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  143.     <!-- <h2>June 19-22, 2017<br/>Chemistry Creative, 315 Ten Eyck Street, Brooklyn NY</h2> -->
    144. 

  144.     <h2>October 19-22, 2017<br/>Brooklyn, NY</h2>
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  145.   	<div class="social">
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  146.       <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/archives/2017/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
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  158.     <h3>Anna Bialas</h3>
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  159. <p><img src="anna-bialas-256-256.jpg" /></p>
    160. 

  160. <p><a href="https://twitter.com/femalegazebot" target="_blank">Twitter</a></p>
    161. 

  161. <p>I am a recent graduate from the department of Media, Culture, and Communication at NYU, where I studied the relationship between technology and society. Over the past two years I have worked as a web developer and creative coder, most recently as part of the summer internship program hosted by the Berkman Klein Center for Internet and Society and Harvard Library Innovation Lab. I am interested in work that illuminates the less obvious ways in which individuals encounter data and digital technologies.</p>
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  163. <hr />
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  164. 

  165. <h2>Exhibiting with <a href="../shira-feldman">Shira Feldman</a></h2>
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  166. <h3>The Internet Is __</h3>
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  167. <p>//How do we talk about and give shape to a concept of "the internet" -- a word that describes both everything and nothing at the same time?</p>
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  168. 

  169. <p>//How do we discuss the here and the now of the all-out internet condition?</p>
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  170. 

  171. <p>This installation piece seeks to collect a kind of cultural vocabulary concerning what the internet is -- leveraging "the internet" to help define itself. Using the Twitter API and a Python script, the piece scrapes and collects tweets across the social media platform containing the text, "the internet is," storing the results in a MySQL database every 15 minutes. These results are then dynamically projected as a video; coded in Processing, it rapidly loops through thousands of tweets, ultimately rendering the phrase undefinable, volatile, and ineffable: both everything and nothing at the same time. The installation is imagined to be participatory and performative: soliciting viewers to submit a tweet with the potential for it to appear within the projection. As a digital installation piece, the video functions beyond a creative experience--as both a site and method of data collection. Moving forward, I hope to take the data gathered through the site-specific installation to use in various Natural Language Processing experiments, leveraging algorithms to understand the ways in which people relate to and conceptualize the internet.</p>
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  180. 	Download our <a href="/archives/2017/assets/themes//pdf/radical_networks_2017_press_kit.pdf">2017 Press Kit</a>
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  182. <div>Hosted by<br/>
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  186. 	<p style="padding-top: 8px">315 Ten Eyck St<br/>Brooklyn, NY 11206</p>
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  190. 	<br/><a href="https://livestream.com/internetsociety/radnets17" target="_blank">Main Stage Archive</a>
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  192. 	<a href="https://livestream.com/accounts/9197973/radnets17" target="_blank">Workshops Archive</a>
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