participants</a></li>
             
           
         
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-              <li><a href="/participants/">Participants</a></li>
+              <li><a href="/location/">Location</a></li>
             
           
         
@@ -283,10 +281,10 @@
 
 	    </div>
 	    <p>
-	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2019/09/16/Program-Announced.html" data-via="radnetworks">Tweet</a>
+	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2019/09/16/Program-Announced" data-via="radnetworks">Tweet</a>
 	    </p>
 	    <p>
-			<a href="/2019/09/16/Program-Announced.html">Read More &raquo;</a> 
+			<a href="/2019/09/16/Program-Announced">Read More &raquo;</a> 
 	    </p> 
 	</div>  
   
@@ -302,10 +300,10 @@
 
 	    </div>
 	    <p>
-	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2019/08/01/Status-of-Submissions.html" data-via="radnetworks">Tweet</a>
+	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2019/08/01/Status-of-Submissions" data-via="radnetworks">Tweet</a>
 	    </p>
 	    <p>
-			<a href="/2019/08/01/Status-of-Submissions.html">Read More &raquo;</a> 
+			<a href="/2019/08/01/Status-of-Submissions">Read More &raquo;</a> 
 	    </p> 
 	</div>  
   
@@ -321,10 +319,10 @@
 
 	    </div>
 	    <p>
-	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2019/07/02/Deadline-Extended.html" data-via="radnetworks">Tweet</a>
+	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2019/07/02/Deadline-Extended" data-via="radnetworks">Tweet</a>
 	    </p>
 	    <p>
-			<a href="/2019/07/02/Deadline-Extended.html">Read More &raquo;</a> 
+			<a href="/2019/07/02/Deadline-Extended">Read More &raquo;</a> 
 	    </p> 
 	</div>  
   
@@ -403,10 +401,10 @@
 
 	    </div>
 	    <p>
-	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2019/05/16/Calling-all-Proposals.html" data-via="radnetworks">Tweet</a>
+	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2019/05/16/Calling-all-Proposals" data-via="radnetworks">Tweet</a>
 	    </p>
 	    <p>
-			<a href="/2019/05/16/Calling-all-Proposals.html">Read More &raquo;</a> 
+			<a href="/2019/05/16/Calling-all-Proposals">Read More &raquo;</a> 
 	    </p> 
 	</div>  
   
@@ -420,10 +418,10 @@
 
 	    </div>
 	    <p>
-	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2019/04/01/Announcing-2019-Dates-and-Location.html" data-via="radnetworks">Tweet</a>
+	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2019/04/01/Announcing-2019-Dates-and-Location" data-via="radnetworks">Tweet</a>
 	    </p>
 	    <p>
-			<a href="/2019/04/01/Announcing-2019-Dates-and-Location.html">Read More &raquo;</a> 
+			<a href="/2019/04/01/Announcing-2019-Dates-and-Location">Read More &raquo;</a> 
 	    </p> 
 	</div>  
   
@@ -437,10 +435,10 @@
 
 	    </div>
 	    <p>
-	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2018/12/12/See-You-Next-Year.html" data-via="radnetworks">Tweet</a>
+	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2018/12/12/See-You-Next-Year" data-via="radnetworks">Tweet</a>
 	    </p>
 	    <p>
-			<a href="/2018/12/12/See-You-Next-Year.html">Read More &raquo;</a> 
+			<a href="/2018/12/12/See-You-Next-Year">Read More &raquo;</a> 
 	    </p> 
 	</div>  
 

_site/location/index.html

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-              <li class="active"><a href="/location/" class="active">Location</a></li>
+              <li><a href="/participants/">Participants</a></li>
             
           
         
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-              <li><a href="/participants/">Participants</a></li>
+              <li class="active"><a href="/location/" class="active">Location</a></li>
             
           
         

_site/participants/adam-mcfillin/index.html

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+              <li><a href="/participants/">Participants</a></li>
             
           
         
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-              <li><a href="/participants/">Participants</a></li>
+              <li><a href="/location/">Location</a></li>
             
           
         

_site/participants/alden-rivendale-jones/index.html

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-              <li><a href="/location/">Location</a></li>
+              <li><a href="/participants/">Participants</a></li>
             
           
         
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-              <li><a href="/participants/">Participants</a></li>
+              <li><a href="/location/">Location</a></li>
             
           
         

_site/participants/anamhoo/index.html

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-        
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-              <li><a href="/location/">Location</a></li>
+              <li><a href="/participants/">Participants</a></li>
             
           
         
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-              <li><a href="/participants/">Participants</a></li>
+              <li><a href="/location/">Location</a></li>
             
           
         

_site/participants/angela-arias-zapata/index.html

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-              <li><a href="/location/">Location</a></li>
+              <li><a href="/participants/">Participants</a></li>
             
           
         
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-              <li><a href="/participants/">Participants</a></li>
+              <li><a href="/location/">Location</a></li>
             
           
         
@@ -273,7 +271,7 @@
 <div class="row">
   <div class="col-xs-12">
     <h3>Angela Arias Zapata</h3>
-<!-- <img src="sarahfriend.png" width="256px" /> -->
+<p><img src="AriasZapata.jpg" width="256px" /></p>
 <p>I am a PhD candidate at the Media, Culture, and Communication Department at New York University. My research is about media infrastructures in rural areas in South America (specifically in Colombia), the neocolonial dynamics that take place at the level of state and corporate power, and their subsequent clash with communities claiming their rights to collective land ownership over ancestral territories –indigenous and Afro-Colombian communities.</p>
 
 <p>My academic intervention seeks to contribute to the understanding of the relationship between social movements and media in the Global South, through the analysis of media infrastructures as sites of contention in which otherness is both reproduced and resisted. Apart from being a researcher and educator in media studies, I am a publisher. I received a Master's degree in Publishing from the University of Salamanca in Spain and a Bachelor's degree in Literary Studies from the National University of Colombia. Currently, I lead the independent editorial project Himpar Editores.</p>

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 <h2>Exhibiting</h2>
 <h3>Slow Net</h3>
+<p><img src="slownet.jpg" width="100%" style="max-width: 600px" /></p>
 <p>Privacy concerns have made news headlines recently, and it’s clear that our behavioral data is collected when we’re online. Some of the data is used for improving user experience, but much of it is used to predict and influence our behaviors in real-time. Data collectors can use the data to intervene and divert our actions. In this process, humans are reduced to interchangeable pieces of data in a homogenous population of data laborers. As a result, power and wealth is concentrated among those who are able to collect and gatekeep vast amounts of information. Our identities get privatized and our autonomy is threatened.</p>
 
 <p>Because real-time collection of data is enabled by fast Internet speeds, one form of resistance could involve co-opting a tactic from labor unions called the slowdown strike, in which workers deliberately reduce their productivity. <em>Slow Net</em> aims to utilize this strategy of purposeful inefficiency in three pieces.</p>

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 <h2>Exhibiting with <a href="../nicholas-gregg/">Nicholas Gregg</a> and <a href="../sukanya-aneja/">Sukanya Aneja</a></h2>
 <h3>Liquid Router</h3>
+<p><img src="LiquidRouter.jpg" width="100%" style="max-width: 600px" /></p>
 <p><em>Liquid Router</em> is a physical artwork that takes the form of an active Wi-Fi router––using the router as a medium to explore and demystify the implications of third-party web tracking. Through this project we are interested in asking questions of the development and architecture of hyper-scale tracking systems. We are also committed to raising awareness around the lack of transparency built into them.</p>
 
 <p>The <em>Liquid Router</em> is built with a Raspberry Pi, and provides users with a wi-fi network to connect to. As they browse the Internet, the router 'leaks' liquid every time a request is sent to a known third-party tracker. Colored liquid diffuses into clear liquid, serving as a metaphor to the difficulty in quantifying and isolating the effects of these tracking systems. The router also displays information about the individual tracker, putting a face to this invisible background activity. Information on how this technology works, and the entire landscape around data harvesting will be disseminated through the form of a zine.</p>

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 <h2>Exhibiting</h2>
 <h3>(no)control</h3>
+<p><img src="nocontrol.jpg" width="100%" style="max-width: 600px" /></p>
 <p>Considering the web as a free space where our private life can still be preserved often implies forgetting the strong implications and conflicts linked to the data we generate while we browse and which build our digital identity. As those tracks are collected, indexed, stored, copied, combined and agregated with each other, they raise control and surveillance questions on the network. This hidden and insidious design of control is developed by and for companies. It thus shapes a society focused towards an extreme rationalisation, that advocates for transparency while maintaining opacity regarding its infrastructures.</p>
 
 <p><em>(no)control</em> tries to unveil the mechanisms of control and their asymmetry on the web by physically embodying them. The kinect captures the face of person A standing/walking in front of the mirror structure. The person can only go back and forth or slightly move in front of it and see their face reflecting in the mirror. They cannot help but notice the camera, however interacting directly with the displayed result is impossible as the mirror structure is behind the wall where the kinect feed is projected. They embody the web users. It is person B, emboying a corporation, who can see, interact and thus control what the kinect captures. A potentiometer enables this person to have control over the portrait of person A. By turning the knob, they can manipulate as they wish the representation of the web user. They can display from a very detailed to a more geometrical face.</p>

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 <p>Hotglue is a FOSS "What you see is what you get" editor for the web. Created by Danja Vasiliev &amp; Gottfried Haider together with the WORM Foundation in 2010, Hotglue is being used by a large number of people on the free hosting service hotglue.me. In a custom modified version, created for this workshop, participants will explore how this intuitive site-building tool can work together with decentralized-web technologies, such as the Dat protocol and the Beaker browser.</p>
 
-<p>The workshop will run Sunday, October 20, 2019, from 10:00 am - 1:00 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
+<p>The workshop will run Sunday, October 20, 2019, from 10:00 am - 12:30 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
 
 <p>Participants should bring their laptop to the workshop.</p>
 

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 <div class="row">
   <div class="col-xs-12">
     <h3>Greta Byrum</h3>
-<p><img src="" width="256px" /></p>
+<p><img src="byrum-profile-2.jpg" width="256px" /></p>
 <p><a href="https://www.digitalequitylab.org/" target="_blank">Website</a> | <a href="https://twitter.com/gretabyrum" target="_blank">Twitter</a></p>
-<p></p>
+<p>Greta Byrum reimagines the way we design, build, control, and govern communications systems. As Co-Director of the Digital Equity Laboratory at the New School for Social Research and Director of the Community Tech New York project, she builds digital justice through applied research, community collaborations, and policy strategy. Previously Byrum founded and led the Resilient Communities program at New America, where she developed and led Resilient Networks NYC, an initiative bringing training, tools, and equipment for storm-hardened mesh WiFi to five neighborhoods in NYC's flood zones. Current projects include community wireless network collaborations in rural Tennessee and the Hudson Valley and a curriculum manual for 2020 digital decennial census preparedness. An urban planner, poet, and digital justice organizer, Byrum also serves on the board of the Metropolitan New York Library Council.</p>
 
 <hr />
 
 <h2>Presenting</h2>
-<h3>2020 Censor as infrastructure issue</h3>
+<h3>How to Radicalize the Decennial Census</h3>
+<p>The census operates as public infrastructure in multiple ways (civic, social, data, buildings, machines, institutions). The count determines how much funding communities receive for schools, libraries, parks, services, roads, etc. -- and how legislative districts get drawn (or gerrymandered to suppress representation). In 2020, for the first time, the decennial count will be digital, both opening up new risks and fields of possibilities. And, as with other infrastructure, we can leverage, reimagine, and rebuild the census to advance collective purpose and vision. This session will explore means, methods, and the state of play.</p>
 
   </div>
 </div>

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   <div class="col-xs-12">
     <h3>Hiba Ali</h3>
 <p><img src="hiba-ali.jpeg" width="256px" /></p>
-<p><a href="http://hibaali.info/" target="_blank">Website</a></p>
-<p>Hiba Ali is a new media artist, writer, musician and curator based across Chicago, IL, Austin, TX, and Toronto, CA. Her performances and videos concern music, labour and power. She conducts reading groups addressing digital media and workshops with open-source technology. She is a PhD candidate in Cultural Studies at Queens University, Kingston, Canada. She has presented her work in Chicago, Stockholm, Toronto, New York, Istanbul, São Paulo, Detroit, Dubai, Austin, Vancouver, and Portland.</p>
+<p><a href="https://hibaali.info/" target="_blank">Website</a></p>
+<p>Hiba Ali is a new media artist, writer, DJ, experimental music producer and curator based across Chicago, IL, Austin, TX, and Toronto, ON. Her performances and videos concern music, labour and power. She conducts reading groups addressing digital media and workshops with open-source technology. She is a PhD candidate in Cultural Studies at Queens University, Kingston, Canada. She has presented her work in Chicago, Stockholm, Toronto, New York, Istanbul, São Paulo, Detroit, Dubai, Austin, Vancouver, and Portland.</p>
 
 <hr />
 

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 		<li><a href="/participants/angela-arias-zapata/">Angela Arias Zapata</a></li>  
 	  
-		<!-- <li><a href="/participants/greta-byrum/">Greta Byrum</a></li>   -->
-		<li>Greta Byrum</li>  
+		<li><a href="/participants/greta-byrum/">Greta Byrum</a></li>  
 	  
 		<li><a href="/participants/slammer/">Slammer</a></li>  
 	  
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 		<!-- <li><a href="/participants/yamil-lora/">Yamil Lora</a></li>   -->
 		<li>Yamil Lora</li>  
 	  
-		<!-- <li><a href="/participants/myaisha-hayes/">Myaisha Hayes</a></li>   -->
-		<li>Myaisha Hayes</li>  
+		<li><a href="/participants/myaisha-hayes/">Myaisha Hayes</a></li>
 
-		<!-- <li><a href="/participants/ulandis-fort/">Ulandis Fort</a></li>   -->
-		<li>Ulandis Fort</li>  
+		<li><a href="/participants/ulandis-fort/">Ulandis Fort</a></li>  
 	  
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 		<li><a href="/participants/melanie-hoff/">Melanie Hoff</a></li>  
 	  
-		<li><a href="/participants/julia/">Julia</a></li>  
+		<li><a href="/participants/laguerraruda/">laguerraruda</a></li>  
 
 		<li><a href='/participants/nicholas-gregg/'>Nicholas Gregg</a></li>
 	  

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     <meta charset="utf-8">
     <meta http-equiv="X-UA-Compatible" content="IE=edge">
 
-    <title>Julia</title>
+    <title>laguerraruda</title>
     
     <meta name="author" content="Radical Networks">
 
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 <div class="row">
   <div class="col-xs-12">
-    <h3>Julia</h3>
+    <h3>laguerraruda</h3>
 <p><img src="laguerraruda-256x256.jpg" width="256px" /></p>
 <p><a href="https://laguerraruda.wordpress.com/" target="_blank">Website</a> | <a href="https://twitter.com/laguerraruda/" target="_blank">Twitter</a></p>
 <p>For years I’ve contributed to the maintenance of human networks. I have learned from mistakes and continue to try new methods and systems to improve their persistence: care, communication, body and territory, crossed by a deep political conviction of freedom and autonomy. Not all of these processes are available online. Few years ago I started working in an NGO, in digital rights advocacy. Today I'm kind of a translator: critical appropriation of technology, from my activist work; end-user perspectives in internet architecture, as part of my job. I also write in spanish:
 	<ul>
-		<li><a href="https://www.derechosdigitales.org/author/juliana/" target="_blank">https://www.derechosdigitales.org/author/juliana/</a></li>
 		<li><a href="https://genderit.org/es/feminist-talk/edicion-especial-sexo-virtual-sin-intercambio-de-fluidos-ni-privacidad" target="_blank">https://genderit.org/es/feminist-talk/edicion-especial-sexo-virtual-sin-intercambio-de-fluidos-ni-privacidad</a></li>
 		<li><a href="https://revistamarea.com/2018/06/30/aprender-a-navegar-libres/" target="_blank">https://revistamarea.com/2018/06/30/aprender-a-navegar-libres/</a></li>
 		<li><a href="https://pillku.org/article/des-programar-en-clitoris/" target="_blank">https://pillku.org/article/des-programar-en-clitoris/</a></li>
-		<li><a href="http://i.letrada.co/n20/articulo/la-red/90/ninja%5D" target="_blank">http://i.letrada.co/n20/articulo/la-red/90/ninja%5D</a></li>
 	</ul>
 </p>
 
 <hr />
 
 <h2>Workshop</h2>
-<h3>Our Possible Autonomous Connectivity. Cartography in Process</h3>
-<p>What will the internet of the future look like? Ours will be far removed from the dominant business model. We imagine small-scale federated networks, based on free protocols and standards, that allow us to communicate without fear of control and surveillance. How to make this dream come true? Bringing our knowledge closer is a first step. This workshop is part of a series which main objective is the development of an icon set, as didactic material for the participative planning of network architectures with communities. We'll do a social cartography exercise: 1. identifying some of the needs and desires that a community network can satisfy; 2. defining specific and necessary technologies (infraestructure, hardware, software) and some of its uses and characteristics; 3. looking for the best way to visualize these elements on the space, in order to build icons. What I want is to advance in the development of complementary tools in the processes of design and construction of community networks that seek autonomous forms of connectivity. I propose this workshop in this space, hoping that people who master different types of technology will be able to contribute their advanced knowledge, which will then be fed by the knowledge, on the ground, of communities -not technicals- interested in building and managing their own communications networks.</p>
+<h3>networks. an icon set</h3>
+<p><img src="networks.png" width="100%" style="max-width: 600px" /></p>
+<p>How will the internet of the future look like? Ours will be far away from the dominant business model. We can imagine small-scale federated networks, based on free protocols that allow us to communicate without fear of control and surveillance. How to make this dream coming true?</p>
+
+<p>Bringing our knowledge closer is a first step. This workshop is part of a series, which main objective is the development of an icon set, as didactic material for the participative planning of network architectures with communities.</p>
+
+<p>We'll make a social cartography exercise:</p>
+
+<ul>
+	<ol>1. identify some needs and desires a community network can satisfy;</ol>
+	<ol>2. define specific and necessary technologies (infrastructure, hardware, software), some of its uses, and its characteristics;</ol> 
+	<ol>3. look for the best way to visualize these elements on the space, in order to build icons.</ol>
+</ul>
+
+<p>Throughout this workshop, we will go further in the development of complementary tools for the design and construction processes of community networks that seek for autonomous forms of connectivity. We hope that people with a variety of technical skills can exchange with communities -non-technical- interested in building and managing their own communications networks.</p>
 
 <p>The workshop will run Sunday, October 20, 2019, from 4:20 pm - 6:30 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
 

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     <h3>Melanie Hoff</h3>
 <p><img src="melanie.jpg" width="256px" /></p>
 <p><a href="https://melanie-hoff.com/" target="_blank">Website</a> | <a href="https://twitter.com/melanie_hoff/" target="_blank">Twitter</a></p>
-<p>Melanie Hoff is an artist and educator examining the role technology plays in social organization and reinforcing hegemonic structures. Their work plays with structural conventions of software, installation, and workshops. They are a founding member of the "Cybernetics Library", an art and research collective offering resources for study and critique of technical and social systems and "Soft Surplus", a collective art studio warehouse for making things near each other. They teach at Rutgers University, the School for Poetic Computation, and have presented their work in the New Museum, the Queens Museum, The Internet Archive, and elsewhere.</p>
+<p>Melanie Hoff is an artist and educator examining the role technology plays in social organization and reinforcing hegemonic structures. Their work plays with structural conventions of software, installation, and workshops. They are a founding member of the Cybernetics Library, an art and research collective offering resources for study and critique of technical and social systems and Soft Surplus, a collective art studio for learning together by making things near each other. They teach at the Rhode Island School of Design, the School for Poetic Computation, and have presented their work in the New Museum, the Queens Museum, The Internet Archive, and elsewhere.</p>
 
 <hr />
 
 <h2>Workshop</h2>
-<h3>Peer-to-Peer Poetry: Invisible Cities</h3>
-<p>What if we could create and inhabit a new kind of digital city that transforms our online networks from something we passively receive to something we actively create? In this workshop we will collectively create a peer-to-peer city using the structure of nested folders and DAT. Through lecture, examples, and hands on making, we will explore folder structures as a new kind of narrative poetic structure and DAT as a way to build digital spaces with and for our networks.</p>
+<h3>Peer-to-Peer Folder Poetry</h3>
+<p><img src="rad-nets-1.6.jpg" width="100%" style="max-width: 600px" /></p>
+<p>What if we could transform our online networks from something we passively receive to something we actively create? Folder Poetry is the practice of using the structure of computer folder organization as a new kind of poetic form like the haiku or iambic pentameter. By naming and nesting folders and files, we can create unfolding narratives, rhythmic prose, and choose-your-own-adventure poetry. In this workshop we will collectively create peer-to-peer folder poetry using the command line and Dat. Through lecture, examples, and writing folder poetry as meditation, we will explore the narrative qualities of folder structures and DAT as a tool for building digital spaces with and for our networks.</p>
 
-<p>In this session we will create a space where we are having a conversation with computers and writing poetry with their logic. We will work with computers and DAT as collaborators and develop a taste for creating emotive and community centered software.</p>
+<p>In this session we will get intimate with computers and write poetry with their logic. This workshop is an introduction to writing folder poetry, the P2P protocol Dat, and navigating the command line interface using Bash.</p>
 
-<p>Together, we will create poetry through building a folder-based city on the peer-to-peer web for each other to inhabit during the duration of the workshop and beyond.</p>
+<p>Together, we will create living networked poetry through connecting folders on the peer-to-peer web for each other to inhabit and explore.</p>
 
 <p>This workshop assumes no coding experience and simultaneously takes the position that everyone who interacts with computers in some way is already a programmer.</p>
 
 <p>The workshop will run Saturday, October 19, 2019, from 10:00 am - 12:30 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
 
-<p>Participants should bring their laptop to the workshop.</p>
+<p>Participants should bring their laptop to the workshop. Please contact Melanie beforehand if you are planning to use a Windows machine.</p>
 
 <p>Additional information
 	<ul>

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   <div class="col-xs-12">
     <h3>Myaisha Hayes</h3>
 <p><img src="Headshot.jpg" width="256px" /></p>
+<p><a href="https://mediajustice.org/" target="_blank">Website</a> | <a href="https://twitter.com/MyaishaAyanna" target="_blank">Twitter</a></p>
 <p>Myaisha is the National Organizer on Criminal Justice &amp; Technology at MediaJustice. Myaisha brings several years of organizing experience with her from various national and local campaigns including President Obama’s re-election campaign, Fight for $15, and the CLOSErikers Campaign. As the grandchild of a political prisoner, she is deeply committed to organizing people power that leads to radical transformative change and justice. Myaisha earned her BA in Black Studies at Occidental College and currently lives in Brooklyn, New York.</p>
 
 <hr />
 
 <h2>Presenting with <a href="../ulandis-fort">Ulandis Fort</a></h2>
-<h3>Prison Phone Justice</h3>
+<h3>The Fight for Prison Phone Justice</h3>
+<p>For the millions of families that seek to remain in touch with their incarcerated loved ones, communication can come at a high cost. For 20 years, Mrs. Martha Wright-Reed fought the prison phone industry to reduce the high cost of prison phone calls so that she could stay in touch with her beloved grandson, Ulandis Forte. While several states have reduced the cost of prison phone calls, the fight to cap rates nationally continues. Join Ulandis Forte, Prison Phone Justice Activist and Myaisha Hayes, the National Organizer on Criminal Justice &amp; Tech from MediaJustice to learn more about how communities impacted by mass incarceration have continued to fight for their communication rights.</p>
 
   </div>
 </div>

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 <h2>Exhibiting with <a href="../emma-rae-norton/">Emma Rae Norton</a> and <a href="../sukanya-aneja/">Sukanya Aneja</a></h2>
 <h3>Liquid Router</h3>
+<p><img src="LiquidRouter.jpg" width="100%" style="max-width: 600px" /></p>
 <p><em>Liquid Router</em> is a physical artwork that takes the form of an active Wi-Fi router––using the router as a medium to explore and demystify the implications of third-party web tracking. Through this project we are interested in asking questions of the development and architecture of hyper-scale tracking systems. We are also committed to raising awareness around the lack of transparency built into them.</p>
 
 <p>The <em>Liquid Router</em> is built with a Raspberry Pi, and provides users with a wi-fi network to connect to. As they browse the Internet, the router 'leaks' liquid every time a request is sent to a known third-party tracker. Colored liquid diffuses into clear liquid, serving as a metaphor to the difficulty in quantifying and isolating the effects of these tracking systems. The router also displays information about the individual tracker, putting a face to this invisible background activity. Information on how this technology works, and the entire landscape around data harvesting will be disseminated through the form of a zine.</p>

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 <div class="row">
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     <h3>Sarah Friend</h3>
-<img src="SarahFriendHeadshot2.jpg" width="256px" />
+<p><img src="SarahFriendHeadshot2.jpg" width="256px" /></p>
 <p><a href="https://isthisa.com/" target="_blank">Website</a> | <a href="https://twitter.com/isthisanart_/" target="_blank">Twitter</a></p>
 <p>Sarah Friend is an artist and software engineer, with special interest in blockchain and the p2p web. She exhibited work at NEoN Festival in Scotland, Moneylab in London, Gray Area Festival in San Francisco, Microwave Festival in Hong Kong, the Athens Biennale, and the ZKM Center for Art and Media In Germany.  She is a proud Recurse Centre alum, and is one of the organizers of Our Networks, a conference on all aspects of the distributed web in Toronto.</p>
 

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 <p><a href="https://michi-gato.github.io/" target="_blank">Website</a> | <a href="https://twitter.com/snewyuen/" target="_blank">Twitter</a></p>
 <p>Sarah is a modern-contemporary dancer and a librarian-archivist in training. She is a student at the University of Washington's iSchool for Library and Information Science, project coordinator for <a href="http://preservethispodcast.org/" target="_blank">Preserve This Podcast</a>, research scientist for <a href="https://investigating-archiving-git.gitlab.io/" target="_blank">Investigating &amp; Archiving the Scholarly Git Experience</a>, and archivist for the <a href="https://www.danceusa.org/archiving-and-preservation" target="_blank">Dance Heritage Coalition</a>/Mark Morris Dance Group. An advocate for open, accessible, and secure technologies, she promotes open source tools such as <a href="https://help.github.com/en/articles/what-is-github-pages" target="_blank">GitHub Pages</a>, <a href="https://getnikola.com/" target="_blank">Nikola</a>, and <a href="https://github.com/amiaopensource/vrecord" target="_blank">vrecord</a> for all involved projects. Offline, she can be found riding a Cannondale mtb or eating plants.</p>
 
+<p><a href="http://www.raminrahni.com/" target="_blank">Ramin Rahni</a> is the sound collaborator for LinkRot. He is a musician and sound designer based in New York. He plays middle eastern inspired techno as part of <a href="https://googooshdolls.bandcamp.com/" target="_blank">Googoosh Dolls</a>, and noisy pop as part of <a href="https://tarof.bandcamp.com/" target="_blank">Tar Of</a>. He is godfather to many cats across Brooklyn.</p>
+
 <hr />
 
 <h2>Performing</h2>

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     <h3>Sukanya Aneja</h3>
 <p><img src="sukanya-aneja.jpg" width="256px" /></p>
 <p><a href="http://playdo.io/" target="_blank">Website</a></p>
-<p>Sukanya is a programmer and artist working with software, hardware, code and materials to make work that is playful  and/or serious and/or somewhere in-between. She is interested in understanding technology deeply, harnessing it as a tool, and sharing her understanding in an accessible way. She is currently a masters student at ITP, NYU, and an alumni of SFPC, Recurse Center and School of Machines, Making &amp; Make-Believe -- communities that inform/influence her work by their holistic/broad approach to technology.</p>
+<p>Sukanya is an artist, programmer and researcher, currently interested in machine learning, computer graphics, networks, infrastructure and games. She is a masters candidate at NYU's Interactive Telecommunications Program (ITP).</p>
 
 <hr />
 
 <h2>Exhibiting with <a href="../emma-rae-norton/">Emma Rae Norton</a> and <a href="../nicholas-gregg/">Nicholas Gregg</a></h2>
 <h3>Liquid Router</h3>
+<p><img src="LiquidRouter.jpg" width="100%" style="max-width: 600px" /></p>
 <p><em>Liquid Router</em> is a physical artwork that takes the form of an active Wi-Fi router––using the router as a medium to explore and demystify the implications of third-party web tracking. Through this project we are interested in asking questions of the development and architecture of hyper-scale tracking systems. We are also committed to raising awareness around the lack of transparency built into them.</p>
 
 <p>The <em>Liquid Router</em> is built with a Raspberry Pi, and provides users with a wi-fi network to connect to. As they browse the Internet, the router 'leaks' liquid every time a request is sent to a known third-party tracker. Colored liquid diffuses into clear liquid, serving as a metaphor to the difficulty in quantifying and isolating the effects of these tracking systems. The router also displays information about the individual tracker, putting a face to this invisible background activity. Information on how this technology works, and the entire landscape around data harvesting will be disseminated through the form of a zine.</p>

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   <div class="col-xs-12">
     <h3>Ulandis Fort</h3>
 <p><img src="Ulandis-headshot.jpg" width="256px" /></p>
+<p><a href="https://mediajustice.org/" target="_blank">Website</a> | <a href="https://twitter.com/mediajustice" target="_blank">Twitter</a></p>
 <p>Ulandis Forte is the grandson of Ms. Martha Wright-Reed and life long native resident of Washington DC. At the age of 20, Ulandis was incarcerated at Lorton Correctional Facility and was relocated several times to prisons in Ohio, Kentucky, Virginia, New Mexico, Kansas, and Pennsylvania. Phone calls were his lifeline to his family, especially to his beloved elderly grandmother who was unable to visit due to the long distances. He became an activist inside, supporting his grandmother's fight to reduce the cost of prison phone calls. He has continued to lead the fight for prison phone justice on behalf of all incarcerated people and their families who are vulnerable to greedy prison phone industry. This past June, he supported the introduction of the Ms.Martha Wright-Reed Just &amp; Reasonable Communication Act, which would restore the FCC authority to regulate state and local prison phone calls.</p>
 
 <hr />
 
 <h2>Presenting with <a href="../myaisha-hayes">Myaisha Hayes</a></h2>
-<h3>Prison Phone Justice</h3>
+<h3>The Fight for Prison Phone Justice</h3>
+<p>For the millions of families that seek to remain in touch with their incarcerated loved ones, communication can come at a high cost. For 20 years, Mrs. Martha Wright-Reed fought the prison phone industry to reduce the high cost of prison phone calls so that she could stay in touch with her beloved grandson, Ulandis Forte. While several states have reduced the cost of prison phone calls, the fight to cap rates nationally continues. Join Ulandis Forte, Prison Phone Justice Activist and Myaisha Hayes, the National Organizer on Criminal Justice &amp; Tech from MediaJustice to learn more about how communities impacted by mass incarceration have continued to fight for their communication rights.</p>
 
   </div>
 </div>

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 					<td></td>
 					<td class="workshop" rowspan="5">
 						<a href="../participants/melanie-hoff/">
-							<span class="title">Workshop: Peer-to-Peer Poetry: Invisible Cities</span><br/>
+							<span class="title">Workshop: Peer-to-Peer Folder Poetry</span><br/>
 							Melanie Hoff
 						</a>
 					</td>
@@ -438,19 +436,19 @@
 				<tr>
 					<td>10:45</td>
 					<td>
-						<!-- <a href="../participants/greta-byrum/"> -->
+						<a href="../participants/greta-byrum/">
 							<span class="title">2020 Censor as Infrastructure Issue</span><br/>
 							Greta Byrum
-						<!-- </a> -->
+						</a>
 					</td>
 				</tr>
 				<tr>
 					<td>11:20</td>
 					<td>
-						<!-- <a href="../participants/myaisha-hayes/"> -->
+						<a href="../participants/myaisha-hayes/">
 							<span class="title">Prison Phone Justice</span><br/>
-							Myaisha Hayes + Ulandis Fort
-						<!-- </a> + <a href="../participants/ulandis-fort/">Ulandis Fort</a> -->
+							Myaisha Hayes
+						</a> + <a href="../participants/ulandis-fort/">Ulandis Fort</a>
 					</td>
 				</tr>
 				<tr>
@@ -608,7 +606,7 @@
 					</td>
 				</tr>
 				<tr>
-					<td>10:30</td>
+					<td>10:45</td>
 					<td>
 						<a href="../participants/jasmine-soltani/">
 							<span class="title">The Carbon Footprint of the Internet</span><br/>
@@ -646,7 +644,7 @@
 							Dave Evans
 						</a>
 					</td>
-					<td class="workshop" rowspan="4">
+					<td class="workshop" rowspan="3">
 						<a href="../participants/rosaura-zapata/">
 							<span class="title">Workshop: TransHackFeminist Board Games</span><br/>
 							Rosaura Zapata</a> + <a href="../participants/anamhoo">Anamhoo
@@ -664,15 +662,6 @@
 				</tr>
 				<tr>
 					<td>14:40</td>
-					<td>
-						<a href="../participants/laniyuk/">
-							<span class="title">Whose Future Are You Serving?: Interrogating ‘Frontier’ Imaginaries Within P2P Technologies</span><br/>
-							Laniyuk
-						</a>
-					</td>
-				</tr>
-				<tr>
-					<td>15:15</td>
 					<td>
 						<a href="../participants/angela-arias-zapata/">
 							<span class="title">Media Infrastructures and Racialized Territorial Formations: Perspectives from the South</span><br/>
@@ -681,11 +670,11 @@
 					</td>
 				</tr>
 				<tr class="light">
-					<td>15:50</td>
+					<td>15:15</td>
 					<td colspan="2">Coffee Break</td>
 				</tr>
 				<tr>
-					<td>16:20</td>
+					<td>15:45</td>
 					<td>
 						<a href="../participants/norman-shamas/">
 							<span class="title">Looking At The Margins: Incorporating Harm Reduction Into Tech</span><br/>
@@ -693,14 +682,14 @@
 						</a>
 					</td>
 					<td class="workshop" rowspan="3">
-						<a href="../participants/julia/">
-							<span class="title">Workshop: Our Possible Autonomous Connectivity: Cartography in Process</span><br/>
-							Julia
+						<a href="../participants/laguerraruda/">
+							<span class="title">Workshop: networks. an icon set</span><br/>
+							laguerraruda
 						</a>
 					</td>
 				</tr>
 				<tr>
-					<td>16:55</td>
+					<td>16:20</td>
 					<td>
 						<a href="../participants/ingrid-burrington/">
 							<span class="title">Everything Has A Resonant Frequency: On Crystals, Networks, and Crystal Networks</span><br/>
@@ -709,7 +698,7 @@
 					</td>
 				</tr>
 				<tr>
-					<td>17:30</td>
+					<td>16:55</td>
 					<td>
 						<a href="../participants/matthias-hurtl/">
 							<span class="title">Drowning in Æther</span><br/>
@@ -739,7 +728,6 @@
 			</tbody>
 		</table>
 		<div>* Not ADA Accessible</div>
-
 	</div>
 </div>
 

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gallery/index.html

@@ -25,6 +25,30 @@ order: 3
 
     <p>The difference of this type of capitalism is substantial as it integrates the human experiences of private realm in the production processes without the individual being fully conscious. This affects the economic sphere but also the independence of the human being, because with the logic of maximizing profits the companies will try to modify the user's behaviour without the user being able to do much to defend himself. The aim of the project is to disrupt this mechanics, adding noise to the captured data, making it difficult to transform the captured user data into predictions, thus devaluing the value of the extracted data.</p>
 
+    <br/>
+    <h3>Liquid Router <a href="../participants/emma-rae-norton/">by Emma Rae Norton,</a> <a href="../participants/nicholas-gregg/">Nicholas Gregg,</a> <a href="../participants/sukanya-aneja/">and Sukanya Aneja</a></h3>
+    <p><img src="LiquidRouter.jpg" width="100%" style="max-width: 600px" /></p>
+    <p><em>Liquid Router</em> is a physical artwork that takes the form of an active Wi-Fi router––using the router as a medium to explore and demystify the implications of third-party web tracking. Through this project we are interested in asking questions of the development and architecture of hyper-scale tracking systems. We are also committed to raising awareness around the lack of transparency built into them.</p>
+
+    <p>The <em>Liquid Router</em> is built with a Raspberry Pi, and provides users with a wi-fi network to connect to. As they browse the Internet, the router 'leaks' liquid every time a request is sent to a known third-party tracker. Colored liquid diffuses into clear liquid, serving as a metaphor to the difficulty in quantifying and isolating the effects of these tracking systems. The router also displays information about the individual tracker, putting a face to this invisible background activity. Information on how this technology works, and the entire landscape around data harvesting will be disseminated through the form of a zine.</p>
+    
+    <br/>
+    <h3>Slow Net <a href="../participants/beverly-chou/">by Beverly Chou</a></h3>
+    <p><img src="slownet.jpg" width="100%" style="max-width: 600px" /></p>
+    <p>Privacy concerns have made news headlines recently, and it’s clear that our behavioral data is collected when we’re online. Some of the data is used for improving user experience, but much of it is used to predict and influence our behaviors in real-time. Data collectors can use the data to intervene and divert our actions. In this process, humans are reduced to interchangeable pieces of data in a homogenous population of data laborers. As a result, power and wealth is concentrated among those who are able to collect and gatekeep vast amounts of information. Our identities get privatized and our autonomy is threatened.</p>
+
+    <p>Because real-time collection of data is enabled by fast Internet speeds, one form of resistance could involve co-opting a tactic from labor unions called the slowdown strike, in which workers deliberately reduce their productivity. <em>Slow Net</em> aims to utilize this strategy of purposeful inefficiency in three pieces.</p>
+
+    <ul>
+        <ol>A zine called <em>A Quick Guide to the Slow Net</em> provides context about the problems underpinning online data collection and how slow networks could be used to resist data-collecting companies.</ol>
+        
+        <ol>An online messaging application, <em>Slow Chat</em>, forces users to write longer messages and wait longer between messages as conversations progress.</ol>
+
+        <ol><em>A Slow Router</em> provides free wifi at a much slower speed than expected.</ol>
+    </ul>
+
+    <p>Each of these pieces functions with the goal of slowing the capture of personal data, encouraging more intentional action, and creating opportunities for idle time that allow for introspection and self-development. Collectively these actions attempt to preserve our autonomy and identity. My hope is that as users we can reconsider our relationship with many of the internet platforms we use that exploit us, and as technologists we can re-examine our role in working with and developing these technologies.</p>
+
     <br/>
     <h3>Remembering Network <a href="../participants/sarah-friend/">by Sarah Friend</a></h3>
     <p><img src="remembering-network.png" width="100%" style="max-width: 600px" /></p>
@@ -47,6 +71,7 @@ order: 3
 
     <br/>
     <h3>(no)control <a href="../participants/esther-bouquet/">by Esther Bouquet</a></h3>
+    <img src="nocontrol.jpg" width="100%" style="max-width: 600px" />
     <p>Considering the web as a free space where our private life can still be preserved often implies forgetting the strong implications and conflicts linked to the data we generate while we browse and which build our digital identity. As those tracks are collected, indexed, stored, copied, combined and agregated with each other, they raise control and surveillance questions on the network. This hidden and insidious design of control is developed by and for companies. It thus shapes a society focused towards an extreme rationalisation, that advocates for transparency while maintaining opacity regarding its infrastructures.</p>
 
     <p><em>(no)control</em> tries to unveil the mechanisms of control and their asymmetry on the web by physically embodying them. The kinect captures the face of person A standing/walking in front of the mirror structure. The person can only go back and forth or slightly move in front of it and see their face reflecting in the mirror. They cannot help but notice the camera, however interacting directly with the displayed result is impossible as the mirror structure is behind the wall where the kinect feed is projected. They embody the web users. It is person B, emboying a corporation, who can see, interact and thus control what the kinect captures. A potentiometer enables this person to have control over the portrait of person A. By turning the knob, they can manipulate as they wish the representation of the web user. They can display from a very detailed to a more geometrical face.</p>
@@ -54,32 +79,7 @@ order: 3
     <p>This installation tries to illustrate how data based companies process, control and manipulate our data without our consent, awareness or involvement. The web user can never see what the corporation decides to render while the corporation has a complete takeover.</p>
 
     <br/>
-    <h3>Liquid Router <a href="../participants/emma-rae-norton/">by Emma Rae Norton,</a> <a href="../participants/nicholas-gregg/">Nicholas Gregg,</a> <a href="../participants/sukanya-aneja/">and Sukanya Aneja</a></h3>
-    <!-- <p><img src="liquid-router.jpg" width="100%" style="max-width: 600px" /></p> -->
-    <p><em>Liquid Router</em> is a physical artwork that takes the form of an active Wi-Fi router––using the router as a medium to explore and demystify the implications of third-party web tracking. Through this project we are interested in asking questions of the development and architecture of hyper-scale tracking systems. We are also committed to raising awareness around the lack of transparency built into them.</p>
-
-    <p>The <em>Liquid Router</em> is built with a Raspberry Pi, and provides users with a wi-fi network to connect to. As they browse the Internet, the router 'leaks' liquid every time a request is sent to a known third-party tracker. Colored liquid diffuses into clear liquid, serving as a metaphor to the difficulty in quantifying and isolating the effects of these tracking systems. The router also displays information about the individual tracker, putting a face to this invisible background activity. Information on how this technology works, and the entire landscape around data harvesting will be disseminated through the form of a zine.</p>
-
-    <br/>
-
     <h3>Here Be Dragons <a href="../participants/phillip-david-stearns/">by Phillip David Stearns</a></h3>
     <p><em>Here Be Dragons</em> transforms malicious network traffic, attacks on servers located around the globe, directly into sound. The project is an exercise in using the sense of sound to experience low intensity cyber conflict. Virtual Private Servers are configured as honeypots and forward copies of in and out bound packets to raspberry pis installed in the gallery. Port scans, exploit attempts, brute force login attacks, and other forms of unwarranted traffic are made audible in real-time through headphones. A guide to identifying the sonic signatures of such attacks will be accessible online to accompany the piece.</p>
-
-    <br/>
-    <h3>Slow Net <a href="../participants/beverly-chou/">by Beverly Chou</a></h3>
-    <!-- <p><img src="slownet.jpg" width="100%" style="max-width: 600px" /></p> -->
-    <p>Privacy concerns have made news headlines recently, and it’s clear that our behavioral data is collected when we’re online. Some of the data is used for improving user experience, but much of it is used to predict and influence our behaviors in real-time. Data collectors can use the data to intervene and divert our actions. In this process, humans are reduced to interchangeable pieces of data in a homogenous population of data laborers. As a result, power and wealth is concentrated among those who are able to collect and gatekeep vast amounts of information. Our identities get privatized and our autonomy is threatened.</p>
-
-    <p>Because real-time collection of data is enabled by fast Internet speeds, one form of resistance could involve co-opting a tactic from labor unions called the slowdown strike, in which workers deliberately reduce their productivity. <em>Slow Net</em> aims to utilize this strategy of purposeful inefficiency in three pieces.</p>
-
-    <ul>
-        <ol>A zine called <em>A Quick Guide to the Slow Net</em> provides context about the problems underpinning online data collection and how slow networks could be used to resist data-collecting companies.</ol>
-        
-        <ol>An online messaging application, <em>Slow Chat</em>, forces users to write longer messages and wait longer between messages as conversations progress.</ol>
-
-        <ol><em>A Slow Router</em> provides free wifi at a much slower speed than expected.</ol>
-    </ul>
-
-    <p>Each of these pieces functions with the goal of slowing the capture of personal data, encouraging more intentional action, and creating opportunities for idle time that allow for introspection and self-development. Collectively these actions attempt to preserve our autonomy and identity. My hope is that as users we can reconsider our relationship with many of the internet platforms we use that exploit us, and as technologists we can re-examine our role in working with and developing these technologies.</p>
   </div>
 </div>

participants/adam-mcfillin/index.html

@@ -0,0 +1,360 @@
+
+<!DOCTYPE html>
+<html lang="en">
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+    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
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+      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
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+        <div class="row">
+          <div class="col-md-8 content">
+            
+<div class="row">
+  <div class="col-xs-12">
+    <h3>Adam McFillin</h3>
+<p><img src="256-256-max.png" width="256px" /></p>
+<p><a href="https://adammcfillin.net" target="_blank">Website</a> | <a href="https://twitter.com/ctrlyrown/" target="_blank">Twitter</a></p>
+<p>Adam McFillin is an artist engaged in producing works that investigate power and its presence in the protocols and structures of communications networks. By making signals, packets and protocological rhythms audible or visible, he aims to expose the materiality of the digital network and evade the abstractions that exist between user and machine.</p>
+
+<p>In his day job he writes words at a Regional Internet Registry.</p>
+
+<hr />
+
+<h2>Presenting</h2>
+<h3>By The Time We Say DoH It May Already Be Too Late</h3>
+<p>DNS over HTTPS (DoH) is coming, and quickly. While there are some remaining quibbles among Internet standards-making types over implementation and implications, browser-makers and open DNS providers are pushing to enable it by default in our browsers.</p>
+
+<p>Overall it feels like a win - our DNS traffic will no longer be vulnerable to eavesdropping or man-in-the-middle attacks - but when we look at the major players (Google, Cloudflare, Mozilla) and think about what they have to gain from collecting even more user information from DNS queries, I'm not so sure.</p>
+
+<p>For a start, our already pretty-damn-centralized DNS infrastructure may become even more centralized - if not topologically, then definitely organizationally.
+So what can we do about this as radical networkers? Get involved in standards-making or Internet policy discussions? Start running our own caching resolvers at home? Adopt alternative protocols? Well, the answer is definitely "yes" to all of these, but there are pros and cons to the effectiveness of each path.</p>
+
+<p>This presentation doesn't pretend to have all the answers, but aims to give attendees a heads-up about changes to the Internet infrastructural landscape in the hope that together we can address yet another further concentration of power online.</p>
+
+  </div>
+</div>
+
+
+          </div>
+          <div class="col-md-4 sidebar">
+            <div>
+<!-- 	Download our <a href="/assets/themes//pdf/radical_networks_2019_press_kit.pdf">2019 Press Kit</a>
+</div> -->
+<div>
+	<span class="tickets"><a href="https://www.eventbrite.com/e/72061121755/" target="_blank">Tickets Available!</a></span>
+</div>
+<div>Hosted by<br/>
+	<a class="host" href="https://www.primeproduce.coop/" target="_blank">
+		<img src="/assets/themes//images/Prime-Produce-Apprentice-Cooperative-Ltd-Logo-White.png" width="200" />
+	</a>
+</div>
+<div class="bigger">Live stream provided by<br/>
+	<img src="/assets/themes//images/isoclogo.png" width="200" />
+	<!--<br/><a href="https://livestream.com/internetsociety/radnets17" target="_blank">Main Stage Archive</a>
+	<br/>
+	<a href="https://livestream.com/accounts/9197973/radnets17" target="_blank">Workshops Archive</a>-->
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+		<img alt="" border="0" src="https://www.paypal.com/en_US/i/scr/pixel.gif" width="1" height="1" />
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+</div>
+<div>Psssst...<br/>
+	We're on the <a href="dat://c0965105755be00cafd7d176c6ccdce467b896c7284b4915733a83e6f2f78231/" target="_blank">dat network</a>, too.
+</div>
+
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+      </div>
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+
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+      <div class="container">
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+  </body>
+</html>
+

participants/adam-mcfillin/index.md

@@ -1,22 +0,0 @@
----
-layout: page
-title: Adam McFillin
----
-<h3>Adam McFillin</h3>
-<img src="256-256-max.png" width="256px" />
-<p><a href="https://adammcfillin.net" target="_blank">Website</a> | <a href="https://twitter.com/ctrlyrown/" target="_blank">Twitter</a></p>
-<p>Adam McFillin is an artist engaged in producing works that investigate power and its presence in the protocols and structures of communications networks. By making signals, packets and protocological rhythms audible or visible, he aims to expose the materiality of the digital network and evade the abstractions that exist between user and machine.</p>
-
-<p>In his day job he writes words at a Regional Internet Registry.</p>
-
-<hr />
-<h2>Presenting</h2>
-<h3>By The Time We Say DoH It May Already Be Too Late</h3>
-<p>DNS over HTTPS (DoH) is coming, and quickly. While there are some remaining quibbles among Internet standards-making types over implementation and implications, browser-makers and open DNS providers are pushing to enable it by default in our browsers.</p>
-
-<p>Overall it feels like a win - our DNS traffic will no longer be vulnerable to eavesdropping or man-in-the-middle attacks - but when we look at the major players (Google, Cloudflare, Mozilla) and think about what they have to gain from collecting even more user information from DNS queries, I'm not so sure.</p>
-
-<p>For a start, our already pretty-damn-centralized DNS infrastructure may become even more centralized - if not topologically, then definitely organizationally.
-So what can we do about this as radical networkers? Get involved in standards-making or Internet policy discussions? Start running our own caching resolvers at home? Adopt alternative protocols? Well, the answer is definitely "yes" to all of these, but there are pros and cons to the effectiveness of each path.</p>
-
-<p>This presentation doesn't pretend to have all the answers, but aims to give attendees a heads-up about changes to the Internet infrastructural landscape in the hope that together we can address yet another further concentration of power online.</p>

participants/alden-rivendale-jones/index.html

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+
+<!DOCTYPE html>
+<html lang="en">
+  <head>
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+    
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+
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+    <meta property="og:description"        content="October 18-20, 2019 at Prime Produce, NYC, NY" />
+    <meta property="og:site_name"          content="Radical Networks"/>
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+    <a href="/">
+      <img class="logo" src="/assets/themes/images/radnets_logo.png" width="500" height="76" />
+    </a>
+    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
+  	<div class="social">
+      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
+      <a href="mailto:info@radicalnetworks.org"><img src="/assets/themes//images/email.png" width="37" height="37" /></a>
+      <a href="http://list.weise7.org/listinfo/radnets" target="_blank"><img src="/assets/themes//images/mailing-list.png" alt="mailing list" width="37" height="37" /></a>
+<!--       <a class="press" href="/assets/themes//pdf/radical_networks_2017_press_kit.pdf">2017 Press Kit</a> -->
+  	</div>
+  </div>
+</header>
+
+        <div class="row">
+          <div class="col-md-8 content">
+            
+<div class="row">
+  <div class="col-xs-12">
+    <h3>Alden Rivendale Jones</h3>
+<p><img src="alden.png" width="256px" /></p>
+<p><a href="http://alden.website" target="_blank">Website</a> | <a href="https://twitter.com/miamiworldwide/" target="_blank">Twitter</a></p>
+<p>Alden Rivendale Jones is a New York City based artist, researcher, and programmer working in performance and new media. Recent work themes include human to algorithm interactions, utopic infrastructures, and failure. Formerly they were curator at hq Objective Gallery in Portland, OR. Currently they are a managing editor of Adjacent Journal and a Research Resident at New York University's Interactive Telecommunications Program.</p>
+
+<hr />
+
+<h2>Workshop / Exhibiting</h2>
+<h3>LocalNet Adventure!! / The Well Bottom</h3>
+<p><img src="wellbottom.jpg" width="100%" style="max-width: 600px" /></p>
+<p>The Well Bottom (TWB) is a simulated infrastructure of pocket local networks created with a router and several Raspberry Pis. LocalNet Adventure!! is a workshop/alternate reality game in which participants engage with and explore The Well Bottom as a means to imagine internet alternatives or even a post-internet reality.</p>
+
+<p>The internet of today appears to us as a monolithic, totalizing force. In this workshop/alternate reality game we will do work to demystify it, imagine alternatives, and show how the internet doesn't have to be the only network around. To do so we will engage with and explore a simulated infrastructure of pocket local networks known as The Well Bottom, on something like a digital scavenger hunt. There is lots of ASCII art, and the first person to unravel all of the secrets of network will win a <em>very special</em> Raspberry Pi 0W. Tool setup will take the first 10-15 minutes, with guided exploration the rest of the period, ending with a group discussion on the internet's place in our lives and steps we can take to improve our relationship with it. Our goal is find ways to be playful with our network technologies while still being critical of their uses and impacts in our day to day.</p>
+
+<p>The workshop will run Friday, October 18, 2019, from 10:15 am - 1:15 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
+
+<p>Participants should bring their laptop with them to the workshop.</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="https://github.com/miamiww" target="_blank">Github</a></li>
+		<li><a href="http://blog.alden.website/post/localnet-adventure-LA/" target="_blank">Reference page for the last LocalNet Adventure!!</a></li>
+	</ul>
+</p>
+
+  </div>
+</div>
+
+
+          </div>
+          <div class="col-md-4 sidebar">
+            <div>
+<!-- 	Download our <a href="/assets/themes//pdf/radical_networks_2019_press_kit.pdf">2019 Press Kit</a>
+</div> -->
+<div>
+	<span class="tickets"><a href="https://www.eventbrite.com/e/72061121755/" target="_blank">Tickets Available!</a></span>
+</div>
+<div>Hosted by<br/>
+	<a class="host" href="https://www.primeproduce.coop/" target="_blank">
+		<img src="/assets/themes//images/Prime-Produce-Apprentice-Cooperative-Ltd-Logo-White.png" width="200" />
+	</a>
+</div>
+<div class="bigger">Live stream provided by<br/>
+	<img src="/assets/themes//images/isoclogo.png" width="200" />
+	<!--<br/><a href="https://livestream.com/internetsociety/radnets17" target="_blank">Main Stage Archive</a>
+	<br/>
+	<a href="https://livestream.com/accounts/9197973/radnets17" target="_blank">Workshops Archive</a>-->
+</div>
+<div class="social">Contact<br/>
+	<a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" alt="twitter" /></a>
+	<a href="mailto:info@radicalnetworks.org"><img src="/assets/themes//images/email.png" width="37" height="37" alt="email" /></a>
+	<a href="http://list.weise7.org/listinfo/radnets" target="_blank"><img src="/assets/themes//images/mailing-list.png" alt="mailing list" width="37" height="37" /></a>
+</div>
+<div>
+	<form action="https://www.paypal.com/cgi-bin/webscr" method="post" target="_top">
+		<input type="hidden" name="cmd" value="_s-xclick" />
+		<input type="hidden" name="hosted_button_id" value="WTFLU9JCLBU5S" />
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+		<img alt="" border="0" src="https://www.paypal.com/en_US/i/scr/pixel.gif" width="1" height="1" />
+	</form>
+</div>
+<div>Psssst...<br/>
+	We're on the <a href="dat://c0965105755be00cafd7d176c6ccdce467b896c7284b4915733a83e6f2f78231/" target="_blank">dat network</a>, too.
+</div>
+
+
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+        </div>  
+      </div>
+    </div>
+
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+      <div class="container">
+        <p>
+	&copy; 2019 Radical Networks &bull; Maintained by <a href="https://github.com/chootka">chootka</a>
+</p>
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+  </body>
+</html>
+

participants/alden-rivendale-jones/index.md

@@ -1,27 +0,0 @@
----
-layout: page
-title: Alden Rivendale Jones
----
-<h3>Alden Rivendale Jones</h3>
-<img src="alden.png" width="256px" />
-<p><a href="http://alden.website" target="_blank">Website</a> | <a href="https://twitter.com/miamiworldwide/" target="_blank">Twitter</a></p>
-<p>Alden Rivendale Jones is a New York City based artist, researcher, and programmer working in performance and new media. Recent work themes include human to algorithm interactions, utopic infrastructures, and failure. Formerly they were curator at hq Objective Gallery in Portland, OR. Currently they are a managing editor of Adjacent Journal and a Research Resident at New York University's Interactive Telecommunications Program.</p>
-
-<hr />
-<h2>Workshop / Exhibiting</h2>
-<h3>LocalNet Adventure!! / The Well Bottom</h3>
-<img src="wellbottom.jpg" width="100%" style="max-width: 600px" />
-<p>The Well Bottom (TWB) is a simulated infrastructure of pocket local networks created with a router and several Raspberry Pis. LocalNet Adventure!! is a workshop/alternate reality game in which participants engage with and explore The Well Bottom as a means to imagine internet alternatives or even a post-internet reality.</p>
-
-<p>The internet of today appears to us as a monolithic, totalizing force. In this workshop/alternate reality game we will do work to demystify it, imagine alternatives, and show how the internet doesn't have to be the only network around. To do so we will engage with and explore a simulated infrastructure of pocket local networks known as The Well Bottom, on something like a digital scavenger hunt. There is lots of ASCII art, and the first person to unravel all of the secrets of network will win a <em>very special</em> Raspberry Pi 0W. Tool setup will take the first 10-15 minutes, with guided exploration the rest of the period, ending with a group discussion on the internet's place in our lives and steps we can take to improve our relationship with it. Our goal is find ways to be playful with our network technologies while still being critical of their uses and impacts in our day to day.</p>
-
-<p>The workshop will run Friday, October 18, 2019, from 10:15 am - 1:15 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
-
-<p>Participants should bring their laptop with them to the workshop.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://github.com/miamiww" target="_blank">Github</a></li>
-		<li><a href="http://blog.alden.website/post/localnet-adventure-LA/" target="_blank">Reference page for the last LocalNet Adventure!!</a></li>
-	</ul>
-</p>

participants/anamhoo/index.html

@@ -0,0 +1,374 @@
+
+<!DOCTYPE html>
+<html lang="en">
+  <head>
+    <meta charset="utf-8">
+    <meta http-equiv="X-UA-Compatible" content="IE=edge">
+
+    <title>Anamhoo</title>
+    
+    <meta name="author" content="Radical Networks">
+
+    <!-- Enable responsive viewport -->
+    <meta name="viewport" content="width=device-width, initial-scale=1.0">
+    <meta property="og:url"                content="https://radicalnetworks.org" />
+    <meta property="og:title"              content="Radical Networks 2019" />
+    <meta property="og:description"        content="October 18-20, 2019 at Prime Produce, NYC, NY" />
+    <meta property="og:site_name"          content="Radical Networks"/>
+    <meta property="og:image"              content="https://radicalnetworks.org/assets/themes/images/radnets_logo_larger.png"/>
+
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+      <img class="logo" src="/assets/themes/images/radnets_logo.png" width="500" height="76" />
+    </a>
+    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
+  	<div class="social">
+      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
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+<!--       <a class="press" href="/assets/themes//pdf/radical_networks_2017_press_kit.pdf">2017 Press Kit</a> -->
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+        <div class="row">
+          <div class="col-md-8 content">
+            
+<div class="row">
+  <div class="col-xs-12">
+    <h3>Anamhoo</h3>
+<!-- <img src="sarahfriend.png" width="256px" /> -->
+<p><a href="https://girlanachronism.org/" target="_blank">Website</a> | <a href="https://twitter.com/anamhoo/" target="_blank">Twitter</a></p>
+<p>Anamhoo is a Transhackfeminist. I work exploring technology and differents ways for sharing with historically excluded communities. I work as a digital security trainer and as a reasercher in environmental issues. I enjoy making maps and learning new things. Some of the projects I have participated in are: <a href="https://geamatica.me/" target="_blank">geamatica.me</a>, <a href="https://www.donestech.net/noticia/rebelarnos-la-tecnologia-por-anamhoo-y-bruja-migrante-de-la-colectiva-ada" target="_blank">Rebelarnos a la tecnología por Anamhoo y Bruja Migrante de la colectiva ADA</a>, and <a href="https://www.donestech.net/noticia/donestech-y-amigxs-presentan-redes-sociales-en-perspectiva-de-genero-guia-para-conocer-y" target="_blank">Donestech y amigxs presentan "Redes Sociales en perspectiva de género: Guía para conocer y contrarrestar las violencias de género on-line"</a>.</p>
+
+<hr />
+
+<h2>Workshop with <a href="../rosaura-zapata/">Rosaura Zapata</a></h2>
+<h3>TransHackfeminist Board Games</h3>
+<p><img src="RN_Games.png" width="100%" style="max-width: 600px" /></p>
+<p>In the session we will reflect about strategies to facilitate digital security workshops based on three principles:</p>
+<ul>
+	<li>1/ interpel the dominant discourse on security</li>
+	<li>2/ put in the main place the Community</li>
+	<li>3/ recover the playful joy of learning and sharing.</li>
+</ul>
+
+<p>During the session we will share our strategies and the development of two traditional board games that we have created collectively.</p>
+
+<p>TransHackfeminist Board Games is a project of what seems relevant to discuss about technology from the transhackfeminism. In Serpientes y escaleras we reflect on everyday practices that put at risk or reinforce our security or that of our data on the Internet. Along the way they visit and get to know self-managed projects, ideas and practices that help to build networks of mutual support and solidarity.</p>
+
+<p>The workshop will run Sunday, October 20, 2019, from 1:30 pm - 4:00 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
+
+<p>All materials will be provided for participants in the workshop.</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="https://girlanachronism.org/" target="_blank">GirlAnachonism</a></li>
+		<li><a href="https://ranchoelectronico.org/" target="_blank">Rancho Electrónico</a></li>
+		<li><a href="https://coaa.tv/" target="_blank">CoaaTV</a></li>
+		<li><a href="https://geamatica.me/" target="_blank">geamatica.me</a></li>
+	</ul>
+</p>
+
+  </div>
+</div>
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+<!-- 	Download our <a href="/assets/themes//pdf/radical_networks_2019_press_kit.pdf">2019 Press Kit</a>
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+</div>
+<div>Hosted by<br/>
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+

participants/anamhoo/index.md

@@ -1,36 +0,0 @@
----
-layout: page
-title: Anamhoo
----
-<h3>Anamhoo</h3>
-<!-- <img src="sarahfriend.png" width="256px" /> -->
-<p><a href="https://girlanachronism.org/" target="_blank">Website</a> | <a href="https://twitter.com/anamhoo/" target="_blank">Twitter</a></p>
-<p>Anamhoo is a Transhackfeminist. I work exploring technology and differents ways for sharing with historically excluded communities. I work as a digital security trainer and as a reasercher in environmental issues. I enjoy making maps and learning new things. Some of the projects I have participated in are: <a href="https://geamatica.me/" target="_blank">geamatica.me</a>, <a href="https://www.donestech.net/noticia/rebelarnos-la-tecnologia-por-anamhoo-y-bruja-migrante-de-la-colectiva-ada" target="_blank">Rebelarnos a la tecnología por Anamhoo y Bruja Migrante de la colectiva ADA</a>, and <a href="https://www.donestech.net/noticia/donestech-y-amigxs-presentan-redes-sociales-en-perspectiva-de-genero-guia-para-conocer-y" target="_blank">Donestech y amigxs presentan "Redes Sociales en perspectiva de género: Guía para conocer y contrarrestar las violencias de género on-line"</a>.</p>
-
-<hr />
-<h2>Workshop with <a href="../rosaura-zapata/">Rosaura Zapata</a></h2>
-<h3>TransHackfeminist Board Games</h3>
-<img src="RN_Games.png" width="100%" style="max-width: 600px" />
-<p>In the session we will reflect about strategies to facilitate digital security workshops based on three principles:</p>
-<ul>
-	<li>1/ interpel the dominant discourse on security</li>
-	<li>2/ put in the main place the Community</li>
-	<li>3/ recover the playful joy of learning and sharing.</li>
-</ul>
-
-<p>During the session we will share our strategies and the development of two traditional board games that we have created collectively.</p>
-
-<p>TransHackfeminist Board Games is a project of what seems relevant to discuss about technology from the transhackfeminism. In Serpientes y escaleras we reflect on everyday practices that put at risk or reinforce our security or that of our data on the Internet. Along the way they visit and get to know self-managed projects, ideas and practices that help to build networks of mutual support and solidarity.</p>
-
-<p>The workshop will run Sunday, October 20, 2019, from 1:30 pm - 4:00 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
-
-<p>All materials will be provided for participants in the workshop.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://girlanachronism.org/" target="_blank">GirlAnachonism</a></li>
-		<li><a href="https://ranchoelectronico.org/" target="_blank">Rancho Electrónico</a></li>
-		<li><a href="https://coaa.tv/" target="_blank">CoaaTV</a></li>
-		<li><a href="https://geamatica.me/" target="_blank">geamatica.me</a></li>
-	</ul>
-</p>

participants/angela-arias-zapata/index.html

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+    <title>Angela Arias Zapata</title>
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+      <img class="logo" src="/assets/themes/images/radnets_logo.png" width="500" height="76" />
+    </a>
+    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
+  	<div class="social">
+      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
+      <a href="mailto:info@radicalnetworks.org"><img src="/assets/themes//images/email.png" width="37" height="37" /></a>
+      <a href="http://list.weise7.org/listinfo/radnets" target="_blank"><img src="/assets/themes//images/mailing-list.png" alt="mailing list" width="37" height="37" /></a>
+<!--       <a class="press" href="/assets/themes//pdf/radical_networks_2017_press_kit.pdf">2017 Press Kit</a> -->
+  	</div>
+  </div>
+</header>
+
+        <div class="row">
+          <div class="col-md-8 content">
+            
+<div class="row">
+  <div class="col-xs-12">
+    <h3>Angela Arias Zapata</h3>
+<p><img src="AriasZapata.jpg" width="256px" /></p>
+<p>I am a PhD candidate at the Media, Culture, and Communication Department at New York University. My research is about media infrastructures in rural areas in South America (specifically in Colombia), the neocolonial dynamics that take place at the level of state and corporate power, and their subsequent clash with communities claiming their rights to collective land ownership over ancestral territories –indigenous and Afro-Colombian communities.</p>
+
+<p>My academic intervention seeks to contribute to the understanding of the relationship between social movements and media in the Global South, through the analysis of media infrastructures as sites of contention in which otherness is both reproduced and resisted. Apart from being a researcher and educator in media studies, I am a publisher. I received a Master's degree in Publishing from the University of Salamanca in Spain and a Bachelor's degree in Literary Studies from the National University of Colombia. Currently, I lead the independent editorial project Himpar Editores.</p>
+
+<hr />
+
+<h2>Presenting</h2>
+<h3>Media Infrastructures and Racialized Territorial Formations: Perspectives from the South</h3>
+<p>In this talk, I will analyze the distinctions between rural and urban areas in Colombia in terms of their articulation around broadcasting and telecommunication infrastructures, in a period of simultaneous democratization and economic liberalization in Latin America. In the case of Colombia, official narratives indicate that the distinction between urban and rural is something municipalities decide; a consequence of the democratization process in the late 1980s and early 1990s and the subsequent recognition of regions' political and administrative autonomy. The transformation of policies around access to telecommunication technologies at the onset of Neoliberalism was the foundation for the current legislation of internet services. It was a measure of modernization in the same way in which Internet access is today. Telecommunication policies were part of the intention to not only overcome the internal armed conflict but achieving progress in regions seen as backward. Pacification and development were part of the same intention and communication infrastructures were a means to achieve those two purposes.</p>
+
+<p>In contrast, I will speak about the history of the indigenous radio system, created in the midst of this political and economic conjuncture, with the purpose of supporting the struggle for the recovery of ancestral lands. I analyze this process using the notion of claims making, according to which communities formulated new narratives about the colonial past (Joan Rappaport) and linked them to a public international debate on rights as needs and the question of who deserves public assistance ( Wendy Wolford); as well as the idea that they used the framework of the global ethno-racial field to align with the multiculturalism embedded in the Latin American legislations created in the 1990s (Tannia Paschel), to achieve the recognition and protection of their citizenship rights (Nancy Gray Postero). However, I engage critically with this perspective, by reading the engagement with media infrastructures for the liberation of ancestral lands from the standpoint of what indigenous communities in the Cauca region have defined as proper communication, which entails the inseparable connection between a community and the territory it inhabits.</p>
+
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+		<img src="/assets/themes//images/Prime-Produce-Apprentice-Cooperative-Ltd-Logo-White.png" width="200" />
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+	<br/>
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participants/angela-arias-zapata/index.md

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-layout: page
-title: Angela Arias Zapata
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-<h3>Angela Arias Zapata</h3>
-<!-- <img src="sarahfriend.png" width="256px" /> -->
-<p>I am a PhD candidate at the Media, Culture, and Communication Department at New York University. My research is about media infrastructures in rural areas in South America (specifically in Colombia), the neocolonial dynamics that take place at the level of state and corporate power, and their subsequent clash with communities claiming their rights to collective land ownership over ancestral territories –indigenous and Afro-Colombian communities.</p>
-
-<p>My academic intervention seeks to contribute to the understanding of the relationship between social movements and media in the Global South, through the analysis of media infrastructures as sites of contention in which otherness is both reproduced and resisted. Apart from being a researcher and educator in media studies, I am a publisher. I received a Master's degree in Publishing from the University of Salamanca in Spain and a Bachelor's degree in Literary Studies from the National University of Colombia. Currently, I lead the independent editorial project Himpar Editores.</p>
-
-<hr />
-<h2>Presenting</h2>
-<h3>Media Infrastructures and Racialized Territorial Formations: Perspectives from the South</h3>
-<p>In this talk, I will analyze the distinctions between rural and urban areas in Colombia in terms of their articulation around broadcasting and telecommunication infrastructures, in a period of simultaneous democratization and economic liberalization in Latin America. In the case of Colombia, official narratives indicate that the distinction between urban and rural is something municipalities decide; a consequence of the democratization process in the late 1980s and early 1990s and the subsequent recognition of regions' political and administrative autonomy. The transformation of policies around access to telecommunication technologies at the onset of Neoliberalism was the foundation for the current legislation of internet services. It was a measure of modernization in the same way in which Internet access is today. Telecommunication policies were part of the intention to not only overcome the internal armed conflict but achieving progress in regions seen as backward. Pacification and development were part of the same intention and communication infrastructures were a means to achieve those two purposes.</p>
-
-<p>In contrast, I will speak about the history of the indigenous radio system, created in the midst of this political and economic conjuncture, with the purpose of supporting the struggle for the recovery of ancestral lands. I analyze this process using the notion of claims making, according to which communities formulated new narratives about the colonial past (Joan Rappaport) and linked them to a public international debate on rights as needs and the question of who deserves public assistance ( Wendy Wolford); as well as the idea that they used the framework of the global ethno-racial field to align with the multiculturalism embedded in the Latin American legislations created in the 1990s (Tannia Paschel), to achieve the recognition and protection of their citizenship rights (Nancy Gray Postero). However, I engage critically with this perspective, by reading the engagement with media infrastructures for the liberation of ancestral lands from the standpoint of what indigenous communities in the Cauca region have defined as proper communication, which entails the inseparable connection between a community and the territory it inhabits.</p>