restored participant and program templates

_site/2018/12/12/See-You-Next-Year.html

@@ -292,7 +292,7 @@
       <li class="prev disabled"><a>&larr; Previous</a></li>
     
     
-      <li class="next"><a href="/2019/04/01/Announcing-2019-Dates-and-Location" title="Announcing 2019 Dates and Location">Next &raquo;</a></li>
+      <li class="next"><a href="/2019/04/01/Announcing-2019-Dates-and-Location.html" title="Announcing 2019 Dates and Location">Next &raquo;</a></li>
     
     </ul>
   </div>

_site/2019/04/01/Announcing-2019-Dates-and-Location.html

@@ -289,10 +289,10 @@
   
     <ul class="pagination">
     
-      <li class="prev"><a href="/2018/12/12/See-You-Next-Year" title="See You Next Year">&laquo; Previous</a></li>
+      <li class="prev"><a href="/2018/12/12/See-You-Next-Year.html" title="See You Next Year">&laquo; Previous</a></li>
     
     
-      <li class="next"><a href="/2019/05/16/Calling-all-Proposals" title="Calling all Proposals">Next &raquo;</a></li>
+      <li class="next"><a href="/2019/05/16/Calling-all-Proposals.html" title="Calling all Proposals">Next &raquo;</a></li>
     
     </ul>
   </div>

_site/2019/05/16/Calling-all-Proposals.html

@@ -354,10 +354,10 @@
   
     <ul class="pagination">
     
-      <li class="prev"><a href="/2019/04/01/Announcing-2019-Dates-and-Location" title="Announcing 2019 Dates and Location">&laquo; Previous</a></li>
+      <li class="prev"><a href="/2019/04/01/Announcing-2019-Dates-and-Location.html" title="Announcing 2019 Dates and Location">&laquo; Previous</a></li>
     
     
-      <li class="next"><a href="/2019/07/02/Deadline-Extended" title="Deadline Extended">Next &raquo;</a></li>
+      <li class="next"><a href="/2019/07/02/Deadline-Extended.html" title="Deadline Extended">Next &raquo;</a></li>
     
     </ul>
   </div>

_site/2019/07/02/Deadline-Extended.html

@@ -291,10 +291,10 @@
   
     <ul class="pagination">
     
-      <li class="prev"><a href="/2019/05/16/Calling-all-Proposals" title="Calling all Proposals">&laquo; Previous</a></li>
+      <li class="prev"><a href="/2019/05/16/Calling-all-Proposals.html" title="Calling all Proposals">&laquo; Previous</a></li>
     
     
-      <li class="next"><a href="/2019/08/01/Status-of-Submissions" title="Status of Submissions">Next &raquo;</a></li>
+      <li class="next"><a href="/2019/08/01/Status-of-Submissions.html" title="Status of Submissions">Next &raquo;</a></li>
     
     </ul>
   </div>

_site/2019/08/01/Status-of-Submissions.html

@@ -291,10 +291,10 @@
   
     <ul class="pagination">
     
-      <li class="prev"><a href="/2019/07/02/Deadline-Extended" title="Deadline Extended">&laquo; Previous</a></li>
+      <li class="prev"><a href="/2019/07/02/Deadline-Extended.html" title="Deadline Extended">&laquo; Previous</a></li>
     
     
-      <li class="next"><a href="/2019/09/16/Program-Announced" title="Program Announced">Next &raquo;</a></li>
+      <li class="next"><a href="/2019/09/16/Program-Announced.html" title="Program Announced">Next &raquo;</a></li>
     
     </ul>
   </div>

_site/2019/09/16/Program-Announced.html

@@ -291,7 +291,7 @@
   
     <ul class="pagination">
     
-      <li class="prev"><a href="/2019/08/01/Status-of-Submissions" title="Status of Submissions">&laquo; Previous</a></li>
+      <li class="prev"><a href="/2019/08/01/Status-of-Submissions.html" title="Status of Submissions">&laquo; Previous</a></li>
     
     
       <li class="next disabled"><a>Next &rarr;</a>

_site/index.html

@@ -281,10 +281,10 @@
 
 	    </div>
 	    <p>
-	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2019/09/16/Program-Announced" data-via="radnetworks">Tweet</a>
+	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2019/09/16/Program-Announced.html" data-via="radnetworks">Tweet</a>
 	    </p>
 	    <p>
-			<a href="/2019/09/16/Program-Announced">Read More &raquo;</a> 
+			<a href="/2019/09/16/Program-Announced.html">Read More &raquo;</a> 
 	    </p> 
 	</div>  
   
@@ -300,10 +300,10 @@
 
 	    </div>
 	    <p>
-	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2019/08/01/Status-of-Submissions" data-via="radnetworks">Tweet</a>
+	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2019/08/01/Status-of-Submissions.html" data-via="radnetworks">Tweet</a>
 	    </p>
 	    <p>
-			<a href="/2019/08/01/Status-of-Submissions">Read More &raquo;</a> 
+			<a href="/2019/08/01/Status-of-Submissions.html">Read More &raquo;</a> 
 	    </p> 
 	</div>  
   
@@ -319,10 +319,10 @@
 
 	    </div>
 	    <p>
-	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2019/07/02/Deadline-Extended" data-via="radnetworks">Tweet</a>
+	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2019/07/02/Deadline-Extended.html" data-via="radnetworks">Tweet</a>
 	    </p>
 	    <p>
-			<a href="/2019/07/02/Deadline-Extended">Read More &raquo;</a> 
+			<a href="/2019/07/02/Deadline-Extended.html">Read More &raquo;</a> 
 	    </p> 
 	</div>  
   
@@ -401,10 +401,10 @@
 
 	    </div>
 	    <p>
-	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2019/05/16/Calling-all-Proposals" data-via="radnetworks">Tweet</a>
+	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2019/05/16/Calling-all-Proposals.html" data-via="radnetworks">Tweet</a>
 	    </p>
 	    <p>
-			<a href="/2019/05/16/Calling-all-Proposals">Read More &raquo;</a> 
+			<a href="/2019/05/16/Calling-all-Proposals.html">Read More &raquo;</a> 
 	    </p> 
 	</div>  
   
@@ -418,10 +418,10 @@
 
 	    </div>
 	    <p>
-	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2019/04/01/Announcing-2019-Dates-and-Location" data-via="radnetworks">Tweet</a>
+	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2019/04/01/Announcing-2019-Dates-and-Location.html" data-via="radnetworks">Tweet</a>
 	    </p>
 	    <p>
-			<a href="/2019/04/01/Announcing-2019-Dates-and-Location">Read More &raquo;</a> 
+			<a href="/2019/04/01/Announcing-2019-Dates-and-Location.html">Read More &raquo;</a> 
 	    </p> 
 	</div>  
   
@@ -435,10 +435,10 @@
 
 	    </div>
 	    <p>
-	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2018/12/12/See-You-Next-Year" data-via="radnetworks">Tweet</a>
+	      <a href="https://twitter.com/share" class="twitter-share-button" data-url="http://radicalnetworks.org/2018/12/12/See-You-Next-Year.html" data-via="radnetworks">Tweet</a>
 	    </p>
 	    <p>
-			<a href="/2018/12/12/See-You-Next-Year">Read More &raquo;</a> 
+			<a href="/2018/12/12/See-You-Next-Year.html">Read More &raquo;</a> 
 	    </p> 
 	</div>  
 

_site/participants/anamhoo/index.html

@@ -282,7 +282,7 @@
 <p><img src="RN_Games.png" width="100%" style="max-width: 600px" /></p>
 <p>In the session we will reflect about strategies to facilitate digital security workshops based on three principles:</p>
 <ul>
-	<li>1/ interpel the dominant discourse on security</li>
+	<li>1/ Question the dominant discourse on security</li>
 	<li>2/ put in the main place the Community</li>
 	<li>3/ recover the playful joy of learning and sharing.</li>
 </ul>

_site/participants/greta-byrum/index.html

@@ -278,7 +278,7 @@
 <hr />
 
 <h2>Presenting</h2>
-<h3>How to Radicalize the Decennial Census</h3>
+<h3>The 2020 Digital Census as Social Infrastructure</h3>
 <p>The census operates as public infrastructure in multiple ways (civic, social, data, buildings, machines, institutions). The count determines how much funding communities receive for schools, libraries, parks, services, roads, etc. -- and how legislative districts get drawn (or gerrymandered to suppress representation). In 2020, for the first time, the decennial count will be digital, both opening up new risks and fields of possibilities. And, as with other infrastructure, we can leverage, reimagine, and rebuild the census to advance collective purpose and vision. This session will explore means, methods, and the state of play.</p>
 
   </div>

_site/participants/hiba-ali/index.html

@@ -272,7 +272,7 @@
   <div class="col-xs-12">
     <h3>Hiba Ali</h3>
 <p><img src="hiba-ali.jpeg" width="256px" /></p>
-<p><a href="https://hibaali.info/" target="_blank">Website</a></p>
+<p><a href="http://hibaali.info/" target="_blank">Website</a></p>
 <p>Hiba Ali is a new media artist, writer, DJ, experimental music producer and curator based across Chicago, IL, Austin, TX, and Toronto, ON. Her performances and videos concern music, labour and power. She conducts reading groups addressing digital media and workshops with open-source technology. She is a PhD candidate in Cultural Studies at Queens University, Kingston, Canada. She has presented her work in Chicago, Stockholm, Toronto, New York, Istanbul, São Paulo, Detroit, Dubai, Austin, Vancouver, and Portland.</p>
 
 <hr />

_site/participants/index.html

@@ -290,10 +290,10 @@
 		<li><a href="/participants/rachel-kuo/">Rachel Kuo</a></li>  
 	  
 		<!-- <li><a href="/participants/yamil-lora/">Yamil Lora</a></li>   -->
-		<li>Yamil Lora</li>  
-	  
-		<li><a href="/participants/myaisha-hayes/">Myaisha Hayes</a></li>
-
+		<li>Yamil Lora</li>
+		 
+		<li><a href="/participants/myaisha-hayes/">Myaisha Hayes</a></li>  
+		
 		<li><a href="/participants/ulandis-fort/">Ulandis Fort</a></li>  
 	  
 		<li><a href="/participants/rosaura-zapata/">Rosaura Zapata</a></li>  
@@ -340,8 +340,6 @@
 	  
 		<li><a href="/participants/sukanya-aneja/">Sukanya Aneja</a></li>  
 	  
-		<li><a href="/participants/laniyuk/">Laniyuk</a></li>  
-	  
 		<li><a href="/participants/libi-rose-striegl/">Libi Rose Striegl</a></li>  
 	  
 		<li><a href="/participants/mike-dank/">Mike Dank</a></li>  

_site/participants/laguerraruda/index.html

@@ -274,12 +274,13 @@
 <p><img src="laguerraruda-256x256.jpg" width="256px" /></p>
 <p><a href="https://laguerraruda.wordpress.com/" target="_blank">Website</a> | <a href="https://twitter.com/laguerraruda/" target="_blank">Twitter</a></p>
 <p>For years I’ve contributed to the maintenance of human networks. I have learned from mistakes and continue to try new methods and systems to improve their persistence: care, communication, body and territory, crossed by a deep political conviction of freedom and autonomy. Not all of these processes are available online. Few years ago I started working in an NGO, in digital rights advocacy. Today I'm kind of a translator: critical appropriation of technology, from my activist work; end-user perspectives in internet architecture, as part of my job. I also write in spanish:
-	<ul>
+	</p>
+<ul>
 		<li><a href="https://genderit.org/es/feminist-talk/edicion-especial-sexo-virtual-sin-intercambio-de-fluidos-ni-privacidad" target="_blank">https://genderit.org/es/feminist-talk/edicion-especial-sexo-virtual-sin-intercambio-de-fluidos-ni-privacidad</a></li>
 		<li><a href="https://revistamarea.com/2018/06/30/aprender-a-navegar-libres/" target="_blank">https://revistamarea.com/2018/06/30/aprender-a-navegar-libres/</a></li>
 		<li><a href="https://pillku.org/article/des-programar-en-clitoris/" target="_blank">https://pillku.org/article/des-programar-en-clitoris/</a></li>
 	</ul>
-</p>
+<p></p>
 
 <hr />
 

_site/participants/melanie-hoff/index.html

@@ -292,11 +292,10 @@
 
 <p>Participants should bring their laptop to the workshop. Please contact Melanie beforehand if you are planning to use a Windows machine.</p>
 
-<p>Additional information
-	<ul>
-		<li><a href="https://github.com/melaniehoff/" target="_blank">Github</a></li>
-	</ul>
-</p>
+<p>Additional information</p>
+<ul>
+	<li><a href="https://github.com/melaniehoff/" target="_blank">Github</a></li>
+</ul>
 
   </div>
 </div>

_site/participants/myaisha-hayes/index.html

@@ -278,7 +278,7 @@
 <hr />
 
 <h2>Presenting with <a href="../ulandis-fort">Ulandis Fort</a></h2>
-<h3>The Fight for Prison Phone Justice</h3>
+<h3>Prison Phone Justice</h3>
 <p>For the millions of families that seek to remain in touch with their incarcerated loved ones, communication can come at a high cost. For 20 years, Mrs. Martha Wright-Reed fought the prison phone industry to reduce the high cost of prison phone calls so that she could stay in touch with her beloved grandson, Ulandis Forte. While several states have reduced the cost of prison phone calls, the fight to cap rates nationally continues. Join Ulandis Forte, Prison Phone Justice Activist and Myaisha Hayes, the National Organizer on Criminal Justice &amp; Tech from MediaJustice to learn more about how communities impacted by mass incarceration have continued to fight for their communication rights.</p>
 
   </div>

_site/participants/rosaura-zapata/index.html

@@ -282,7 +282,7 @@
 <p><img src="RN_Games.png" width="100%" style="max-width: 600px" /></p>
 <p>In the session we will reflect about strategies to facilitate digital security workshops based on three principles:</p>
 <ul>
-	<li>1/ interpel the dominant discourse on security</li>
+	<li>1/ Question the dominant discourse on security</li>
 	<li>2/ put in the main place the Community</li>
 	<li>3/ recover the playful joy of learning and sharing.</li>
 </ul>

_site/participants/ulandis-fort/index.html

@@ -278,7 +278,7 @@
 <hr />
 
 <h2>Presenting with <a href="../myaisha-hayes">Myaisha Hayes</a></h2>
-<h3>The Fight for Prison Phone Justice</h3>
+<h3>Prison Phone Justice</h3>
 <p>For the millions of families that seek to remain in touch with their incarcerated loved ones, communication can come at a high cost. For 20 years, Mrs. Martha Wright-Reed fought the prison phone industry to reduce the high cost of prison phone calls so that she could stay in touch with her beloved grandson, Ulandis Forte. While several states have reduced the cost of prison phone calls, the fight to cap rates nationally continues. Join Ulandis Forte, Prison Phone Justice Activist and Myaisha Hayes, the National Organizer on Criminal Justice &amp; Tech from MediaJustice to learn more about how communities impacted by mass incarceration have continued to fight for their communication rights.</p>
 
   </div>

_site/program/index.html

@@ -437,7 +437,7 @@
 					<td>10:45</td>
 					<td>
 						<a href="../participants/greta-byrum/">
-							<span class="title">2020 Censor as Infrastructure Issue</span><br/>
+							<span class="title">The 2020 Digital Census as Social Infrastructure</span><br/>
 							Greta Byrum
 						</a>
 					</td>
@@ -550,28 +550,29 @@
 				</tr>
 				<tr class="public">
 					<td>19:00</td>
-					<td>
+					<td colspan="2">
 						<a href="../participants/mindy-seu/">
 							<span class="title">Cyberfeminism Catalog Reading</span><br/>
 							Mindy Seu
 						</a>
 					</td>
-					<td></td>
+				</tr>
+				<tr class="public">
+					<td>19:15</td>
+					<td colspan="2">
 				</tr>
 				<tr class="public">
 					<td>20:00</td>
-					<td>
+					<td colspan="2">
 						<a href="../participants/sarah-nguyen/">
 							<span class="title">Performance: LinkRot</span><br/>
 							Sarah Nguyen
 						</a>
 					</td>
-					<td></td>
 				</tr>
 				<tr class="public">
 					<td>till 23:00</td>
-					<td>Open Gallery Hours<br/>Free and open to the public!</td>
-					<td></td>
+					<td colspan="2">Open Gallery Hours<br/>Free and open to the public!</td>
 				</tr>
 			</tbody>
 		</table>
@@ -712,18 +713,16 @@
 				</tr>
 				<tr class="public">
 					<td>19:30</td>
-					<td>
+					<td colspan="2">
 						<a href="../participants/joana-chicau/">
 							<span class="title">Performance: Web Choreographies</span><br/>
 							Joana Chicau
 						</a>
 					</td>
-					<td></td>
 				</tr>
 				<tr class="public">
 					<td>till 23:00</td>
-					<td>Open Gallery Hours<br/>Free and open to the public!</td>
-					<td></td>
+					<td colspan="2">Open Gallery Hours<br/>Free and open to the public!</td>
 				</tr>
 			</tbody>
 		</table>

participants/adam-mcfillin/index.html

@@ -1,360 +0,0 @@
-
-<!DOCTYPE html>
-<html lang="en">
-  <head>
-    <meta charset="utf-8">
-    <meta http-equiv="X-UA-Compatible" content="IE=edge">
-
-    <title>Adam McFillin</title>
-    
-    <meta name="author" content="Radical Networks">
-
-    <!-- Enable responsive viewport -->
-    <meta name="viewport" content="width=device-width, initial-scale=1.0">
-    <meta property="og:url"                content="https://radicalnetworks.org" />
-    <meta property="og:title"              content="Radical Networks 2019" />
-    <meta property="og:description"        content="October 18-20, 2019 at Prime Produce, NYC, NY" />
-    <meta property="og:site_name"          content="Radical Networks"/>
-    <meta property="og:image"              content="https://radicalnetworks.org/assets/themes/images/radnets_logo_larger.png"/>
-
-    <!-- Bootstrap styles -->
-    <link href="/assets/themes/bootstrap/css/bootstrap.min.css" rel="stylesheet">
-    <!-- Optional theme -->
-    <link href="/assets/themes/bootstrap/css/bootstrap-theme.min.css" rel="stylesheet">
-    <!-- Sticky Footer -->
-    <link href="/assets/themes/bootstrap/css/bs-sticky-footer.css" rel="stylesheet">
-    
-    <!-- Custom styles and fonts -->
-    <link href='https://fonts.googleapis.com/css?family=Lato:300,400,700' rel='stylesheet' type='text/css'>
-    <link href="/assets/themes/css/style.css?body=1" rel="stylesheet" type="text/css" media="all">
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-    <![endif]-->
-  </head>
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-      <div class="container">
-        <nav class="row navbar" role="navigation">
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-            <span class="icon-spacer"></span>
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-            <span class="icon-spacer"></span>
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-      <img class="logo" src="/assets/themes/images/radnets_logo.png" width="500" height="76" />
-    </a>
-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
-  	<div class="social">
-      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
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-
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-    <h3>Adam McFillin</h3>
-<p><img src="256-256-max.png" width="256px" /></p>
-<p><a href="https://adammcfillin.net" target="_blank">Website</a> | <a href="https://twitter.com/ctrlyrown/" target="_blank">Twitter</a></p>
-<p>Adam McFillin is an artist engaged in producing works that investigate power and its presence in the protocols and structures of communications networks. By making signals, packets and protocological rhythms audible or visible, he aims to expose the materiality of the digital network and evade the abstractions that exist between user and machine.</p>
-
-<p>In his day job he writes words at a Regional Internet Registry.</p>
-
-<hr />
-
-<h2>Presenting</h2>
-<h3>By The Time We Say DoH It May Already Be Too Late</h3>
-<p>DNS over HTTPS (DoH) is coming, and quickly. While there are some remaining quibbles among Internet standards-making types over implementation and implications, browser-makers and open DNS providers are pushing to enable it by default in our browsers.</p>
-
-<p>Overall it feels like a win - our DNS traffic will no longer be vulnerable to eavesdropping or man-in-the-middle attacks - but when we look at the major players (Google, Cloudflare, Mozilla) and think about what they have to gain from collecting even more user information from DNS queries, I'm not so sure.</p>
-
-<p>For a start, our already pretty-damn-centralized DNS infrastructure may become even more centralized - if not topologically, then definitely organizationally.
-So what can we do about this as radical networkers? Get involved in standards-making or Internet policy discussions? Start running our own caching resolvers at home? Adopt alternative protocols? Well, the answer is definitely "yes" to all of these, but there are pros and cons to the effectiveness of each path.</p>
-
-<p>This presentation doesn't pretend to have all the answers, but aims to give attendees a heads-up about changes to the Internet infrastructural landscape in the hope that together we can address yet another further concentration of power online.</p>
-
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participants/adam-mcfillin/index.md

@@ -0,0 +1,22 @@
+---
+layout: page
+title: Adam McFillin
+---
+<h3>Adam McFillin</h3>
+<img src="256-256-max.png" width="256px" />
+<p><a href="https://adammcfillin.net" target="_blank">Website</a> | <a href="https://twitter.com/ctrlyrown/" target="_blank">Twitter</a></p>
+<p>Adam McFillin is an artist engaged in producing works that investigate power and its presence in the protocols and structures of communications networks. By making signals, packets and protocological rhythms audible or visible, he aims to expose the materiality of the digital network and evade the abstractions that exist between user and machine.</p>
+
+<p>In his day job he writes words at a Regional Internet Registry.</p>
+
+<hr />
+<h2>Presenting</h2>
+<h3>By The Time We Say DoH It May Already Be Too Late</h3>
+<p>DNS over HTTPS (DoH) is coming, and quickly. While there are some remaining quibbles among Internet standards-making types over implementation and implications, browser-makers and open DNS providers are pushing to enable it by default in our browsers.</p>
+
+<p>Overall it feels like a win - our DNS traffic will no longer be vulnerable to eavesdropping or man-in-the-middle attacks - but when we look at the major players (Google, Cloudflare, Mozilla) and think about what they have to gain from collecting even more user information from DNS queries, I'm not so sure.</p>
+
+<p>For a start, our already pretty-damn-centralized DNS infrastructure may become even more centralized - if not topologically, then definitely organizationally.
+So what can we do about this as radical networkers? Get involved in standards-making or Internet policy discussions? Start running our own caching resolvers at home? Adopt alternative protocols? Well, the answer is definitely "yes" to all of these, but there are pros and cons to the effectiveness of each path.</p>
+
+<p>This presentation doesn't pretend to have all the answers, but aims to give attendees a heads-up about changes to the Internet infrastructural landscape in the hope that together we can address yet another further concentration of power online.</p>

participants/alden-rivendale-jones/index.html

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-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
-  	<div class="social">
-      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
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-    <h3>Alden Rivendale Jones</h3>
-<p><img src="alden.png" width="256px" /></p>
-<p><a href="http://alden.website" target="_blank">Website</a> | <a href="https://twitter.com/miamiworldwide/" target="_blank">Twitter</a></p>
-<p>Alden Rivendale Jones is a New York City based artist, researcher, and programmer working in performance and new media. Recent work themes include human to algorithm interactions, utopic infrastructures, and failure. Formerly they were curator at hq Objective Gallery in Portland, OR. Currently they are a managing editor of Adjacent Journal and a Research Resident at New York University's Interactive Telecommunications Program.</p>
-
-<hr />
-
-<h2>Workshop / Exhibiting</h2>
-<h3>LocalNet Adventure!! / The Well Bottom</h3>
-<p><img src="wellbottom.jpg" width="100%" style="max-width: 600px" /></p>
-<p>The Well Bottom (TWB) is a simulated infrastructure of pocket local networks created with a router and several Raspberry Pis. LocalNet Adventure!! is a workshop/alternate reality game in which participants engage with and explore The Well Bottom as a means to imagine internet alternatives or even a post-internet reality.</p>
-
-<p>The internet of today appears to us as a monolithic, totalizing force. In this workshop/alternate reality game we will do work to demystify it, imagine alternatives, and show how the internet doesn't have to be the only network around. To do so we will engage with and explore a simulated infrastructure of pocket local networks known as The Well Bottom, on something like a digital scavenger hunt. There is lots of ASCII art, and the first person to unravel all of the secrets of network will win a <em>very special</em> Raspberry Pi 0W. Tool setup will take the first 10-15 minutes, with guided exploration the rest of the period, ending with a group discussion on the internet's place in our lives and steps we can take to improve our relationship with it. Our goal is find ways to be playful with our network technologies while still being critical of their uses and impacts in our day to day.</p>
-
-<p>The workshop will run Friday, October 18, 2019, from 10:15 am - 1:15 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
-
-<p>Participants should bring their laptop with them to the workshop.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://github.com/miamiww" target="_blank">Github</a></li>
-		<li><a href="http://blog.alden.website/post/localnet-adventure-LA/" target="_blank">Reference page for the last LocalNet Adventure!!</a></li>
-	</ul>
-</p>
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participants/alden-rivendale-jones/index.md

@@ -0,0 +1,27 @@
+---
+layout: page
+title: Alden Rivendale Jones
+---
+<h3>Alden Rivendale Jones</h3>
+<img src="alden.png" width="256px" />
+<p><a href="http://alden.website" target="_blank">Website</a> | <a href="https://twitter.com/miamiworldwide/" target="_blank">Twitter</a></p>
+<p>Alden Rivendale Jones is a New York City based artist, researcher, and programmer working in performance and new media. Recent work themes include human to algorithm interactions, utopic infrastructures, and failure. Formerly they were curator at hq Objective Gallery in Portland, OR. Currently they are a managing editor of Adjacent Journal and a Research Resident at New York University's Interactive Telecommunications Program.</p>
+
+<hr />
+<h2>Workshop / Exhibiting</h2>
+<h3>LocalNet Adventure!! / The Well Bottom</h3>
+<img src="wellbottom.jpg" width="100%" style="max-width: 600px" />
+<p>The Well Bottom (TWB) is a simulated infrastructure of pocket local networks created with a router and several Raspberry Pis. LocalNet Adventure!! is a workshop/alternate reality game in which participants engage with and explore The Well Bottom as a means to imagine internet alternatives or even a post-internet reality.</p>
+
+<p>The internet of today appears to us as a monolithic, totalizing force. In this workshop/alternate reality game we will do work to demystify it, imagine alternatives, and show how the internet doesn't have to be the only network around. To do so we will engage with and explore a simulated infrastructure of pocket local networks known as The Well Bottom, on something like a digital scavenger hunt. There is lots of ASCII art, and the first person to unravel all of the secrets of network will win a <em>very special</em> Raspberry Pi 0W. Tool setup will take the first 10-15 minutes, with guided exploration the rest of the period, ending with a group discussion on the internet's place in our lives and steps we can take to improve our relationship with it. Our goal is find ways to be playful with our network technologies while still being critical of their uses and impacts in our day to day.</p>
+
+<p>The workshop will run Friday, October 18, 2019, from 10:15 am - 1:15 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
+
+<p>Participants should bring their laptop with them to the workshop.</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="https://github.com/miamiww" target="_blank">Github</a></li>
+		<li><a href="http://blog.alden.website/post/localnet-adventure-LA/" target="_blank">Reference page for the last LocalNet Adventure!!</a></li>
+	</ul>
+</p>

participants/anamhoo/index.html

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-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
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-    <h3>Anamhoo</h3>
-<!-- <img src="sarahfriend.png" width="256px" /> -->
-<p><a href="https://girlanachronism.org/" target="_blank">Website</a> | <a href="https://twitter.com/anamhoo/" target="_blank">Twitter</a></p>
-<p>Anamhoo is a Transhackfeminist. I work exploring technology and differents ways for sharing with historically excluded communities. I work as a digital security trainer and as a reasercher in environmental issues. I enjoy making maps and learning new things. Some of the projects I have participated in are: <a href="https://geamatica.me/" target="_blank">geamatica.me</a>, <a href="https://www.donestech.net/noticia/rebelarnos-la-tecnologia-por-anamhoo-y-bruja-migrante-de-la-colectiva-ada" target="_blank">Rebelarnos a la tecnología por Anamhoo y Bruja Migrante de la colectiva ADA</a>, and <a href="https://www.donestech.net/noticia/donestech-y-amigxs-presentan-redes-sociales-en-perspectiva-de-genero-guia-para-conocer-y" target="_blank">Donestech y amigxs presentan "Redes Sociales en perspectiva de género: Guía para conocer y contrarrestar las violencias de género on-line"</a>.</p>
-
-<hr />
-
-<h2>Workshop with <a href="../rosaura-zapata/">Rosaura Zapata</a></h2>
-<h3>TransHackfeminist Board Games</h3>
-<p><img src="RN_Games.png" width="100%" style="max-width: 600px" /></p>
-<p>In the session we will reflect about strategies to facilitate digital security workshops based on three principles:</p>
-<ul>
-	<li>1/ interpel the dominant discourse on security</li>
-	<li>2/ put in the main place the Community</li>
-	<li>3/ recover the playful joy of learning and sharing.</li>
-</ul>
-
-<p>During the session we will share our strategies and the development of two traditional board games that we have created collectively.</p>
-
-<p>TransHackfeminist Board Games is a project of what seems relevant to discuss about technology from the transhackfeminism. In Serpientes y escaleras we reflect on everyday practices that put at risk or reinforce our security or that of our data on the Internet. Along the way they visit and get to know self-managed projects, ideas and practices that help to build networks of mutual support and solidarity.</p>
-
-<p>The workshop will run Sunday, October 20, 2019, from 1:30 pm - 4:00 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
-
-<p>All materials will be provided for participants in the workshop.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://girlanachronism.org/" target="_blank">GirlAnachonism</a></li>
-		<li><a href="https://ranchoelectronico.org/" target="_blank">Rancho Electrónico</a></li>
-		<li><a href="https://coaa.tv/" target="_blank">CoaaTV</a></li>
-		<li><a href="https://geamatica.me/" target="_blank">geamatica.me</a></li>
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participants/anamhoo/index.md

@@ -0,0 +1,36 @@
+---
+layout: page
+title: Anamhoo
+---
+<h3>Anamhoo</h3>
+<!-- <img src="sarahfriend.png" width="256px" /> -->
+<p><a href="https://girlanachronism.org/" target="_blank">Website</a> | <a href="https://twitter.com/anamhoo/" target="_blank">Twitter</a></p>
+<p>Anamhoo is a Transhackfeminist. I work exploring technology and differents ways for sharing with historically excluded communities. I work as a digital security trainer and as a reasercher in environmental issues. I enjoy making maps and learning new things. Some of the projects I have participated in are: <a href="https://geamatica.me/" target="_blank">geamatica.me</a>, <a href="https://www.donestech.net/noticia/rebelarnos-la-tecnologia-por-anamhoo-y-bruja-migrante-de-la-colectiva-ada" target="_blank">Rebelarnos a la tecnología por Anamhoo y Bruja Migrante de la colectiva ADA</a>, and <a href="https://www.donestech.net/noticia/donestech-y-amigxs-presentan-redes-sociales-en-perspectiva-de-genero-guia-para-conocer-y" target="_blank">Donestech y amigxs presentan "Redes Sociales en perspectiva de género: Guía para conocer y contrarrestar las violencias de género on-line"</a>.</p>
+
+<hr />
+<h2>Workshop with <a href="../rosaura-zapata/">Rosaura Zapata</a></h2>
+<h3>TransHackfeminist Board Games</h3>
+<img src="RN_Games.png" width="100%" style="max-width: 600px" />
+<p>In the session we will reflect about strategies to facilitate digital security workshops based on three principles:</p>
+<ul>
+	<li>1/ Question the dominant discourse on security</li>
+	<li>2/ put in the main place the Community</li>
+	<li>3/ recover the playful joy of learning and sharing.</li>
+</ul>
+
+<p>During the session we will share our strategies and the development of two traditional board games that we have created collectively.</p>
+
+<p>TransHackfeminist Board Games is a project of what seems relevant to discuss about technology from the transhackfeminism. In Serpientes y escaleras we reflect on everyday practices that put at risk or reinforce our security or that of our data on the Internet. Along the way they visit and get to know self-managed projects, ideas and practices that help to build networks of mutual support and solidarity.</p>
+
+<p>The workshop will run Sunday, October 20, 2019, from 1:30 pm - 4:00 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
+
+<p>All materials will be provided for participants in the workshop.</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="https://girlanachronism.org/" target="_blank">GirlAnachonism</a></li>
+		<li><a href="https://ranchoelectronico.org/" target="_blank">Rancho Electrónico</a></li>
+		<li><a href="https://coaa.tv/" target="_blank">CoaaTV</a></li>
+		<li><a href="https://geamatica.me/" target="_blank">geamatica.me</a></li>
+	</ul>
+</p>

participants/angela-arias-zapata/index.html

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-    </a>
-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
-  	<div class="social">
-      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
-      <a href="mailto:info@radicalnetworks.org"><img src="/assets/themes//images/email.png" width="37" height="37" /></a>
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-    <h3>Angela Arias Zapata</h3>
-<p><img src="AriasZapata.jpg" width="256px" /></p>
-<p>I am a PhD candidate at the Media, Culture, and Communication Department at New York University. My research is about media infrastructures in rural areas in South America (specifically in Colombia), the neocolonial dynamics that take place at the level of state and corporate power, and their subsequent clash with communities claiming their rights to collective land ownership over ancestral territories –indigenous and Afro-Colombian communities.</p>
-
-<p>My academic intervention seeks to contribute to the understanding of the relationship between social movements and media in the Global South, through the analysis of media infrastructures as sites of contention in which otherness is both reproduced and resisted. Apart from being a researcher and educator in media studies, I am a publisher. I received a Master's degree in Publishing from the University of Salamanca in Spain and a Bachelor's degree in Literary Studies from the National University of Colombia. Currently, I lead the independent editorial project Himpar Editores.</p>
-
-<hr />
-
-<h2>Presenting</h2>
-<h3>Media Infrastructures and Racialized Territorial Formations: Perspectives from the South</h3>
-<p>In this talk, I will analyze the distinctions between rural and urban areas in Colombia in terms of their articulation around broadcasting and telecommunication infrastructures, in a period of simultaneous democratization and economic liberalization in Latin America. In the case of Colombia, official narratives indicate that the distinction between urban and rural is something municipalities decide; a consequence of the democratization process in the late 1980s and early 1990s and the subsequent recognition of regions' political and administrative autonomy. The transformation of policies around access to telecommunication technologies at the onset of Neoliberalism was the foundation for the current legislation of internet services. It was a measure of modernization in the same way in which Internet access is today. Telecommunication policies were part of the intention to not only overcome the internal armed conflict but achieving progress in regions seen as backward. Pacification and development were part of the same intention and communication infrastructures were a means to achieve those two purposes.</p>
-
-<p>In contrast, I will speak about the history of the indigenous radio system, created in the midst of this political and economic conjuncture, with the purpose of supporting the struggle for the recovery of ancestral lands. I analyze this process using the notion of claims making, according to which communities formulated new narratives about the colonial past (Joan Rappaport) and linked them to a public international debate on rights as needs and the question of who deserves public assistance ( Wendy Wolford); as well as the idea that they used the framework of the global ethno-racial field to align with the multiculturalism embedded in the Latin American legislations created in the 1990s (Tannia Paschel), to achieve the recognition and protection of their citizenship rights (Nancy Gray Postero). However, I engage critically with this perspective, by reading the engagement with media infrastructures for the liberation of ancestral lands from the standpoint of what indigenous communities in the Cauca region have defined as proper communication, which entails the inseparable connection between a community and the territory it inhabits.</p>
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participants/angela-arias-zapata/index.md

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+---
+layout: page
+title: Angela Arias Zapata
+---
+<h3>Angela Arias Zapata</h3>
+<img src="AriasZapata.jpg" width="256px">
+<p>I am a PhD candidate at the Media, Culture, and Communication Department at New York University. My research is about media infrastructures in rural areas in South America (specifically in Colombia), the neocolonial dynamics that take place at the level of state and corporate power, and their subsequent clash with communities claiming their rights to collective land ownership over ancestral territories –indigenous and Afro-Colombian communities.</p>
+
+<p>My academic intervention seeks to contribute to the understanding of the relationship between social movements and media in the Global South, through the analysis of media infrastructures as sites of contention in which otherness is both reproduced and resisted. Apart from being a researcher and educator in media studies, I am a publisher. I received a Master's degree in Publishing from the University of Salamanca in Spain and a Bachelor's degree in Literary Studies from the National University of Colombia. Currently, I lead the independent editorial project Himpar Editores.</p>
+
+<hr />
+<h2>Presenting</h2>
+<h3>Media Infrastructures and Racialized Territorial Formations: Perspectives from the South</h3>
+<p>In this talk, I will analyze the distinctions between rural and urban areas in Colombia in terms of their articulation around broadcasting and telecommunication infrastructures, in a period of simultaneous democratization and economic liberalization in Latin America. In the case of Colombia, official narratives indicate that the distinction between urban and rural is something municipalities decide; a consequence of the democratization process in the late 1980s and early 1990s and the subsequent recognition of regions' political and administrative autonomy. The transformation of policies around access to telecommunication technologies at the onset of Neoliberalism was the foundation for the current legislation of internet services. It was a measure of modernization in the same way in which Internet access is today. Telecommunication policies were part of the intention to not only overcome the internal armed conflict but achieving progress in regions seen as backward. Pacification and development were part of the same intention and communication infrastructures were a means to achieve those two purposes.</p>
+
+<p>In contrast, I will speak about the history of the indigenous radio system, created in the midst of this political and economic conjuncture, with the purpose of supporting the struggle for the recovery of ancestral lands. I analyze this process using the notion of claims making, according to which communities formulated new narratives about the colonial past (Joan Rappaport) and linked them to a public international debate on rights as needs and the question of who deserves public assistance ( Wendy Wolford); as well as the idea that they used the framework of the global ethno-racial field to align with the multiculturalism embedded in the Latin American legislations created in the 1990s (Tannia Paschel), to achieve the recognition and protection of their citizenship rights (Nancy Gray Postero). However, I engage critically with this perspective, by reading the engagement with media infrastructures for the liberation of ancestral lands from the standpoint of what indigenous communities in the Cauca region have defined as proper communication, which entails the inseparable connection between a community and the territory it inhabits.</p>

participants/arkadiy-kukarkin/index.html

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-    <h3>Arkadiy Kukarkin</h3>
-<p><img src="ArkadiyKukarkin_Headshot.jpeg" width="256px" /></p>
-<p>Arkadiy Kukarkin has been trying to make the internet a better place for just over a decade, with mixed success. His work focuses on creating systems of support and expression that respect the intrinsic motivations and intent of the participant, and exploring the relationship between creative labor and reward. If the whole Internet thing doesn’t work out, he’ll probably be found in a kitchen or garden somewhere, or making atonal sounds with software/electronics, if there is a power supply.</p>
-
-<hr />
-
-<h2>Sound and Production Assistance for</h2>
-<h3>Remembering Network</h3>
-<h4>A memorial to biodiversity loss, hosted on the p2p web</h4>
-<p><img src="remembering-network.png" width="600px" /></p>
-<p>There are 41,415 species on the International Union for Conservation of Nature’s Red List of Threatened Species, and 16,306 of them are threatened with extinction. It makes up 27% of all assessed species, 40% of amphibians, 25% of mammals, 14% of birds, and 70% of assessed plants. Early this May, the United Nations released a report on global biodiversity loss, finding that it is in unprecedented decline as a result of human activities.</p>
-
-<p>Take a deep breath and hold that in your mind. As we try to preserve and rebuild our world, we must also bear witness to the losses that came from our past carelessness.
-The Svalbard Global Seed Vault is a highly secure seed bank meant to preserve genetic information for future civilizations located on a remote island in Norway. Increasingly, it serves as a memorial, but it’s not accessible to most people as anything more than an idea. Remembering network is also a kind of monument - but one that is collaborative, local-first, diverse, and resilient - to lost and threatened wildlife. It will contain crowdsourced images and genetic information of currently threatened and endangered animals.</p>
-
-<p>Attendees are invited to submit images of animals, to be packaged in archives on ipfs and other peer to peer protocols. Much like the seed bank, which is built to withstand many kinds of extreme climate and weather, peer to peer protocols are similarly designed to withstand network failures and takedown attempts. We'll put our memorial in the safest place we know: all over the world, everywhere.</p>
-
-<p>Sound and production assistance from Arkadiy Kukarkin</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://remembering.network/" target="_blank">Remembering.Network</a></li>
-		<li><a href="https://github.com/ana0/seedMeForever" target="_blank">Github</a></li>
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participants/arkadiy-kukarkin/index.md

@@ -0,0 +1,28 @@
+---
+layout: page
+title: Arkadiy Kukarkin
+---
+<h3>Arkadiy Kukarkin</h3>
+<img src="ArkadiyKukarkin_Headshot.jpeg" width="256px" />
+<p>Arkadiy Kukarkin has been trying to make the internet a better place for just over a decade, with mixed success. His work focuses on creating systems of support and expression that respect the intrinsic motivations and intent of the participant, and exploring the relationship between creative labor and reward. If the whole Internet thing doesn’t work out, he’ll probably be found in a kitchen or garden somewhere, or making atonal sounds with software/electronics, if there is a power supply.</p>
+
+<hr />
+<h2>Sound and Production Assistance for</h2>
+<h3>Remembering Network</h3>
+<h4>A memorial to biodiversity loss, hosted on the p2p web</h4>
+<img src="remembering-network.png" width="600px" />
+<p>There are 41,415 species on the International Union for Conservation of Nature’s Red List of Threatened Species, and 16,306 of them are threatened with extinction. It makes up 27% of all assessed species, 40% of amphibians, 25% of mammals, 14% of birds, and 70% of assessed plants. Early this May, the United Nations released a report on global biodiversity loss, finding that it is in unprecedented decline as a result of human activities.</p>
+
+<p>Take a deep breath and hold that in your mind. As we try to preserve and rebuild our world, we must also bear witness to the losses that came from our past carelessness.
+The Svalbard Global Seed Vault is a highly secure seed bank meant to preserve genetic information for future civilizations located on a remote island in Norway. Increasingly, it serves as a memorial, but it’s not accessible to most people as anything more than an idea. Remembering network is also a kind of monument - but one that is collaborative, local-first, diverse, and resilient - to lost and threatened wildlife. It will contain crowdsourced images and genetic information of currently threatened and endangered animals.</p>
+
+<p>Attendees are invited to submit images of animals, to be packaged in archives on ipfs and other peer to peer protocols. Much like the seed bank, which is built to withstand many kinds of extreme climate and weather, peer to peer protocols are similarly designed to withstand network failures and takedown attempts. We'll put our memorial in the safest place we know: all over the world, everywhere.</p>
+
+<p>Sound and production assistance from Arkadiy Kukarkin</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="https://remembering.network/" target="_blank">Remembering.Network</a></li>
+		<li><a href="https://github.com/ana0/seedMeForever" target="_blank">Github</a></li>
+	</ul>
+</p>

participants/beverly-chou/index.html

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-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
-  	<div class="social">
-      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
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-    <h3>Beverly Chou</h3>
-<p><img src="bev-chou-radicalnet-biopic.png" width="256px" /></p>
-<p><a href="https://beverlychou.com/" target="_blank">Website</a> | <a href="https://twitter.com/bevchou/" target="_blank">Twitter</a></p>
-<p>Beverly Chou is an interdisciplinary designer and creative technologist whose work is about bridging digital and IRL experience, and using technology as a tool to question how technology is shaping us. She graduated with an MPS from NYU’s Interactive Telecommunications Program and a BSE in mechanical engineering from the University of Michigan. She is interested in tangible interfaces, ethical technology, overlooked infrastructures, electronic device prototyping, and slow jams.</p>
-
-<hr />
-
-<h2>Exhibiting</h2>
-<h3>Slow Net</h3>
-<p><img src="slownet.jpg" width="100%" style="max-width: 600px" /></p>
-<p>Privacy concerns have made news headlines recently, and it’s clear that our behavioral data is collected when we’re online. Some of the data is used for improving user experience, but much of it is used to predict and influence our behaviors in real-time. Data collectors can use the data to intervene and divert our actions. In this process, humans are reduced to interchangeable pieces of data in a homogenous population of data laborers. As a result, power and wealth is concentrated among those who are able to collect and gatekeep vast amounts of information. Our identities get privatized and our autonomy is threatened.</p>
-
-<p>Because real-time collection of data is enabled by fast Internet speeds, one form of resistance could involve co-opting a tactic from labor unions called the slowdown strike, in which workers deliberately reduce their productivity. <em>Slow Net</em> aims to utilize this strategy of purposeful inefficiency in three pieces.</p>
-
-<ul>
-	<ol>A zine called <em>A Quick Guide to the Slow Net</em> provides context about the problems underpinning online data collection and how slow networks could be used to resist data-collecting companies.</ol>
-	<ol>An online messaging application, Slow Chat, forces users to write longer messages and wait longer between messages as conversations progress.</ol>
-	<ol>A Slow Router provides free wifi at a much slower speed than expected.</ol>
-</ul>
-
-<p>Each of these pieces functions with the goal of slowing the capture of personal data, encouraging more intentional action, and creating opportunities for idle time that allow for introspection and self-development. Collectively these actions attempt to preserve our autonomy and identity. My hope is that as users we can reconsider our relationship with many of the internet platforms we use that exploit us, and as technologists we can re-examine our role in working with and developing these technologies.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://github.com/bevchou/slownet" target="_blank">Github</a></li>
-		<li><a href="https://slownet.work/" target="_blank">slownet.work</a></li>
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participants/beverly-chou/index.md

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+---
+layout: page
+title: Beverly Chou
+---
+<h3>Beverly Chou</h3>
+<img src="bev-chou-radicalnet-biopic.png" width="256px" />
+<p><a href="https://beverlychou.com/" target="_blank">Website</a> | <a href="https://twitter.com/bevchou/" target="_blank">Twitter</a></p>
+<p>Beverly Chou is an interdisciplinary designer and creative technologist whose work is about bridging digital and IRL experience, and using technology as a tool to question how technology is shaping us. She graduated with an MPS from NYU’s Interactive Telecommunications Program and a BSE in mechanical engineering from the University of Michigan. She is interested in tangible interfaces, ethical technology, overlooked infrastructures, electronic device prototyping, and slow jams.</p>
+
+<hr />
+<h2>Exhibiting</h2>
+<h3>Slow Net</h3>
+<img src="slownet.jpg" width="100%" style="max-width: 600px" />
+<p>Privacy concerns have made news headlines recently, and it’s clear that our behavioral data is collected when we’re online. Some of the data is used for improving user experience, but much of it is used to predict and influence our behaviors in real-time. Data collectors can use the data to intervene and divert our actions. In this process, humans are reduced to interchangeable pieces of data in a homogenous population of data laborers. As a result, power and wealth is concentrated among those who are able to collect and gatekeep vast amounts of information. Our identities get privatized and our autonomy is threatened.</p>
+
+<p>Because real-time collection of data is enabled by fast Internet speeds, one form of resistance could involve co-opting a tactic from labor unions called the slowdown strike, in which workers deliberately reduce their productivity. <em>Slow Net</em> aims to utilize this strategy of purposeful inefficiency in three pieces.</p>
+
+<ul>
+	<ol>A zine called <em>A Quick Guide to the Slow Net</em> provides context about the problems underpinning online data collection and how slow networks could be used to resist data-collecting companies.</ol>
+	<ol>An online messaging application, Slow Chat, forces users to write longer messages and wait longer between messages as conversations progress.</ol>
+	<ol>A Slow Router provides free wifi at a much slower speed than expected.</ol>
+</ul>
+
+<p>Each of these pieces functions with the goal of slowing the capture of personal data, encouraging more intentional action, and creating opportunities for idle time that allow for introspection and self-development. Collectively these actions attempt to preserve our autonomy and identity. My hope is that as users we can reconsider our relationship with many of the internet platforms we use that exploit us, and as technologists we can re-examine our role in working with and developing these technologies.</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="https://github.com/bevchou/slownet" target="_blank">Github</a></li>
+		<li><a href="https://slownet.work/" target="_blank">slownet.work</a></li>
+	</ul>
+</p>

participants/brannon-dorsey/index.html

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-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
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-  <div class="col-xs-12">
-    <h3>Brannon Dorsey</h3>
-<p><img src="brannon.jpeg" width="256px" /></p>
-<p><a href="https://brannon.online" target="_blank">Website</a> | <a href="https://twitter.com/brannondorsey/" target="_blank">Twitter</a></p>
-<p>Brannon Dorsey is an artist, programmer, and researcher who uses technology and reproducible electronic media to navigate difficult terrain. He creates free software tools to create experiences that excite and empower individuals and collaborative communities rather than create passive users/consumers. Brannon's work encourages a digital literacy that celebrates the truly profound technological era that we now live in while remaining skeptical of the ways that this technology is being used on and against us.</p>
-
-<hr />
-
-<h2>Workshop</h2>
-<h3>Trust in Waves: An introduction to packet radio with AX.25 and elliptic curve cryptography</h3>
-<p><img src="baofeng.jpg" width="100%" style="max-width: 600px" /></p>
-<p>This hands-on workshop will demonstrate how to use cheap chinese radios in combination with audio modem software to create secure long-distance communication networks. We’ll start off by introducing the equipment and protocols common to packet radio as well as a brief history of the medium. Participants will encode digital data using audio to transmit messages over UHF and VHF radio frequencies using their own equipment and equipment provided by the instructor. Once the group has a foundational understanding of the technology and how to use it, we’ll introduce a new open source protocol and software package called Chattervox.</p>
-
-<p><a href="https://github.com/brannondorsey/chattervox" target="_blank">Chattervox</a> is a packet radio chat protocol with support for digital signatures and binary compression; think IRC over radio waves. In the United States, it's illegal to broadcast encrypted messages on amateur radio frequencies. Chattervox respects this law, while using elliptic curve cryptography and digital signatures to protect against message spoofing. Participants will be introduced to the protocol by its author and have the opportunity to contribute to and influence its development. The protocol has received a warm and exciting welcome by amateur radio enthusiasts, but this workshop will mark one of the first large-scale use of the protocol by a group of activists, creatives, and curious mis-users of technology.</p>
-
-<p>The Chattervox protocol was inspired by the <a href="https://radicalnetworks.org/archives/2015/speakers/dennis-de-bel/" target="_blank">Packet Radio Networks Workshop</a> presented by Dennis de Bel and Roel Roscam Abbing at the first Radical Networks conference in 2015. Their workshop and liberally licensed <a href="https://archive.org/details/oreally-packet-radio" target="_blank">Messing Around with Packet Radio zine</a> inspired experimentation that eventually lead to the development of Chattervox and the opportunity to continue contributing alternative packet radio ideas to the Radnets community this year!</p>
-
-<ul>Instructor will provide:
-	<li>8x Baofeng UV-5R VHF/UHF Radios</li>
-	<li>8x Audio cables for connecting laptops to radios</li>
-	<li>1x Audio to USB sound card</li>
-	<li>1x Raspberry Pi</li>
-</ul>
-
-<ul>Attendees should bring:
-	<li>A Linux, MacOS, or Windows laptop (Linux preferred but not required)</li>
-</ul>
-
-<p>The workshop will run Friday, October 18, 2019, from 4:45 pm - 6:45 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://github.com/brannondorsey/chattervox" target="_blank">Github</a></li>
-		<li><a href="https://github.com/brannondorsey/chattervox-examples" target="_blank">Chattervox Examples</a>, including:
-			<ul style="margin-top: 5px">
-				<li>Low-Fi Time Server: Broadcast a timestamp beacon at regular intervals</li>
-				<li>A weather broadcast station</li>
-				<li>Bash shell: Use chattervox to control a remote computer via Bash</li>
-				<li>Zork: Play the famous text adventure game over packet radio</li>
-			</ul>
-		</li>
-		<li><a href="https://github.com/brannondorsey/chattervox-keys" target="_blank">Chattervox Keys</a>: A central key server for storing and sharing Chattervox public keys</li>
-		<li><a href="https://n-o-d-e.net/zine/" target="_blank">N-O-D-E Zine</a> (<a href="dat://d5f52282d8277c323abcd838e7b1e62113af6dfa70f3c7316ec004911881ec41">DAT link</a>)</li>
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-<div>Psssst...<br/>
-	We're on the <a href="dat://c0965105755be00cafd7d176c6ccdce467b896c7284b4915733a83e6f2f78231/" target="_blank">dat network</a>, too.
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participants/brannon-dorsey/index.md

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+---
+layout: page
+title: Brannon Dorsey
+---
+<h3>Brannon Dorsey</h3>
+<img src="brannon.jpeg" width="256px" />
+<p><a href="https://brannon.online" target="_blank">Website</a> | <a href="https://twitter.com/brannondorsey/" target="_blank">Twitter</a></p>
+<p>Brannon Dorsey is an artist, programmer, and researcher who uses technology and reproducible electronic media to navigate difficult terrain. He creates free software tools to create experiences that excite and empower individuals and collaborative communities rather than create passive users/consumers. Brannon's work encourages a digital literacy that celebrates the truly profound technological era that we now live in while remaining skeptical of the ways that this technology is being used on and against us.</p>
+
+<hr />
+<h2>Workshop</h2>
+<h3>Trust in Waves: An introduction to packet radio with AX.25 and elliptic curve cryptography</h3>
+<img src="baofeng.jpg" width="100%" style="max-width: 600px" />
+<p>This hands-on workshop will demonstrate how to use cheap chinese radios in combination with audio modem software to create secure long-distance communication networks. We’ll start off by introducing the equipment and protocols common to packet radio as well as a brief history of the medium. Participants will encode digital data using audio to transmit messages over UHF and VHF radio frequencies using their own equipment and equipment provided by the instructor. Once the group has a foundational understanding of the technology and how to use it, we’ll introduce a new open source protocol and software package called Chattervox.</p>
+
+<p><a href="https://github.com/brannondorsey/chattervox" target="_blank">Chattervox</a> is a packet radio chat protocol with support for digital signatures and binary compression; think IRC over radio waves. In the United States, it's illegal to broadcast encrypted messages on amateur radio frequencies. Chattervox respects this law, while using elliptic curve cryptography and digital signatures to protect against message spoofing. Participants will be introduced to the protocol by its author and have the opportunity to contribute to and influence its development. The protocol has received a warm and exciting welcome by amateur radio enthusiasts, but this workshop will mark one of the first large-scale use of the protocol by a group of activists, creatives, and curious mis-users of technology.</p>
+
+<p>The Chattervox protocol was inspired by the <a href="https://radicalnetworks.org/archives/2015/speakers/dennis-de-bel/" target="_blank">Packet Radio Networks Workshop</a> presented by Dennis de Bel and Roel Roscam Abbing at the first Radical Networks conference in 2015. Their workshop and liberally licensed <a href="https://archive.org/details/oreally-packet-radio" target="_blank">Messing Around with Packet Radio zine</a> inspired experimentation that eventually lead to the development of Chattervox and the opportunity to continue contributing alternative packet radio ideas to the Radnets community this year!</p>
+
+<ul>Instructor will provide:
+	<li>8x Baofeng UV-5R VHF/UHF Radios</li>
+	<li>8x Audio cables for connecting laptops to radios</li>
+	<li>1x Audio to USB sound card</li>
+	<li>1x Raspberry Pi</li>
+</ul>
+
+<ul>Attendees should bring:
+	<li>A Linux, MacOS, or Windows laptop (Linux preferred but not required)</li>
+</ul>
+
+<p>The workshop will run Friday, October 18, 2019, from 4:45 pm - 6:45 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="https://github.com/brannondorsey/chattervox" target="_blank">Github</a></li>
+		<li><a href="https://github.com/brannondorsey/chattervox-examples" target="_blank">Chattervox Examples</a>, including:
+			<ul style="margin-top: 5px">
+				<li>Low-Fi Time Server: Broadcast a timestamp beacon at regular intervals</li>
+				<li>A weather broadcast station</li>
+				<li>Bash shell: Use chattervox to control a remote computer via Bash</li>
+				<li>Zork: Play the famous text adventure game over packet radio</li>
+			</ul>
+		</li>
+		<li><a href="https://github.com/brannondorsey/chattervox-keys" target="_blank">Chattervox Keys</a>: A central key server for storing and sharing Chattervox public keys</li>
+		<li><a href="https://n-o-d-e.net/zine/" target="_blank">N-O-D-E Zine</a> (<a href="dat://d5f52282d8277c323abcd838e7b1e62113af6dfa70f3c7316ec004911881ec41">DAT link</a>)</li>
+	</ul>
+</p>

participants/brett-ian-balogh/index.html

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-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
-  	<div class="social">
-      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
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-<!--       <a class="press" href="/assets/themes//pdf/radical_networks_2017_press_kit.pdf">2017 Press Kit</a> -->
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-
-        <div class="row">
-          <div class="col-md-8 content">
-            
-<div class="row">
-  <div class="col-xs-12">
-    <h3>Brett Ian Balogh</h3>
-<p><img src="bb.jpg" width="256px" /></p>
-<p><a href="https://brettbalogh.com/" target="_blank">Website</a> | <a href="https://twitter.com/brettbalogh/" target="_blank">Twitter</a></p>
-<p>Brett Ian Balogh is a Chicago-based artist, designer and instructor making aural, sculptural and cartographic explorations of the electromagnetic spectrum. He is currently an adjunct associate professor at the School of the Art Institute of Chicago, teaching courses in tactical media, electronics, robotics and biological communications.</p>
-
-<p>In addition to my arts practice and teaching, I also engage with the public through workshops spun mainly around the issues of media activism, empowerment and critical making. To that effect, I have a long history of running public FM transmitter construction workshops. More recently I have been involved in the development of the Wilderness Wireless Workshop and its associated device which has been featured at the last two US-based RadNets conferences and at Critical Engineering's Summer Intensives last Summer in Berlin.</p>
-
-<hr />
-
-<h2>Workshop</h2>
-<h3>[ PROTEST_BAR ]</h3>
-<p><img src="protest_bar.jpg" width="100%" style="max-width: 600px" /></p>
-<p>This half-day workshop engages participants in the construction of a tool for interventions into wireless infrastructure space. The workshop is open to all skill levels and interests and assumes no prior knowledge of networking, electronics or programming. Participants will be introduced to the fundamentals of wireless networking and will program the device to create wireless access points, embedded web servers and custom packet injectors. The focus of these activities is to explore networks and imagine creative uses of the networking medium for activism and personal expression. Participants will leave with the devices they construct.</p>
-
-<p>The workshop will run Friday, October 18, 2019, from 1:30 pm - 4:30 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
-
-<p>Participants should bring their laptop and a notebook and pen to the workshop. All other materials will be provided for participants in the workshop.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://github.com/giantmolecules/PROTEST_BAR" target="_blank">Github</a></li>
-	</ul>
-</p>
-
-  </div>
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-<div>Hosted by<br/>
-	<a class="host" href="https://www.primeproduce.coop/" target="_blank">
-		<img src="/assets/themes//images/Prime-Produce-Apprentice-Cooperative-Ltd-Logo-White.png" width="200" />
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-</div>
-<div>Psssst...<br/>
-	We're on the <a href="dat://c0965105755be00cafd7d176c6ccdce467b896c7284b4915733a83e6f2f78231/" target="_blank">dat network</a>, too.
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-  </body>
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participants/brett-ian-balogh/index.md

@@ -0,0 +1,26 @@
+---
+layout: page
+title: Brett Ian Balogh
+---
+<h3>Brett Ian Balogh</h3>
+<img src="bb.jpg" width="256px" />
+<p><a href="https://brettbalogh.com/" target="_blank">Website</a> | <a href="https://twitter.com/brettbalogh/" target="_blank">Twitter</a></p>
+<p>Brett Ian Balogh is a Chicago-based artist, designer and instructor making aural, sculptural and cartographic explorations of the electromagnetic spectrum. He is currently an adjunct associate professor at the School of the Art Institute of Chicago, teaching courses in tactical media, electronics, robotics and biological communications.</p>
+
+<p>In addition to my arts practice and teaching, I also engage with the public through workshops spun mainly around the issues of media activism, empowerment and critical making. To that effect, I have a long history of running public FM transmitter construction workshops. More recently I have been involved in the development of the Wilderness Wireless Workshop and its associated device which has been featured at the last two US-based RadNets conferences and at Critical Engineering's Summer Intensives last Summer in Berlin.</p>
+
+<hr />
+<h2>Workshop</h2>
+<h3>[ PROTEST_BAR ]</h3>
+<img src="protest_bar.jpg" width="100%" style="max-width: 600px" />
+<p>This half-day workshop engages participants in the construction of a tool for interventions into wireless infrastructure space. The workshop is open to all skill levels and interests and assumes no prior knowledge of networking, electronics or programming. Participants will be introduced to the fundamentals of wireless networking and will program the device to create wireless access points, embedded web servers and custom packet injectors. The focus of these activities is to explore networks and imagine creative uses of the networking medium for activism and personal expression. Participants will leave with the devices they construct.</p>
+
+<p>The workshop will run Friday, October 18, 2019, from 1:30 pm - 4:30 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
+
+<p>Participants should bring their laptop and a notebook and pen to the workshop. All other materials will be provided for participants in the workshop.</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="https://github.com/giantmolecules/PROTEST_BAR" target="_blank">Github</a></li>
+	</ul>
+</p>

participants/char-stiles/index.html

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-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
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-      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
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-    <h3>Char Stiles</h3>
-<p><img src="cstiles_256.jpg" width="256px" /></p>
-<p><a href="http://www.charstiles.com" target="_blank">Website</a> | <a href="https://twitter.com/charstiles/" target="_blank">Twitter</a></p>
-<p>I am an artist working with computational systems and algorithms. Currently, I am a creative-in-residence at the Frank-Ratchye STUDIO for Creative Inquiry researching the implications and the potential of live coding GLSL as a tool for activism and collaboration in live performance and dance, where I founded the live code Pittsburgh meetup. During October I will be at the Recurse Center researching email. I am an abled-bodied, cis, queer, white woman. I work to leverage my privilege and help democratize low-level systems in my work.</p>
-
-<hr />
-
-<h2>Meetup</h2>
-<h3>EMAIL</h3>
-<p>In this lunchtime meetup we are going to talk about EMAIL! Yes, email! Not to complain about email, but the good parts about email like the cool stuff that we can do with it: maintain a git repo, display html, run your own email server, use a CLI inbox, and make art. Email is an extremely popular method of communication that only relies on a protocol from the 70s and it's not going anywhere. For me, and many others, it is the most used form of digital communication that doesn't necessarily need to rely on big tech companies. I will guide the conversation to be about the future of email, and how it can liberate people. I will start the meetup by giving a survey of unconventional/unexpected uses of email (did you know that git is maintained through an email list?) including art projects that utilize email. This conversation will be very loosely guided, I will have a lot of content on deck (like explaining email protocol), but I would like to let the conversation progress naturally, even if that includes some venting about email etiquette.</p>
-
-<p>Email is a social tool, and being around other artists, activists, hackers and any Radical-Network-goer to thoughtfully engage in challenging email's role in our lives sounds like a great and fun way to meet new people. Since email is so familiar to all of us it will be a great way to chill out between all the new learning that is going to happen at Radical Networks. Hopefully at the end of this lunchtime meetup everyone can appreciate email a little more, and perhaps some will agree with me that email is totally metal.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="http://charstiles.com/email/" target="_blank">Project Page</a></li>
-	</ul>
-</p>
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participants/char-stiles/index.md

@@ -0,0 +1,21 @@
+---
+layout: page
+title: Char Stiles
+---
+<h3>Char Stiles</h3>
+<img src="cstiles_256.jpg" width="256px" />
+<p><a href="http://www.charstiles.com" target="_blank">Website</a> | <a href="https://twitter.com/charstiles/" target="_blank">Twitter</a></p>
+<p>I am an artist working with computational systems and algorithms. Currently, I am a creative-in-residence at the Frank-Ratchye STUDIO for Creative Inquiry researching the implications and the potential of live coding GLSL as a tool for activism and collaboration in live performance and dance, where I founded the live code Pittsburgh meetup. During October I will be at the Recurse Center researching email. I am an abled-bodied, cis, queer, white woman. I work to leverage my privilege and help democratize low-level systems in my work.</p>
+
+<hr />
+<h2>Meetup</h2>
+<h3>EMAIL</h3>
+<p>In this lunchtime meetup we are going to talk about EMAIL! Yes, email! Not to complain about email, but the good parts about email like the cool stuff that we can do with it: maintain a git repo, display html, run your own email server, use a CLI inbox, and make art. Email is an extremely popular method of communication that only relies on a protocol from the 70s and it's not going anywhere. For me, and many others, it is the most used form of digital communication that doesn't necessarily need to rely on big tech companies. I will guide the conversation to be about the future of email, and how it can liberate people. I will start the meetup by giving a survey of unconventional/unexpected uses of email (did you know that git is maintained through an email list?) including art projects that utilize email. This conversation will be very loosely guided, I will have a lot of content on deck (like explaining email protocol), but I would like to let the conversation progress naturally, even if that includes some venting about email etiquette.</p>
+
+<p>Email is a social tool, and being around other artists, activists, hackers and any Radical-Network-goer to thoughtfully engage in challenging email's role in our lives sounds like a great and fun way to meet new people. Since email is so familiar to all of us it will be a great way to chill out between all the new learning that is going to happen at Radical Networks. Hopefully at the end of this lunchtime meetup everyone can appreciate email a little more, and perhaps some will agree with me that email is totally metal.</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="http://charstiles.com/email/" target="_blank">Project Page</a></li>
+	</ul>
+</p>

participants/cybelle/index.html

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-    </a>
-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
-  	<div class="social">
-      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
-      <a href="mailto:info@radicalnetworks.org"><img src="/assets/themes//images/email.png" width="37" height="37" /></a>
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-<div class="row">
-  <div class="col-xs-12">
-    <h3>Cybelle</h3>
-<p><img src="cybelle.png" width="256px" /></p>
-<p><a href="https://github.com/br-internet-research-group" target="_blank">Website</a> | <a href="https://twitter.com/cyb3113/" target="_blank">Twitter</a></p>
-<p>Cybelle is an activist and privacy advocate, took part in Mozilla Open Leaders V; alumni Outreachy as Tor intern, community member of Tor Project and Mozilla; Cryptorave organizer, the largest free crypto party in the world; engaged in diverse communities and groups such as diversity and inclusion in tech, feminist activism and, privacy defenders in Latin America.</p>
-
-<hr />
-
-<h2>Workshop</h2>
-<h3>The Curious Case of Internet in Tupiniquins Lands: A Brazilian Tale v.01</h3>
-<p><img src="IHRBr.png" width="100%" style="max-width: 600px" /></p>
-<p>This activity is in 2 parts: the first one, we will present how our team is building the 2019 Brazilian Internet Health Report. The second part, the real fun beggin: hands-on! Participants are invited to start building a local Internet Health Report of their country by discovering and mapping open data, stories, analysis, news and more available related to the 5-key issues of the Internet Health: privacy &amp; security, descentralization, openess, digital inclusion, and web literacy. As many participants join in and create teams to map the Internet Health across countries it work become a room-wide gallery stating health of the Internet across the globe, including cases and stories related to artificial intelligence.</p>
-
-<p>The goal of this activity is to increase awareness of a healthier Internet as an ecosystem where we share, learn, explore and build stuff by building collaborative and local — from a region to a country to a city — Internet Health Reports based on open data, stories, analysis, news and more available online and offline.
-We want with the regional version of Internet Health Report to understand the singularities of the web in our region and to better understand how we are and connect with the problems and with what is healthy on the web as a whole.</p>
-
-<p>The workshop will run Friday, October 18, 2019, from 4:30 pm - 7:30 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
-
-<p>All materials will be provided for participants in the workshop.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://github.com/br-internet-research-group" target="_blank">Github</a></li>
-	</ul>
-</p>
-
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-<div>Hosted by<br/>
-	<a class="host" href="https://www.primeproduce.coop/" target="_blank">
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-<div>Psssst...<br/>
-	We're on the <a href="dat://c0965105755be00cafd7d176c6ccdce467b896c7284b4915733a83e6f2f78231/" target="_blank">dat network</a>, too.
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-  </body>
-</html>
-

participants/cybelle/index.md

@@ -0,0 +1,27 @@
+---
+layout: page
+title: Cybelle
+---
+<h3>Cybelle</h3>
+<img src="cybelle.png" width="256px" />
+<p><a href="https://github.com/br-internet-research-group" target="_blank">Website</a> | <a href="https://twitter.com/cyb3113/" target="_blank">Twitter</a></p>
+<p>Cybelle is an activist and privacy advocate, took part in Mozilla Open Leaders V; alumni Outreachy as Tor intern, community member of Tor Project and Mozilla; Cryptorave organizer, the largest free crypto party in the world; engaged in diverse communities and groups such as diversity and inclusion in tech, feminist activism and, privacy defenders in Latin America.</p>
+
+<hr />
+<h2>Workshop</h2>
+<h3>The Curious Case of Internet in Tupiniquins Lands: A Brazilian Tale v.01</h3>
+<img src="IHRBr.png" width="100%" style="max-width: 600px" />
+<p>This activity is in 2 parts: the first one, we will present how our team is building the 2019 Brazilian Internet Health Report. The second part, the real fun beggin: hands-on! Participants are invited to start building a local Internet Health Report of their country by discovering and mapping open data, stories, analysis, news and more available related to the 5-key issues of the Internet Health: privacy & security, descentralization, openess, digital inclusion, and web literacy. As many participants join in and create teams to map the Internet Health across countries it work become a room-wide gallery stating health of the Internet across the globe, including cases and stories related to artificial intelligence.</p>
+
+<p>The goal of this activity is to increase awareness of a healthier Internet as an ecosystem where we share, learn, explore and build stuff by building collaborative and local — from a region to a country to a city — Internet Health Reports based on open data, stories, analysis, news and more available online and offline.
+We want with the regional version of Internet Health Report to understand the singularities of the web in our region and to better understand how we are and connect with the problems and with what is healthy on the web as a whole.</p>
+
+<p>The workshop will run Friday, October 18, 2019, from 4:30 pm - 7:30 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
+
+<p>All materials will be provided for participants in the workshop.</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="https://github.com/br-internet-research-group" target="_blank">Github</a></li>
+	</ul>
+</p>

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-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
-  	<div class="social">
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-    <h3>Darius Kazemi</h3>
-<p><img src="darius-256.jpg" width="256px" /></p>
-<p><a href="https://tinysubversions.com/" target="_blank">Website</a> | <a href="https://twitter.com/tinysubversions/" target="_blank">Twitter</a></p>
-<p>I'm Darius Kazemi, and I'm an independent artist and programmer. I'm known for making art bots on social media and also my work in open source software. In particular I'm interested in re-decentralizing the internet and empowering communities to set their own norms online. I also run an internet history blog because I think if we're talking about the future of the internet we should probably look at how people talked about building the internet in the early days. I co-founded Feel Train, a creative technology cooperative in Portland Oregon, and I was a Mozilla Open Web Fellow in 2018-2019.</p>
-
-<hr />
-
-<h2>Workshop</h2>
-<h3>Run Your Own Community Social Network</h3>
-<p><img src="noun_hand_drawn_plant_2395437-white.png" width="100%" style="max-width: 300px" /></p>
-<p>This workshop is based on Run Your Own Social: How to run a small social network site with your friends. This is a 10,000 word guidebook I wrote as the culmination of my 10 month Mozilla Open Web Fellowship. It comes from a practical place: I spent a year running a small social network site for my friends, and I learned a lot of practical things from doing that. Plus I have spent a lot of time researching and participating in other decentralized social network sites and have a lot of thoughts on the future of social media and the internet in general, specifically in terms of practical places we could take it in the next 1 to 3 years.</p>
-
-<p>This workshop will assume the attendees have read the guide ahead of time as preparation, and the workshop will put this stuff into practice in front of attendees. We'll be setting up a social network site live, for the group of attendees of the workshop. This will use the popular open source Twitter-like software Mastodon. Whether this network lives a long time or just for the duration of the workshop is really up to the attendees, but I want to show them that it's possible to set this kind of thing up for a small community quickly.</p>
-
-<p>We will all onboard each other onto the community and come up with guidelines that make sense for our context, and attendees will get to experience being administrator of such a network and what that entails, as well as the nitty-gritty technical bits. No programming will be required, though I am able to answer programming questions if people have them.</p>
-
-<p>The workshop will run Friday, October 18, 2019, from 9:00 am - 4:00 pm, including a one hour lunch break. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
-
-<p>Estimated format of the workshop will be 3 hours of lecture and 3 hours of hands-on lab. Participants should bring either a laptop or a mobile phone with a web browser installed.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://runyourown.social/" target="_blank">runyourown.social</a></li>
-	</ul>
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participants/darius-kazemi/index.md

@@ -0,0 +1,28 @@
+---
+layout: page
+title: Darius Kazemi
+---
+<h3>Darius Kazemi</h3>
+<img src="darius-256.jpg" width="256px" />
+<p><a href="https://tinysubversions.com/" target="_blank">Website</a> | <a href="https://twitter.com/tinysubversions/" target="_blank">Twitter</a></p>
+<p>I'm Darius Kazemi, and I'm an independent artist and programmer. I'm known for making art bots on social media and also my work in open source software. In particular I'm interested in re-decentralizing the internet and empowering communities to set their own norms online. I also run an internet history blog because I think if we're talking about the future of the internet we should probably look at how people talked about building the internet in the early days. I co-founded Feel Train, a creative technology cooperative in Portland Oregon, and I was a Mozilla Open Web Fellow in 2018-2019.</p>
+
+<hr />
+<h2>Workshop</h2>
+<h3>Run Your Own Community Social Network</h3>
+<img src="noun_hand_drawn_plant_2395437-white.png" width="100%" style="max-width: 300px" />
+<p>This workshop is based on Run Your Own Social: How to run a small social network site with your friends. This is a 10,000 word guidebook I wrote as the culmination of my 10 month Mozilla Open Web Fellowship. It comes from a practical place: I spent a year running a small social network site for my friends, and I learned a lot of practical things from doing that. Plus I have spent a lot of time researching and participating in other decentralized social network sites and have a lot of thoughts on the future of social media and the internet in general, specifically in terms of practical places we could take it in the next 1 to 3 years.</p>
+
+<p>This workshop will assume the attendees have read the guide ahead of time as preparation, and the workshop will put this stuff into practice in front of attendees. We'll be setting up a social network site live, for the group of attendees of the workshop. This will use the popular open source Twitter-like software Mastodon. Whether this network lives a long time or just for the duration of the workshop is really up to the attendees, but I want to show them that it's possible to set this kind of thing up for a small community quickly.</p>
+
+<p>We will all onboard each other onto the community and come up with guidelines that make sense for our context, and attendees will get to experience being administrator of such a network and what that entails, as well as the nitty-gritty technical bits. No programming will be required, though I am able to answer programming questions if people have them.</p>
+
+<p>The workshop will run Friday, October 18, 2019, from 9:00 am - 4:00 pm, including a one hour lunch break. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
+
+<p>Estimated format of the workshop will be 3 hours of lecture and 3 hours of hands-on lab. Participants should bring either a laptop or a mobile phone with a web browser installed.</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="https://runyourown.social/" target="_blank">runyourown.social</a></li>
+	</ul>
+</p>

participants/dave-evans/index.html

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-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
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-      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
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-    <h3>Dave Evans</h3>
-<p><img src="dave.jpg" width="256px" /></p>
-<p><a href="http://www.evansdave.com/" target="_blank">Website</a> | <a href="https://twitter.com/daveevanss/" target="_blank">Twitter</a></p>
-<p>I am an artist and researcher based in Liverpool, UK. I mostly work alone and make small networks out of Raspberry Pi’s. I am interested in how an ethos is established between individuals and the communities they are part of in digitally networked spaces. Recently I have undertaken residencies at Signal Culture in Owego, New York, Outlandia in Glen Nevis, Scoltland and Edge Hill Station with METAL, in Liverpool UK.</p>
-
-<hr />
-
-<h2>Presenting</h2>
-<h3>Inforegions – Creating Infrastructural Communities</h3>
-<p>During this talk I will present some of my on-going practice based PhD research, undertaken at Goldsmiths, University of London, around the implications of using limited, small scale networks to explore the ethics of networked interaction.</p>
-
-<p>Specifically I will speculate on the idea of Inforegions by looking at the production of a solar-powered wireless local area network based in a permaculture garden in a train station in Liverpool, UK during an artists research and development residency.</p>
-
-<p>I will discuss how working in a permaculture environment led me to map ideas around biodiversity and the dangers of monocultures onto digital networks, and borrow from research around bioregions, which are ecologically and geologically defined physical sites in which different constituent parts, human and otherwise, can exist in sympathetic awareness of one another.</p>
-
-<p>From this I will propose that charting existing communications infrastructure and building new adhoc networks creates inforegions beyond dominant, singular networks which can perform a similar, unifying function as bioregions by providing a stage on which different informational actors such as AI’s, global corporations and different scale networks of diverse humans can openly co-exist.</p>
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participants/dave-evans/index.md

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+---
+layout: page
+title: Dave Evans
+---
+<h3>Dave Evans</h3>
+<img src="dave.jpg" width="256px" />
+<p><a href="http://www.evansdave.com/" target="_blank">Website</a> | <a href="https://twitter.com/daveevanss/" target="_blank">Twitter</a></p>
+<p>I am an artist and researcher based in Liverpool, UK. I mostly work alone and make small networks out of Raspberry Pi’s. I am interested in how an ethos is established between individuals and the communities they are part of in digitally networked spaces. Recently I have undertaken residencies at Signal Culture in Owego, New York, Outlandia in Glen Nevis, Scoltland and Edge Hill Station with METAL, in Liverpool UK.</p>
+
+<hr />
+<h2>Presenting</h2>
+<h3>Inforegions – Creating Infrastructural Communities</h3>
+<p>During this talk I will present some of my on-going practice based PhD research, undertaken at Goldsmiths, University of London, around the implications of using limited, small scale networks to explore the ethics of networked interaction.</p>
+
+<p>Specifically I will speculate on the idea of Inforegions by looking at the production of a solar-powered wireless local area network based in a permaculture garden in a train station in Liverpool, UK during an artists research and development residency.</p>
+
+<p>I will discuss how working in a permaculture environment led me to map ideas around biodiversity and the dangers of monocultures onto digital networks, and borrow from research around bioregions, which are ecologically and geologically defined physical sites in which different constituent parts, human and otherwise, can exist in sympathetic awareness of one another.</p>
+
+<p>From this I will propose that charting existing communications infrastructure and building new adhoc networks creates inforegions beyond dominant, singular networks which can perform a similar, unifying function as bioregions by providing a stage on which different informational actors such as AI’s, global corporations and different scale networks of diverse humans can openly co-exist.</p>

participants/dawn-walker/index.html

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-    <h3>Dawn Walker</h3>
-<p><img src="profile_moon_256.jpg" width="256px" /></p>
-<p><a href="https://dcwalker.ca/" target="_blank">Website</a> | <a href="https://twitter.com/dcwalk_/" target="_blank">Twitter</a></p>
-<p><a href="http://dcwalker.ca/" target="_blank">Dawn Walker</a> is a researcher and PhD candidate at the University of Toronto. Her research focuses on values and social transformation in the design of decentralization projects. Her previous research included co-design to investigate how community mapping increases participation in urban agriculture. She also imagines possibilities for grassroots and community infrastructure with a variety of groups including <a href="https://envirodatagov.org/" target="_blank">EDGI</a> and <a href="https://datatogether.org/" target="_blank">Data Together</a>, as well as co-organizes <a href="https://ournetworks.ca/" target="_blank">Our Networks</a>. A keen amateur agriculturalist, Dawn would rather be in the garden.</p>
-
-<hr />
-
-<h2>Presenting</h2>
-<h3>The Role of Alternative Networks</h3>
-<p>Alternative networks have an uneasy position alongside dominant digital communications. In one way they have been entwined; Packet Radio and Satellite infrastructures that developed alongside ARPANET and were envisioned as a critical part of the pre-internet and its future use through internetworking. In other ways, they have explicitly potistioned themselves as a radical break; Usenet, which relied on the "Unix-to-Unix Copy" (UUCP) dial-up network, emerged when access to ARPANET was still tightly-controlled and was informed by more radical and countercultural approaches to information access and the distribution of power.</p>
-
-<p>This talk provides a brief overview of the history of "alternatives" in order to unpack the relationship between emerging decentralized web projects and existing mainstream networks including the Internet. This talk also draws on the way alternative infrastructures have be neglected and subsequently reclaimed in network histories in order to further investigate the ways these alternatives as "alternative" on the one hand providing space to imagine new forms of networking while on the other performing a capture of pluralistic practices.</p>
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participants/dawn-walker/index.md

@@ -0,0 +1,15 @@
+---
+layout: page
+title: Dawn Walker
+---
+<h3>Dawn Walker</h3>
+<img src="profile_moon_256.jpg" width="256px" />
+<p><a href="https://dcwalker.ca/" target="_blank">Website</a> | <a href="https://twitter.com/dcwalk_/" target="_blank">Twitter</a></p>
+<p><a href="http://dcwalker.ca/" target="_blank">Dawn Walker</a> is a researcher and PhD candidate at the University of Toronto. Her research focuses on values and social transformation in the design of decentralization projects. Her previous research included co-design to investigate how community mapping increases participation in urban agriculture. She also imagines possibilities for grassroots and community infrastructure with a variety of groups including <a href="https://envirodatagov.org/" target="_blank">EDGI</a> and <a href="https://datatogether.org/" target="_blank">Data Together</a>, as well as co-organizes <a href="https://ournetworks.ca/" target="_blank">Our Networks</a>. A keen amateur agriculturalist, Dawn would rather be in the garden.</p>
+
+<hr />
+<h2>Presenting</h2>
+<h3>The Role of Alternative Networks</h3>
+<p>Alternative networks have an uneasy position alongside dominant digital communications. In one way they have been entwined; Packet Radio and Satellite infrastructures that developed alongside ARPANET and were envisioned as a critical part of the pre-internet and its future use through internetworking. In other ways, they have explicitly potistioned themselves as a radical break; Usenet, which relied on the "Unix-to-Unix Copy" (UUCP) dial-up network, emerged when access to ARPANET was still tightly-controlled and was informed by more radical and countercultural approaches to information access and the distribution of power.</p>
+
+<p>This talk provides a brief overview of the history of "alternatives" in order to unpack the relationship between emerging decentralized web projects and existing mainstream networks including the Internet. This talk also draws on the way alternative infrastructures have be neglected and subsequently reclaimed in network histories in order to further investigate the ways these alternatives as "alternative" on the one hand providing space to imagine new forms of networking while on the other performing a capture of pluralistic practices.</p>

participants/emily-saltz/index.html

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-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
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-    <h3>Emily Saltz</h3>
-<p><img src="saltz-radnet.png" width="256px" /></p>
-<p><a href="http://saltzshaker.github.io/" target="_blank">Website</a> | <a href="https://twitter.com/saltzshaker/" target="_blank">Twitter</a></p>
-<p>Emily is an LA-raised, Brooklyn-based UX researcher &amp; designer. She makes digital experiments exploring the politics of software design through a hyper-personal ethnographic lens, drawing on her background in human-computer interaction, linguistics, and self help tropes. She's previously presented her work at Eyeo, SFPC, Processing Community Day, NYC Media Lab, and the Tech Museum of Innovation in San Jose as a winner of Mozilla’s Tech Innovation Challenge about misinformation. She’s currently researching misinformation in photojournalism as UX lead for the News Provenance Project in the New York Times R&amp;D lab.</p>
-
-<hr />
-
-<h2>Workshop</h2>
-<h3>P2P Mind Reading: Human-Human Autocomplete Networks</h3>
-<p><img src="human-human-autoc.png" width="100%" style="max-width: 600px" /></p>
-<p>We’ve gotten used to computers trying to finish our sentences for us in messaging apps and search inputs. These models are all centralized: one engine controls all of your predictions. Yet long before text prediction and query autocomplete algorithms, people have been completing each other’s utterances in all sorts of interesting, personalized ways offline.</p>
-
-<p>Real life speech completions are decentralized: there is no central authority dictating that all of our conversation partners predict our speech in the same ways. What might smaller, offline community-scale networks of language prediction bring us? How would it change the way we communicated if we could see who was predicting our text, or even co-design protocols for how and when they interrupted us with their predictions?</p>
-
-<p>This session will start with a talk discussing my past exploration of bespoke autocompletes, <a href="http://super-sad-googles.glitch.me/" target="_blank">Super Sad Googles</a>: a search autocomplete engine populated only by crowdsourced “sad” searches. I’ll also discuss more generally the politics of language prediction, referencing researchers like <a href="https://nyupress.org/9781479837243/algorithms-of-oppression/" target="_blank">Safiya Noble</a> and psycholinguistics research about how and when people complete each other’s utterances in natural language.</p>
-
-<p>During the workshop portion, I will prompt attendees to complete queries that are started by volunteers in real time. We will do this in several arrangements, reflecting different network models for text prediction. For example, in one, pairs will take turns starting sentences while the other writes down predictions of what they think the other will say. In another, one person will determine the rules for all completions, vs. several decentralized nodes determining the rules.</p>
-
-<p>By the end of the workshop, the group will learn how to make their own personalized autocomplete corpuses by plugging in their searches as autocomplete entries through remixing a template Glitch project.</p>
-
-<p>The workshop will run Saturday, October 19, 2019, from 1:30 pm - 3:30 pm, including a one hour lunch break. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
-
-<p>Participants should bring their laptop or smartphone with them to the workshop.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://github.com/Saltzshaker/super-sad-autocomplete/blob/master/README.md" target="_blank">Github</a></li>
-		<li><a href="https://www.slideshare.net/EmilySaltz/neither-her-nor-hal-considering-access-and-representation-in-the-next-generation-of-speech-technology" target="_blank">Neither Her Nor HAL: Considering Access and Representation in the Next Generation of Speech Technology</a> (For Processing Community Day Workshop 2019)</li>
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participants/emily-saltz/index.md

@@ -0,0 +1,33 @@
+---
+layout: page
+title: Emily Saltz
+---
+<h3>Emily Saltz</h3>
+<img src="saltz-radnet.png" width="256px" />
+<p><a href="http://saltzshaker.github.io/" target="_blank">Website</a> | <a href="https://twitter.com/saltzshaker/" target="_blank">Twitter</a></p>
+<p>Emily is an LA-raised, Brooklyn-based UX researcher & designer. She makes digital experiments exploring the politics of software design through a hyper-personal ethnographic lens, drawing on her background in human-computer interaction, linguistics, and self help tropes. She's previously presented her work at Eyeo, SFPC, Processing Community Day, NYC Media Lab, and the Tech Museum of Innovation in San Jose as a winner of Mozilla’s Tech Innovation Challenge about misinformation. She’s currently researching misinformation in photojournalism as UX lead for the News Provenance Project in the New York Times R&D lab.</p>
+
+<hr />
+<h2>Workshop</h2>
+<h3>P2P Mind Reading: Human-Human Autocomplete Networks</h3>
+<img src="human-human-autoc.png" width="100%" style="max-width: 600px" />
+<p>We’ve gotten used to computers trying to finish our sentences for us in messaging apps and search inputs. These models are all centralized: one engine controls all of your predictions. Yet long before text prediction and query autocomplete algorithms, people have been completing each other’s utterances in all sorts of interesting, personalized ways offline.</p>
+
+<p>Real life speech completions are decentralized: there is no central authority dictating that all of our conversation partners predict our speech in the same ways. What might smaller, offline community-scale networks of language prediction bring us? How would it change the way we communicated if we could see who was predicting our text, or even co-design protocols for how and when they interrupted us with their predictions?</p>
+
+<p>This session will start with a talk discussing my past exploration of bespoke autocompletes, <a href="http://super-sad-googles.glitch.me/" target="_blank">Super Sad Googles</a>: a search autocomplete engine populated only by crowdsourced “sad” searches. I’ll also discuss more generally the politics of language prediction, referencing researchers like <a href="https://nyupress.org/9781479837243/algorithms-of-oppression/" target="_blank">Safiya Noble</a> and psycholinguistics research about how and when people complete each other’s utterances in natural language.</p>
+
+<p>During the workshop portion, I will prompt attendees to complete queries that are started by volunteers in real time. We will do this in several arrangements, reflecting different network models for text prediction. For example, in one, pairs will take turns starting sentences while the other writes down predictions of what they think the other will say. In another, one person will determine the rules for all completions, vs. several decentralized nodes determining the rules.</p>
+
+<p>By the end of the workshop, the group will learn how to make their own personalized autocomplete corpuses by plugging in their searches as autocomplete entries through remixing a template Glitch project.</p>
+
+<p>The workshop will run Saturday, October 19, 2019, from 1:30 pm - 3:30 pm, including a one hour lunch break. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
+
+<p>Participants should bring their laptop or smartphone with them to the workshop.</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="https://github.com/Saltzshaker/super-sad-autocomplete/blob/master/README.md" target="_blank">Github</a></li>
+		<li><a href="https://www.slideshare.net/EmilySaltz/neither-her-nor-hal-considering-access-and-representation-in-the-next-generation-of-speech-technology" target="_blank">Neither Her Nor HAL: Considering Access and Representation in the Next Generation of Speech Technology</a> (For Processing Community Day Workshop 2019)</li>
+	</ul>
+</p>

participants/emma-rae-norton/index.html

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-    <h3>Emma Rae Norton</h3>
-<p><img src="emma.jpg" width="256px" /></p>
-<p><a href="https://www.marceldochamp.net/" target="_blank">Website</a></p>
-<p>Emma Rae Norton is an artist working with and through software. her work, while mostly existing online at <a href="https://www.marceldochamp.net/" target="_blank">http://marceldochamp.net</a>, has also taken the form of DAT zines, CD-ROM and collaborative hand coding workshops. she is currently a masters student at NYU's Interactive Telecommunications Program where she is doing a long-term research project on the history and cultural impact of the computer mouse.</p>
-
-<hr />
-
-<h2>Exhibiting with <a href="../nicholas-gregg/">Nicholas Gregg</a> and <a href="../sukanya-aneja/">Sukanya Aneja</a></h2>
-<h3>Liquid Router</h3>
-<p><img src="LiquidRouter.jpg" width="100%" style="max-width: 600px" /></p>
-<p><em>Liquid Router</em> is a physical artwork that takes the form of an active Wi-Fi router––using the router as a medium to explore and demystify the implications of third-party web tracking. Through this project we are interested in asking questions of the development and architecture of hyper-scale tracking systems. We are also committed to raising awareness around the lack of transparency built into them.</p>
-
-<p>The <em>Liquid Router</em> is built with a Raspberry Pi, and provides users with a wi-fi network to connect to. As they browse the Internet, the router 'leaks' liquid every time a request is sent to a known third-party tracker. Colored liquid diffuses into clear liquid, serving as a metaphor to the difficulty in quantifying and isolating the effects of these tracking systems. The router also displays information about the individual tracker, putting a face to this invisible background activity. Information on how this technology works, and the entire landscape around data harvesting will be disseminated through the form of a zine.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://drive.google.com/file/d/1r9LnAaBAfwjOy4kMCxoopBRhTJxH2Ma4/view?usp=sharing" target="_blank">Project Poster</a></li>
-		<li><a href="https://youtu.be/8R89N3UGAZA" target="_blank">Project Video</a></li>
-	</ul>
-</p>
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-<hr />
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-<h2>Tour</h2>
-<h3>Feminist History of the Internet Walking Tour with <a href="../lydia-jessup">Lydia Jessup</a></h3>
-<p>This tour aims to put women back into the narrative of computing and internet history. We’ll use 721 Broadway, the location of NYU’s Interactive Telecommunications Program (ITP), as a launching pad for our tour that will lead us on an adventure full of pre-browser chatrooms, e-magazines distributed on floppy discs, hypertext conferences and the first computer generated art and music. We’ll discuss how the women pioneers behind these technologies have influenced the computers and internet we use today as well as the impact they have had on digital culture.</p>
-
-<p>The Tour itinerary is below. This takes about 2.5-3 hours and is 4-5 miles of walking. Please see our attached summary and map for more details.</p>
-
-<ul>
-	<li>Location 1: ITP, Red Burns + media studies</li>
-	<li>Location 2: @Cafe, location of Webgrrls meetings and one of NYC’s first internet cafes</li>
-	<li>Location 3: Metrobeat Office + Silicon Alley ecosystem overview</li>
-	<li>Location 4: ECHO, one of first “social networks” online (BBS)</li>
-	<li>Location 5: Bell Labs, World’s Fair 1964 and modern day School for Poetic Computation</li>
-	<li>Location 6: Google + the history of hypertext</li>
-</ul>
-
-<p>We were inspired to create this tour after reading Broad Band by Claire Evans.</p>
-
-<p>It is advised to bring with you on the tour: Good walking shoes, proper attire for weather elements (hat/umbrella/sunglasses etc), camera or note pad if desired</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://drive.google.com/file/d/15iqfxIki71aSmUScJVmZBmHc8MMX8YPf/view?usp=sharing" target="_blank">One page overview</a></li>
-		<li><a href="https://drive.google.com/file/d/1_o7G8jK6p4V1zpYOUECkGkhf9WqvUGxK/view?usp=sharing%5D" target="_blank">Detailed Tour Packet</a></li>
-		<li><a href="https://drive.google.com/file/d/1wBLtQLHEqFINcKWHeLs6OaRm-ywF6_91/view?usp=sharing" target="_blank">Map Close Up</a></li>
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participants/emma-rae-norton/index.md

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+---
+layout: page
+title: Emma Rae Norton
+---
+<h3>Emma Rae Norton</h3>
+<img src="emma.jpg" width="256px" />
+<p><a href="https://www.marceldochamp.net/" target="_blank">Website</a></p>
+<p>Emma Rae Norton is an artist working with and through software. her work, while mostly existing online at <a href="https://www.marceldochamp.net/" target="_blank">http://marceldochamp.net</a>, has also taken the form of DAT zines, CD-ROM and collaborative hand coding workshops. she is currently a masters student at NYU's Interactive Telecommunications Program where she is doing a long-term research project on the history and cultural impact of the computer mouse.</p>
+
+<hr />
+<h2>Exhibiting with <a href="../nicholas-gregg/">Nicholas Gregg</a> and <a href="../sukanya-aneja/">Sukanya Aneja</a></h2>
+<h3>Liquid Router</h3>
+<img src="LiquidRouter.jpg" width="100%" style="max-width: 600px" />
+<p><em>Liquid Router</em> is a physical artwork that takes the form of an active Wi-Fi router––using the router as a medium to explore and demystify the implications of third-party web tracking. Through this project we are interested in asking questions of the development and architecture of hyper-scale tracking systems. We are also committed to raising awareness around the lack of transparency built into them.</p>
+
+<p>The <em>Liquid Router</em> is built with a Raspberry Pi, and provides users with a wi-fi network to connect to. As they browse the Internet, the router 'leaks' liquid every time a request is sent to a known third-party tracker. Colored liquid diffuses into clear liquid, serving as a metaphor to the difficulty in quantifying and isolating the effects of these tracking systems. The router also displays information about the individual tracker, putting a face to this invisible background activity. Information on how this technology works, and the entire landscape around data harvesting will be disseminated through the form of a zine.</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="https://drive.google.com/file/d/1r9LnAaBAfwjOy4kMCxoopBRhTJxH2Ma4/view?usp=sharing" target="_blank">Project Poster</a></li>
+		<li><a href="https://youtu.be/8R89N3UGAZA" target="_blank">Project Video</a></li>
+	</ul>
+</p>
+
+<hr />
+<h2>Tour</h2>
+<h3>Feminist History of the Internet Walking Tour with <a href="../lydia-jessup">Lydia Jessup</a></h3>
+<p>This tour aims to put women back into the narrative of computing and internet history. We’ll use 721 Broadway, the location of NYU’s Interactive Telecommunications Program (ITP), as a launching pad for our tour that will lead us on an adventure full of pre-browser chatrooms, e-magazines distributed on floppy discs, hypertext conferences and the first computer generated art and music. We’ll discuss how the women pioneers behind these technologies have influenced the computers and internet we use today as well as the impact they have had on digital culture.</p>
+
+<p>The Tour itinerary is below. This takes about 2.5-3 hours and is 4-5 miles of walking. Please see our attached summary and map for more details.</p>
+
+<ul>
+	<li>Location 1: ITP, Red Burns + media studies</li>
+	<li>Location 2: @Cafe, location of Webgrrls meetings and one of NYC’s first internet cafes</li>
+	<li>Location 3: Metrobeat Office + Silicon Alley ecosystem overview</li>
+	<li>Location 4: ECHO, one of first “social networks” online (BBS)</li>
+	<li>Location 5: Bell Labs, World’s Fair 1964 and modern day School for Poetic Computation</li>
+	<li>Location 6: Google + the history of hypertext</li>
+</ul>
+
+<p>We were inspired to create this tour after reading Broad Band by Claire Evans.</p>
+
+<p>It is advised to bring with you on the tour: Good walking shoes, proper attire for weather elements (hat/umbrella/sunglasses etc), camera or note pad if desired</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="https://drive.google.com/file/d/15iqfxIki71aSmUScJVmZBmHc8MMX8YPf/view?usp=sharing" target="_blank">One page overview</a></li>
+		<li><a href="https://drive.google.com/file/d/1_o7G8jK6p4V1zpYOUECkGkhf9WqvUGxK/view?usp=sharing%5D" target="_blank">Detailed Tour Packet</a></li>
+		<li><a href="https://drive.google.com/file/d/1wBLtQLHEqFINcKWHeLs6OaRm-ywF6_91/view?usp=sharing" target="_blank">Map Close Up</a></li>
+	</ul>
+</p>

participants/esther-bouquet/index.html

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-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
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-    <h3>Esther Bouquet</h3>
-<p><img src="esther.png" width="256px" /></p>
-<p><a href="https://estherbouquet.com/" target="_blank">Website</a> | <a href="https://www.instagram.com/estherbouquet/" target="_blank">Instagram</a></p>
-<p>Esther Bouquet is a graphic designer who has recently graduated an interactive media master's degree at ESADSE, France. She is currently working on digital tracks, metadata and their related political issues, aiming to defend the right of a private life while questioning the impacts and stakes of technology on the web. In 2017 she developed graphic tools with the National Commission of Computing and Liberties in France to help people better understand the importance of caring about the tracks they leave. In 2019 she co-created an interactive experience to re-discover the printed press exhibited during the BID Saint-Étienne 2019.</p>
-
-<hr />
-
-<h2>Exhibiting</h2>
-<h3>(no)control</h3>
-<p><img src="nocontrol.jpg" width="100%" style="max-width: 600px" /></p>
-<p>Considering the web as a free space where our private life can still be preserved often implies forgetting the strong implications and conflicts linked to the data we generate while we browse and which build our digital identity. As those tracks are collected, indexed, stored, copied, combined and agregated with each other, they raise control and surveillance questions on the network. This hidden and insidious design of control is developed by and for companies. It thus shapes a society focused towards an extreme rationalisation, that advocates for transparency while maintaining opacity regarding its infrastructures.</p>
-
-<p><em>(no)control</em> tries to unveil the mechanisms of control and their asymmetry on the web by physically embodying them. The kinect captures the face of person A standing/walking in front of the mirror structure. The person can only go back and forth or slightly move in front of it and see their face reflecting in the mirror. They cannot help but notice the camera, however interacting directly with the displayed result is impossible as the mirror structure is behind the wall where the kinect feed is projected. They embody the web users. It is person B, emboying a corporation, who can see, interact and thus control what the kinect captures. A potentiometer enables this person to have control over the portrait of person A. By turning the knob, they can manipulate as they wish the representation of the web user. They can display from a very detailed to a more geometrical face.</p>
-
-<p>This installation tries to illustrate how data based companies process, control and manipulate our data without our consent, awareness or involvement. The web user can never see what the corporation decides to render while the corporation has a complete takeover.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://github.com/estherbouquet/no-control/tree/master/kinect_microsoft_potentiometer" target="_blank">Github</a></li>
-	</ul>
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participants/esther-bouquet/index.md

@@ -0,0 +1,24 @@
+---
+layout: page
+title: Esther Bouquet
+---
+<h3>Esther Bouquet</h3>
+<img src="esther.png" width="256px" />
+<p><a href="https://estherbouquet.com/" target="_blank">Website</a> | <a href="https://www.instagram.com/estherbouquet/" target="_blank">Instagram</a></p>
+<p>Esther Bouquet is a graphic designer who has recently graduated an interactive media master's degree at ESADSE, France. She is currently working on digital tracks, metadata and their related political issues, aiming to defend the right of a private life while questioning the impacts and stakes of technology on the web. In 2017 she developed graphic tools with the National Commission of Computing and Liberties in France to help people better understand the importance of caring about the tracks they leave. In 2019 she co-created an interactive experience to re-discover the printed press exhibited during the BID Saint-Étienne 2019.</p>
+
+<hr />
+<h2>Exhibiting</h2>
+<h3>(no)control</h3>
+<img src="nocontrol.jpg" width="100%" style="max-width: 600px" />
+<p>Considering the web as a free space where our private life can still be preserved often implies forgetting the strong implications and conflicts linked to the data we generate while we browse and which build our digital identity. As those tracks are collected, indexed, stored, copied, combined and agregated with each other, they raise control and surveillance questions on the network. This hidden and insidious design of control is developed by and for companies. It thus shapes a society focused towards an extreme rationalisation, that advocates for transparency while maintaining opacity regarding its infrastructures.</p>
+
+<p><em>(no)control</em> tries to unveil the mechanisms of control and their asymmetry on the web by physically embodying them. The kinect captures the face of person A standing/walking in front of the mirror structure. The person can only go back and forth or slightly move in front of it and see their face reflecting in the mirror. They cannot help but notice the camera, however interacting directly with the displayed result is impossible as the mirror structure is behind the wall where the kinect feed is projected. They embody the web users. It is person B, emboying a corporation, who can see, interact and thus control what the kinect captures. A potentiometer enables this person to have control over the portrait of person A. By turning the knob, they can manipulate as they wish the representation of the web user. They can display from a very detailed to a more geometrical face.</p>
+
+<p>This installation tries to illustrate how data based companies process, control and manipulate our data without our consent, awareness or involvement. The web user can never see what the corporation decides to render while the corporation has a complete takeover.</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="https://github.com/estherbouquet/no-control/tree/master/kinect_microsoft_potentiometer" target="_blank">Github</a></li>
+	</ul>
+</p>

participants/gottfried-haider/index.html

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-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
-  	<div class="social">
-      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
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-    <h3>Gottfried Haider</h3>
-<p><img src="gottfried.jpg" width="256px" /></p>
-<p><a href="https://gottfriedhaider.com/" target="_blank">Website</a> | <a href="https://twitter.com/mrgohai/" target="_blank">Twitter</a></p>
-<p>Gottfried is an artist, educator and software tool-maker. He currently lives in Los Angeles.</p>
-
-<hr />
-
-<h2>Workshop</h2>
-<h3>Hotglue on Dat Workshop For Youth</h3>
-<p><img src="hotglue_hotdogs_bernie.png" width="100%" style="max-width: 600px" /></p>
-<div style="font-size: 11px; color: #ccc; margin-top: -20px; margin-left: 25px;"><em>Website courtesy of Jared Bernstein</em></div>
-<p>Building decentralized websites using Beaker and Dat is fun - and a great, hands-on way to learn about the otherwise hidden structures and exchanges that power the web. But to do so, one - more so than ever - needs proficiency in the language of the web (HTML, CSS and JavaScript) in order to participate.</p>
-
-<p>In a workshop specifically for children and other "outsiders", a modified version of "Hotglue" is used to build decentralized sites together and interlink them.</p>
-
-<p>Hotglue is a FOSS "What you see is what you get" editor for the web. Created by Danja Vasiliev &amp; Gottfried Haider together with the WORM Foundation in 2010, Hotglue is being used by a large number of people on the free hosting service hotglue.me. In a custom modified version, created for this workshop, participants will explore how this intuitive site-building tool can work together with decentralized-web technologies, such as the Dat protocol and the Beaker browser.</p>
-
-<p>The workshop will run Sunday, October 20, 2019, from 10:00 am - 12:30 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
-
-<p>Participants should bring their laptop to the workshop.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://github.com/gohai" target="_blank">Github</a></li>
-	</ul>
-</p>
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participants/gottfried-haider/index.md

@@ -0,0 +1,29 @@
+---
+layout: page
+title: Gottfried Haider
+---
+<h3>Gottfried Haider</h3>
+<img src="gottfried.jpg" width="256px" />
+<p><a href="https://gottfriedhaider.com/" target="_blank">Website</a> | <a href="https://twitter.com/mrgohai/" target="_blank">Twitter</a></p>
+<p>Gottfried is an artist, educator and software tool-maker. He currently lives in Los Angeles.</p>
+
+<hr />
+<h2>Workshop</h2>
+<h3>Hotglue on Dat Workshop For Youth</h3>
+<img src="hotglue_hotdogs_bernie.png" width="100%" style="max-width: 600px" />
+<div style="font-size: 11px; color: #ccc; margin-top: -20px; margin-left: 25px;"><em>Website courtesy of Jared Bernstein</em></div>
+<p>Building decentralized websites using Beaker and Dat is fun - and a great, hands-on way to learn about the otherwise hidden structures and exchanges that power the web. But to do so, one - more so than ever - needs proficiency in the language of the web (HTML, CSS and JavaScript) in order to participate.</p>
+
+<p>In a workshop specifically for children and other "outsiders", a modified version of "Hotglue" is used to build decentralized sites together and interlink them.</p>
+
+<p>Hotglue is a FOSS "What you see is what you get" editor for the web. Created by Danja Vasiliev &amp; Gottfried Haider together with the WORM Foundation in 2010, Hotglue is being used by a large number of people on the free hosting service hotglue.me. In a custom modified version, created for this workshop, participants will explore how this intuitive site-building tool can work together with decentralized-web technologies, such as the Dat protocol and the Beaker browser.</p>
+
+<p>The workshop will run Sunday, October 20, 2019, from 10:00 am - 12:30 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
+
+<p>Participants should bring their laptop to the workshop.</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="https://github.com/gohai" target="_blank">Github</a></li>
+	</ul>
+</p>

participants/greta-byrum/index.html

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-    </a>
-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
-  	<div class="social">
-      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
-      <a href="mailto:info@radicalnetworks.org"><img src="/assets/themes//images/email.png" width="37" height="37" /></a>
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-<!--       <a class="press" href="/assets/themes//pdf/radical_networks_2017_press_kit.pdf">2017 Press Kit</a> -->
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-  <div class="col-xs-12">
-    <h3>Greta Byrum</h3>
-<p><img src="byrum-profile-2.jpg" width="256px" /></p>
-<p><a href="https://www.digitalequitylab.org/" target="_blank">Website</a> | <a href="https://twitter.com/gretabyrum" target="_blank">Twitter</a></p>
-<p>Greta Byrum reimagines the way we design, build, control, and govern communications systems. As Co-Director of the Digital Equity Laboratory at the New School for Social Research and Director of the Community Tech New York project, she builds digital justice through applied research, community collaborations, and policy strategy. Previously Byrum founded and led the Resilient Communities program at New America, where she developed and led Resilient Networks NYC, an initiative bringing training, tools, and equipment for storm-hardened mesh WiFi to five neighborhoods in NYC's flood zones. Current projects include community wireless network collaborations in rural Tennessee and the Hudson Valley and a curriculum manual for 2020 digital decennial census preparedness. An urban planner, poet, and digital justice organizer, Byrum also serves on the board of the Metropolitan New York Library Council.</p>
-
-<hr />
-
-<h2>Presenting</h2>
-<h3>How to Radicalize the Decennial Census</h3>
-<p>The census operates as public infrastructure in multiple ways (civic, social, data, buildings, machines, institutions). The count determines how much funding communities receive for schools, libraries, parks, services, roads, etc. -- and how legislative districts get drawn (or gerrymandered to suppress representation). In 2020, for the first time, the decennial count will be digital, both opening up new risks and fields of possibilities. And, as with other infrastructure, we can leverage, reimagine, and rebuild the census to advance collective purpose and vision. This session will explore means, methods, and the state of play.</p>
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-<div>Hosted by<br/>
-	<a class="host" href="https://www.primeproduce.coop/" target="_blank">
-		<img src="/assets/themes//images/Prime-Produce-Apprentice-Cooperative-Ltd-Logo-White.png" width="200" />
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participants/greta-byrum/index.md

@@ -0,0 +1,13 @@
+---
+layout: page
+title: Greta Byrum
+---
+<h3>Greta Byrum</h3>
+<img src="byrum-profile-2.jpg" width="256px">
+<p><a href="https://www.digitalequitylab.org/" target="_blank">Website</a> | <a href="https://twitter.com/gretabyrum" target="_blank">Twitter</a></p>
+<p>Greta Byrum reimagines the way we design, build, control, and govern communications systems. As Co-Director of the Digital Equity Laboratory at the New School for Social Research and Director of the Community Tech New York project, she builds digital justice through applied research, community collaborations, and policy strategy. Previously Byrum founded and led the Resilient Communities program at New America, where she developed and led Resilient Networks NYC, an initiative bringing training, tools, and equipment for storm-hardened mesh WiFi to five neighborhoods in NYC's flood zones. Current projects include community wireless network collaborations in rural Tennessee and the Hudson Valley and a curriculum manual for 2020 digital decennial census preparedness. An urban planner, poet, and digital justice organizer, Byrum also serves on the board of the Metropolitan New York Library Council.</p>
+
+<hr />
+<h2>Presenting</h2>
+<h3>The 2020 Digital Census as Social Infrastructure</h3>
+<p>The census operates as public infrastructure in multiple ways (civic, social, data, buildings, machines, institutions). The count determines how much funding communities receive for schools, libraries, parks, services, roads, etc. -- and how legislative districts get drawn (or gerrymandered to suppress representation). In 2020, for the first time, the decennial count will be digital, both opening up new risks and fields of possibilities. And, as with other infrastructure, we can leverage, reimagine, and rebuild the census to advance collective purpose and vision. This session will explore means, methods, and the state of play.</p>

participants/hiba-ali/index.html

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-    <h3>Hiba Ali</h3>
-<p><img src="hiba-ali.jpeg" width="256px" /></p>
-<p><a href="https://hibaali.info/" target="_blank">Website</a></p>
-<p>Hiba Ali is a new media artist, writer, DJ, experimental music producer and curator based across Chicago, IL, Austin, TX, and Toronto, ON. Her performances and videos concern music, labour and power. She conducts reading groups addressing digital media and workshops with open-source technology. She is a PhD candidate in Cultural Studies at Queens University, Kingston, Canada. She has presented her work in Chicago, Stockholm, Toronto, New York, Istanbul, São Paulo, Detroit, Dubai, Austin, Vancouver, and Portland.</p>
-
-<hr />
-
-<h2>Presenting</h2>
-<h3>Tell-A-Star</h3>
-<p>What does a poor, Black, brown and queer internet look like? Networks are not arbitrarily put into place, they have funders, users, buyers, beneficiaries, and losers involved. Therefore, they are porous flows, exchanges, and axioms, always open to change. How do we build multiplicity and equity in systems?</p>
-
-<p>I investigate this inquiry through performance, sculptural installations, reading groups, and workshops that focus on the role of technology. I investigate the history of objects such as the satellites and shipping containers and make immaterial streams tangible. The sections of this text are not necessary meant to be read sequentially, there are organized like nodes. In the first node, I will examine the role of satellites in my projects, Satellites and TELL A STAR. Satellites project examines Our World, the first global transmission (1967) through a sculptural installation, video and website. This project critiques the notion of techno-utopianism, a idea that technology will resolve all inequalities plaguing humanity. Then, I will review TELL A STAR, a 3-channel installation, where I divert the history of the first American satellite, Telstar (1962) through the lens of Afrofuturism, archival research and multiplicity of identity.</p>
-
-<p>In the second node, I will review my project, Con-tain-er, its installation and performative elements and the role of “flows” within global shipping networks. Near the ending node, the role of networks, “junk,” and the use of workshops in my work. Demanding the creation of more accessible and divergent networks is central to measures of equity and porosity.</p>
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participants/hiba-ali/index.md

@@ -0,0 +1,17 @@
+---
+layout: page
+title: Hiba Ali
+---
+<h3>Hiba Ali</h3>
+<img src="hiba-ali.jpeg" width="256px" />
+<p><a href="http://hibaali.info/" target="_blank">Website</a></p>
+<p>Hiba Ali is a new media artist, writer, DJ, experimental music producer and curator based across Chicago, IL, Austin, TX, and Toronto, ON. Her performances and videos concern music, labour and power. She conducts reading groups addressing digital media and workshops with open-source technology. She is a PhD candidate in Cultural Studies at Queens University, Kingston, Canada. She has presented her work in Chicago, Stockholm, Toronto, New York, Istanbul, São Paulo, Detroit, Dubai, Austin, Vancouver, and Portland.</p>
+
+<hr />
+<h2>Presenting</h2>
+<h3>Tell-A-Star</h3>
+<p>What does a poor, Black, brown and queer internet look like? Networks are not arbitrarily put into place, they have funders, users, buyers, beneficiaries, and losers involved. Therefore, they are porous flows, exchanges, and axioms, always open to change. How do we build multiplicity and equity in systems?</p>
+
+<p>I investigate this inquiry through performance, sculptural installations, reading groups, and workshops that focus on the role of technology. I investigate the history of objects such as the satellites and shipping containers and make immaterial streams tangible. The sections of this text are not necessary meant to be read sequentially, there are organized like nodes. In the first node, I will examine the role of satellites in my projects, Satellites and TELL A STAR. Satellites project examines Our World, the first global transmission (1967) through a sculptural installation, video and website. This project critiques the notion of techno-utopianism, a idea that technology will resolve all inequalities plaguing humanity. Then, I will review TELL A STAR, a 3-channel installation, where I divert the history of the first American satellite, Telstar (1962) through the lens of Afrofuturism, archival research and multiplicity of identity.</p>
+
+<p>In the second node, I will review my project, Con-tain-er, its installation and performative elements and the role of “flows” within global shipping networks. Near the ending node, the role of networks, “junk,” and the use of workshops in my work. Demanding the creation of more accessible and divergent networks is central to measures of equity and porosity.</p>

participants/index.html

@@ -1,276 +1,11 @@
+---
+layout: page
+title : Participants
+group: navigation
+order: 1
+---    
 
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     <h3>2019 Radical Networks Participants</h3>
 	<ul>
@@ -290,10 +25,10 @@
 		<li><a href="/participants/rachel-kuo/">Rachel Kuo</a></li>  
 	  
 		<!-- <li><a href="/participants/yamil-lora/">Yamil Lora</a></li>   -->
-		<li>Yamil Lora</li>  
-	  
-		<li><a href="/participants/myaisha-hayes/">Myaisha Hayes</a></li>
-
+		<li>Yamil Lora</li>
+		 
+		<li><a href="/participants/myaisha-hayes/">Myaisha Hayes</a></li>  
+		
 		<li><a href="/participants/ulandis-fort/">Ulandis Fort</a></li>  
 	  
 		<li><a href="/participants/rosaura-zapata/">Rosaura Zapata</a></li>  
@@ -332,15 +67,13 @@
 	  
 		<li><a href="/participants/norman-shamas/">Norman Shamas</a></li>  
 	  
-		<li><a href="/participants/melanie-hoff/">Melanie Hoff</a></li>  
+		<li><a href="/participants/melanie-hoff/">Melanie Hoff</a></li> 
 	  
 		<li><a href="/participants/laguerraruda/">laguerraruda</a></li>  
 
 		<li><a href='/participants/nicholas-gregg/'>Nicholas Gregg</a></li>
 	  
-		<li><a href="/participants/sukanya-aneja/">Sukanya Aneja</a></li>  
-	  
-		<li><a href="/participants/laniyuk/">Laniyuk</a></li>  
+		<li><a href="/participants/sukanya-aneja/">Sukanya Aneja</a></li>
 	  
 		<li><a href="/participants/libi-rose-striegl/">Libi Rose Striegl</a></li>  
 	  
@@ -378,72 +111,4 @@
 
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participants/ingrid-burrington/index.html

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-    <h3>Ingrid Burrington</h3>
-<p><img src="for_sure_man.jpg" width="256px" /></p>
-<p><a href="https://twitter.com/lifewinning/" target="_blank">Twitter</a></p>
-<p>Ingrid Burrington writes, makes maps, and tells jokes about places, politics, and the weird feelings people have about both.</p>
-
-<hr />
-
-<h2>Presenting</h2>
-<h3>Everything Has A Resonant Frequency: On Crystals, Networks, and Crystal Networks</h3>
-<p>This presentation will explore the history and supply chain networks of high purity quartz, a material central to the manufacture of semiconductors and to the manufacture of new age self-help culture. While the history of the silicon chip has been well-chronicled as a story of lab innovations and industry disruption, the mines that made those chips possible have largely been treated as irrelevant details–and today, those mines are often treated as closely guarded industry secrets. In this and many other respects, the semiconductor-grade silicon crystal industry has much in common with the healing crystal industry (which has been experiencing a period of increased popularity thanks in part to the rise of networked digital platforms). By mapping the resonances between these two seemingly opposed crystal economies through archival and field research into both, this talk re-grounds the increasingly everyday experience of using networked technologies in geologic, environmental, and metaphysical dimensions.</p>
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participants/ingrid-burrington/index.md

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+---
+layout: page
+title: Ingrid Burrington
+---
+<h3>Ingrid Burrington</h3>
+<img src="for_sure_man.jpg" width="256px" />
+<p><a href="https://twitter.com/lifewinning/" target="_blank">Twitter</a></p>
+<p>Ingrid Burrington writes, makes maps, and tells jokes about places, politics, and the weird feelings people have about both.</p>
+
+<hr />
+<h2>Presenting</h2>
+<h3>Everything Has A Resonant Frequency: On Crystals, Networks, and Crystal Networks</h3>
+<p>This presentation will explore the history and supply chain networks of high purity quartz, a material central to the manufacture of semiconductors and to the manufacture of new age self-help culture. While the history of the silicon chip has been well-chronicled as a story of lab innovations and industry disruption, the mines that made those chips possible have largely been treated as irrelevant details–and today, those mines are often treated as closely guarded industry secrets. In this and many other respects, the semiconductor-grade silicon crystal industry has much in common with the healing crystal industry (which has been experiencing a period of increased popularity thanks in part to the rise of networked digital platforms). By mapping the resonances between these two seemingly opposed crystal economies through archival and field research into both, this talk re-grounds the increasingly everyday experience of using networked technologies in geologic, environmental, and metaphysical dimensions.</p>

participants/jasmine-soltani/index.html

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-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
-  	<div class="social">
-      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
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-<!--       <a class="press" href="/assets/themes//pdf/radical_networks_2017_press_kit.pdf">2017 Press Kit</a> -->
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-  <div class="col-xs-12">
-    <h3>Jasmine Soltani</h3>
-<p><img src="JasmineSoltani.jpg" width="256px" /></p>
-<p><a href="https://www.jasminesoltani.com/" target="_blank">Website</a> | <a href="https://twitter.com/mutantjasmine/" target="_blank">Twitter</a></p>
-<p>Jasmine Soltani is an artist, researcher, and programmer whose work examines our relationships with politics, technology, and the environment. She is an advocate of repair, restoration, climate resiliency, and economic democracy as paths toward social and ecological justice. She a graduate and 2018-2019 resident researcher of NYU’s Interactive Telecommunications Program (ITP).</p>
-
-<hr />
-
-<h2>Presenting</h2>
-<h3>The Carbon Footprint of the Internet</h3>
-<p>I will present a brief literature review synthesizing what’s currently known about the energy use and related carbon footprint of the internet, and discuss some implications. There is increased popular pressure around decarbonizing the economy, and that must necessarily include our global networked infrastructure.</p>
-
-<p>While cryptocurrencies received a lot of press for their energy and carbon impact, I would also like to address questions around: the impact of data privacy regulations, bot versus human activity, and machine learning. For example, a Jet Global study evaluating the effect of the GDPR found CO2 emissions reduced by 360 tons per day as a result of fewer marketing emails. To the extent possible, I will examine where emissions are concentrated and what could be done to reduce or eliminate them. Electronics consume the most energy at the production phase (compared with the use &amp; disposal phases of a product life cycle) so things like renewable energy adoption in manufacturing might have an outsized impact.</p>
-
-<p>I would like to note some low-impact networking alternatives and projects such as Low Tech Magazine's solar-powered website, and hope to generate some discussion in the audience around carbon reduction practices.</p>
-
-<hr />
-
-<h2>Exhibiting</h2>
-<h3>PhotoLink</h3>
-<p><img src="PhotoLink4.jpg" width="100%" style="max-width: 600px" /></p>
-<p>In the early 1800’s, Jean-Daniel Colladon demonstrated the principle of total internal reflection with water “light pipes” which led to the development of fiber optic cables. Using analog AM lightwave transmitter and receiver circuits from <em>Forrest M. Mims III’s Engineer’s Mini Notebook: Optoelectronic Circuits</em>, <em>PhotoLink</em> shows audio traveling as an optic signal through water laser pipes. Water flows through laminar flow nozzles going in two directions, which carry a visibly modulated signal, demonstrating how fiber optics work. Visitors can have a conversation using speakers and microphones at either end. The majority of the installation is built from reclaimed materials.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://github.com/jfunky" target="_blank">Github</a></li>
-	</ul>
-</p>
-
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participants/jasmine-soltani/index.md

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+---
+layout: page
+title: Jasmine Soltani
+---
+<h3>Jasmine Soltani</h3>
+<img src="JasmineSoltani.jpg" width="256px" />
+<p><a href="https://www.jasminesoltani.com/" target="_blank">Website</a> | <a href="https://twitter.com/mutantjasmine/" target="_blank">Twitter</a></p>
+<p>Jasmine Soltani is an artist, researcher, and programmer whose work examines our relationships with politics, technology, and the environment. She is an advocate of repair, restoration, climate resiliency, and economic democracy as paths toward social and ecological justice. She a graduate and 2018-2019 resident researcher of NYU’s Interactive Telecommunications Program (ITP).</p>
+
+<hr />
+<h2>Presenting</h2>
+<h3>The Carbon Footprint of the Internet</h3>
+<p>I will present a brief literature review synthesizing what’s currently known about the energy use and related carbon footprint of the internet, and discuss some implications. There is increased popular pressure around decarbonizing the economy, and that must necessarily include our global networked infrastructure.</p>
+
+<p>While cryptocurrencies received a lot of press for their energy and carbon impact, I would also like to address questions around: the impact of data privacy regulations, bot versus human activity, and machine learning. For example, a Jet Global study evaluating the effect of the GDPR found CO2 emissions reduced by 360 tons per day as a result of fewer marketing emails. To the extent possible, I will examine where emissions are concentrated and what could be done to reduce or eliminate them. Electronics consume the most energy at the production phase (compared with the use & disposal phases of a product life cycle) so things like renewable energy adoption in manufacturing might have an outsized impact.</p>
+
+<p>I would like to note some low-impact networking alternatives and projects such as Low Tech Magazine's solar-powered website, and hope to generate some discussion in the audience around carbon reduction practices.</p>
+
+<hr />
+<h2>Exhibiting</h2>
+<h3>PhotoLink</h3>
+<img src="PhotoLink4.jpg" width="100%" style="max-width: 600px" />
+<p>In the early 1800’s, Jean-Daniel Colladon demonstrated the principle of total internal reflection with water “light pipes” which led to the development of fiber optic cables. Using analog AM lightwave transmitter and receiver circuits from <em>Forrest M. Mims III’s Engineer’s Mini Notebook: Optoelectronic Circuits</em>, <em>PhotoLink</em> shows audio traveling as an optic signal through water laser pipes. Water flows through laminar flow nozzles going in two directions, which carry a visibly modulated signal, demonstrating how fiber optics work. Visitors can have a conversation using speakers and microphones at either end. The majority of the installation is built from reclaimed materials.</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="https://github.com/jfunky" target="_blank">Github</a></li>
+	</ul>
+</p>

participants/joana-chicau/index.html

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-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
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-    <h3>Joana Chicau</h3>
-<p><img src="joanachicau.png" width="256px" /></p>
-<p><a href="http://www.joanachicau.com/" target="_blank">Website</a> | <a href="https://twitter.com/BChicau/" target="_blank">Twitter</a></p>
-<p>Joana Chicau [PT/NL] is a graphic designer, coder, researcher — with a background in dance. In her practice she researches the intersection of the body with the constructed, designed, programmed environment, aiming at widening the ways in which digital sciences is presented and made accessible to the public. She has been actively participating and organizing events with performances involving multi-location collaborative coding, algorithmic improvisation, open discussions on gender equality and activism.</p>
-
-<hr />
-
-<h2>Performing</h2>
-<h3>WebChoreographies</h3>
-<p>The web can be seen as a choreographic agglomerate which defines ways of moving collectively and individually, through fluid and complex landscapes of information displays, networked, multimedia environments.</p>
-
-<p>&lt; A WebPage in Three Acts &gt; is an assemblage of live coded visual experiments performed in the web browser. The computer screen is divided in two stages: the ‘frontstage’, the interface a user normally accesses and the ‘backstage’ or the web console in which programming languages can be run. In the web console Joana Chicau calls, juxtaposes and manipulates different web programming actions which are named after choreographic concepts. The page originally filled with information, will be deconstructed, with elements being set in motion, displaying a varied composition of graphic elements in the screen. The performance structure is divided in three acts, and comprehends physical movement.</p>
-
-<p>Online environments - with all of its properties, designed intentions and ideologies - become an experimental stage for bringing into shared consciousness the physicality of code &amp; the corporeality of the machine.</p>
-
-<p>This performance in part of an on going research on how design and web based computational systems can be used to construct new scenarios, imaginaries and hypothesis guided by choreographic concepts. Privileging open source tools and investigation through feminist lens, Joana Chicau combines real-time algorithmic composition &amp; movement studies to rethink the vocabularies, protocols, modes of participation and different conditions for affective interfacing of bodies and technologies.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://jobcb.github.io/" target="_blank">Project Site</a></li>
-		<li><a href="https://github.com/JoBCB" target="_blank">Github</a></li>
-		<li><a href="http://joanachicau.com/joana_chicau_cv.pdf" target="_blank">CV</a></li>
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participants/joana-chicau/index.md

@@ -0,0 +1,27 @@
+---
+layout: page
+title: Joana Chicau
+---
+<h3>Joana Chicau</h3>
+<img src="joanachicau.png" width="256px" />
+<p><a href="http://www.joanachicau.com/" target="_blank">Website</a> | <a href="https://twitter.com/BChicau/" target="_blank">Twitter</a></p>
+<p>Joana Chicau [PT/NL] is a graphic designer, coder, researcher — with a background in dance. In her practice she researches the intersection of the body with the constructed, designed, programmed environment, aiming at widening the ways in which digital sciences is presented and made accessible to the public. She has been actively participating and organizing events with performances involving multi-location collaborative coding, algorithmic improvisation, open discussions on gender equality and activism.</p>
+
+<hr />
+<h2>Performing</h2>
+<h3>WebChoreographies</h3>
+<p>The web can be seen as a choreographic agglomerate which defines ways of moving collectively and individually, through fluid and complex landscapes of information displays, networked, multimedia environments.</p>
+
+<p>< A WebPage in Three Acts > is an assemblage of live coded visual experiments performed in the web browser. The computer screen is divided in two stages: the ‘frontstage’, the interface a user normally accesses and the ‘backstage’ or the web console in which programming languages can be run. In the web console Joana Chicau calls, juxtaposes and manipulates different web programming actions which are named after choreographic concepts. The page originally filled with information, will be deconstructed, with elements being set in motion, displaying a varied composition of graphic elements in the screen. The performance structure is divided in three acts, and comprehends physical movement.</p>
+
+<p>Online environments - with all of its properties, designed intentions and ideologies - become an experimental stage for bringing into shared consciousness the physicality of code & the corporeality of the machine.</p>
+
+<p>This performance in part of an on going research on how design and web based computational systems can be used to construct new scenarios, imaginaries and hypothesis guided by choreographic concepts. Privileging open source tools and investigation through feminist lens, Joana Chicau combines real-time algorithmic composition &amp; movement studies to rethink the vocabularies, protocols, modes of participation and different conditions for affective interfacing of bodies and technologies.</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="https://jobcb.github.io/" target="_blank">Project Site</a></li>
+		<li><a href="https://github.com/JoBCB" target="_blank">Github</a></li>
+		<li><a href="http://joanachicau.com/joana_chicau_cv.pdf" target="_blank">CV</a></li>
+	</ul>
+</p>

participants/juliana-novaes/index.html

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-    <h3>Juliana Novaes</h3>
-<p>Juliana is a law student at the University of Sao Paulo, Brazil and currently Head of Projects Commission of the Youth Observatory, a project from the Internet Society Youth Special Interest Group.</p>
-
-<hr />
-
-<h2>Meetup</h2>
-<h3>Youth Gathering at Radical Networks with <a href="../nancy-wachira/">Nancy Wachira</a></h3>
-<p>There is an importance to having the youth, the generation with the highest levels of Internet usage, thinking critically about the use of connected systems either via optic cable, satellite, wireless connections to relay various data, communication and resources in different parts of the world. The main objective of the session is to connect youth who are involved in networks technology for social purposes and have a discussion on the importance of addressing infrastructure and networks critically.</p>
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participants/juliana-novaes/index.md

@@ -0,0 +1,11 @@
+---
+layout: page
+title: Juliana Novaes
+---
+<h3>Juliana Novaes</h3>
+<p>Juliana is a law student at the University of Sao Paulo, Brazil and currently Head of Projects Commission of the Youth Observatory, a project from the Internet Society Youth Special Interest Group.</p>
+
+<hr />
+<h2>Meetup</h2>
+<h3>Youth Gathering at Radical Networks with <a href="../nancy-wachira/">Nancy Wachira</a></h3>
+<p>There is an importance to having the youth, the generation with the highest levels of Internet usage, thinking critically about the use of connected systems either via optic cable, satellite, wireless connections to relay various data, communication and resources in different parts of the world. The main objective of the session is to connect youth who are involved in networks technology for social purposes and have a discussion on the importance of addressing infrastructure and networks critically.</p>

participants/kalli-retzepi/index.html

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-    <h3>Kalli Retzepi</h3>
-<!-- <img src="sarahfriend.png" width="256px" /> -->
-<p><a href="https://kalli-retzepi.com/" target="_blank">Website</a> | <a href="https://twitter.com/kallirroi/" target="_blank">Twitter</a></p>
-<p>Kalli Retzepi (website) uses technology, design and images in order to explore the politics of digital interfaces, the narrative of the user and to imagine new metaphors for the Web. She has degrees in engineering, neuroscience and is a recent graduate of the MIT Media Lab. She has recently presented her work in conferences like Interface Politics (2018) and Interface Critique Journal (2019).
</p>
-
-<hr />
-
-<h2>Presenting</h2>
-<h3>Internet as an Object</h3>
-<p>During this talk I will present my graduate thesis work at the Media Lab at MIT. My thesis lies in the intersection of three avenues: physical non-screen interfaces, storytelling promoting community connectedness and hyper-locality afforded by decentralization. The central question addressed is whether the design and underlying technology of entry points to a network change the way people interact with it and the experience they have.</p>
-
-<p>To explore this, I designed and engineered a set of playful physical objects which function as nodes of a hyper-local network. Information (audio messages recorded by passers-by) bestowed upon this network remains within these nodes, cryptographically secure, and accessible only to local community members who are aware of the network’s existence and mode of operation. I successfully deployed this network in four locations across the MIT campus, where members of the MIT community could record and listen to audio messages using the physical objects.</p>
-
-<p>The motivation in the heart of this project was to create network-forming, physical objects that “perform” decentralization. How is the quality of decentralization communicated via the affordances of interaction, of material, or form? How can we approach the concept of decentralization and alternative networks using design? While I do not pretend to have the answers to these questions, I believe it is very important to ask them and encourage dialogue between both technical as well as non technical audiences.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://github.com/Kallirroi" target="_blank">Github</a></li>
-	</ul>
-</p>
-
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-</div>
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-  </body>
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participants/kalli-retzepi/index.md

@@ -0,0 +1,23 @@
+---
+layout: page
+title: Kalli Retzepi
+---
+<h3>Kalli Retzepi</h3>
+<!-- <img src="sarahfriend.png" width="256px" /> -->
+<p><a href="https://kalli-retzepi.com/" target="_blank">Website</a> | <a href="https://twitter.com/kallirroi/" target="_blank">Twitter</a></p>
+<p>Kalli Retzepi (website) uses technology, design and images in order to explore the politics of digital interfaces, the narrative of the user and to imagine new metaphors for the Web. She has degrees in engineering, neuroscience and is a recent graduate of the MIT Media Lab. She has recently presented her work in conferences like Interface Politics (2018) and Interface Critique Journal (2019).
</p>
+
+<hr />
+<h2>Presenting</h2>
+<h3>Internet as an Object</h3>
+<p>During this talk I will present my graduate thesis work at the Media Lab at MIT. My thesis lies in the intersection of three avenues: physical non-screen interfaces, storytelling promoting community connectedness and hyper-locality afforded by decentralization. The central question addressed is whether the design and underlying technology of entry points to a network change the way people interact with it and the experience they have.</p>
+
+<p>To explore this, I designed and engineered a set of playful physical objects which function as nodes of a hyper-local network. Information (audio messages recorded by passers-by) bestowed upon this network remains within these nodes, cryptographically secure, and accessible only to local community members who are aware of the network’s existence and mode of operation. I successfully deployed this network in four locations across the MIT campus, where members of the MIT community could record and listen to audio messages using the physical objects.</p>
+
+<p>The motivation in the heart of this project was to create network-forming, physical objects that “perform” decentralization. How is the quality of decentralization communicated via the affordances of interaction, of material, or form? How can we approach the concept of decentralization and alternative networks using design? While I do not pretend to have the answers to these questions, I believe it is very important to ask them and encourage dialogue between both technical as well as non technical audiences.</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="https://github.com/Kallirroi" target="_blank">Github</a></li>
+	</ul>
+</p>

participants/laguerraruda/index.html

@@ -1,374 +0,0 @@
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-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
-  	<div class="social">
-      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
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-    <h3>laguerraruda</h3>
-<p><img src="laguerraruda-256x256.jpg" width="256px" /></p>
-<p><a href="https://laguerraruda.wordpress.com/" target="_blank">Website</a> | <a href="https://twitter.com/laguerraruda/" target="_blank">Twitter</a></p>
-<p>For years I’ve contributed to the maintenance of human networks. I have learned from mistakes and continue to try new methods and systems to improve their persistence: care, communication, body and territory, crossed by a deep political conviction of freedom and autonomy. Not all of these processes are available online. Few years ago I started working in an NGO, in digital rights advocacy. Today I'm kind of a translator: critical appropriation of technology, from my activist work; end-user perspectives in internet architecture, as part of my job. I also write in spanish:
-	<ul>
-		<li><a href="https://genderit.org/es/feminist-talk/edicion-especial-sexo-virtual-sin-intercambio-de-fluidos-ni-privacidad" target="_blank">https://genderit.org/es/feminist-talk/edicion-especial-sexo-virtual-sin-intercambio-de-fluidos-ni-privacidad</a></li>
-		<li><a href="https://revistamarea.com/2018/06/30/aprender-a-navegar-libres/" target="_blank">https://revistamarea.com/2018/06/30/aprender-a-navegar-libres/</a></li>
-		<li><a href="https://pillku.org/article/des-programar-en-clitoris/" target="_blank">https://pillku.org/article/des-programar-en-clitoris/</a></li>
-	</ul>
-</p>
-
-<hr />
-
-<h2>Workshop</h2>
-<h3>networks. an icon set</h3>
-<p><img src="networks.png" width="100%" style="max-width: 600px" /></p>
-<p>How will the internet of the future look like? Ours will be far away from the dominant business model. We can imagine small-scale federated networks, based on free protocols that allow us to communicate without fear of control and surveillance. How to make this dream coming true?</p>
-
-<p>Bringing our knowledge closer is a first step. This workshop is part of a series, which main objective is the development of an icon set, as didactic material for the participative planning of network architectures with communities.</p>
-
-<p>We'll make a social cartography exercise:</p>
-
-<ul>
-	<ol>1. identify some needs and desires a community network can satisfy;</ol>
-	<ol>2. define specific and necessary technologies (infrastructure, hardware, software), some of its uses, and its characteristics;</ol> 
-	<ol>3. look for the best way to visualize these elements on the space, in order to build icons.</ol>
-</ul>
-
-<p>Throughout this workshop, we will go further in the development of complementary tools for the design and construction processes of community networks that seek for autonomous forms of connectivity. We hope that people with a variety of technical skills can exchange with communities -non-technical- interested in building and managing their own communications networks.</p>
-
-<p>The workshop will run Sunday, October 20, 2019, from 4:20 pm - 6:30 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
-
-<p>All materials will be provided for participants in the workshop.</p>
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participants/laguerraruda/index.md

@@ -0,0 +1,37 @@
+---
+layout: page
+title: laguerraruda
+---
+<h3>laguerraruda</h3>
+<p><img src="laguerraruda-256x256.jpg" width="256px"></p>
+<p><a href="https://laguerraruda.wordpress.com/" target="_blank">Website</a> | <a href="https://twitter.com/laguerraruda/" target="_blank">Twitter</a></p>
+<p>For years I’ve contributed to the maintenance of human networks. I have learned from mistakes and continue to try new methods and systems to improve their persistence: care, communication, body and territory, crossed by a deep political conviction of freedom and autonomy. Not all of these processes are available online. Few years ago I started working in an NGO, in digital rights advocacy. Today I'm kind of a translator: critical appropriation of technology, from my activist work; end-user perspectives in internet architecture, as part of my job. I also write in spanish:
+	</p><ul>
+		<li><a href="https://genderit.org/es/feminist-talk/edicion-especial-sexo-virtual-sin-intercambio-de-fluidos-ni-privacidad" target="_blank">https://genderit.org/es/feminist-talk/edicion-especial-sexo-virtual-sin-intercambio-de-fluidos-ni-privacidad</a></li>
+		<li><a href="https://revistamarea.com/2018/06/30/aprender-a-navegar-libres/" target="_blank">https://revistamarea.com/2018/06/30/aprender-a-navegar-libres/</a></li>
+		<li><a href="https://pillku.org/article/des-programar-en-clitoris/" target="_blank">https://pillku.org/article/des-programar-en-clitoris/</a></li>
+	</ul>
+<p></p>
+
+<hr>
+
+<h2>Workshop</h2>
+<h3>networks. an icon set</h3>
+<p><img src="networks.png" width="100%" style="max-width: 600px"></p>
+<p>How will the internet of the future look like? Ours will be far away from the dominant business model. We can imagine small-scale federated networks, based on free protocols that allow us to communicate without fear of control and surveillance. How to make this dream coming true?</p>
+
+<p>Bringing our knowledge closer is a first step. This workshop is part of a series, which main objective is the development of an icon set, as didactic material for the participative planning of network architectures with communities.</p>
+
+<p>We'll make a social cartography exercise:</p>
+
+<ul>
+	<ol>1. identify some needs and desires a community network can satisfy;</ol>
+	<ol>2. define specific and necessary technologies (infrastructure, hardware, software), some of its uses, and its characteristics;</ol> 
+	<ol>3. look for the best way to visualize these elements on the space, in order to build icons.</ol>
+</ul>
+
+<p>Throughout this workshop, we will go further in the development of complementary tools for the design and construction processes of community networks that seek for autonomous forms of connectivity. We hope that people with a variety of technical skills can exchange with communities -non-technical- interested in building and managing their own communications networks.</p>
+
+<p>The workshop will run Sunday, October 20, 2019, from 4:20 pm - 6:30 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
+
+<p>All materials will be provided for participants in the workshop.</p>

participants/libi-rose-striegl/index.html

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-      <img class="logo" src="/assets/themes/images/radnets_logo.png" width="500" height="76" />
-    </a>
-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
-  	<div class="social">
-      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
-      <a href="mailto:info@radicalnetworks.org"><img src="/assets/themes//images/email.png" width="37" height="37" /></a>
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-    <h3>Libi Rose Striegl</h3>
-<p><img src="libi-rose-striegl.jpg" width="256px" /></p>
-<p><a href="https://libirose.com/" target="_blank">Website</a> | <a href="https://twitter.com/rose_alibi/" target="_blank">Twitter</a></p>
-<p>I am an artist and PhD student currently based at the University of Colorado, primarily in the Media Archaeology Lab &amp; the Blow Things Up Lab. My dissertation is titled Voluntary De-convenience and my work is focused on tech defamiliarization as an educational tool, using workshops as both an education and artistic practice. I am interested in the technological, social and environmental implications of convenience. In 2018 I co-founded Sharing Turtle, a critical/satirical techno-practice with the tagline solving technological solutions, and I regularly host workshops on tech repair, retro technology, privacy &amp; security, open source practices, and alternative networks.</p>
-
-<hr />
-
-<h2>Workshop</h2>
-<h3>Resistant Networks with Retro-Tech</h3>
-<p>In the Media Archaeology Lab my colleagues and I have the unique opportunity to experiment with 'obsolete' technologies, including networking protocols. Though they are outdated, these technologies provide a unique opportunity to experience a form of technological connection that is rarely available - direct, limited, and affectively more honest than the networks we've become accustomed to. My talk-shop will offer an overview of the projects currently running in the MAL in addition to getting hands-on with some ideas for building personalized, defiantly non-commercial networks with abandoned and retro technologies, from the slightly absurd to the potentially utilitarian.</p>
-
-<p>During the session the group will be given the opportunity to activate an ad-hoc, ephemeral network using OLPC laptops. This will serve as the underpinning for a discussion of retro and abandoned hardware as a real opportunity for resistant networking. The talk will emphasize methods for engaging those who consider themselves 'bad with tech' in alternative networking practices and in alt-tech community spaces, in order to extend influence and understanding into a group that often feels unqualified to participate in conversations about the technology that effectively controls modern life.</p>
-
-<p>In addition, I will offer information about current projects and future opportunities for community engagement at the Media Archaeology Lab.</p>
-
-<p>The workshop will run Saturday, October 19, 2019, from 5:30 pm - 6:30 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
-
-<p>All materials will be provided for participants in the workshop.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://link.springer.com/article/10.1007/s42803-019-00005-9" target="_blank">Recent paper on networks with abandon tech at the MAL</a></li>
-	</ul>
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participants/libi-rose-striegl/index.md

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+---
+layout: page
+title: Libi Rose Striegl
+---
+<h3>Libi Rose Striegl</h3>
+<img src="libi-rose-striegl.jpg" width="256px" />
+<p><a href="https://libirose.com/" target="_blank">Website</a> | <a href="https://twitter.com/rose_alibi/" target="_blank">Twitter</a></p>
+<p>I am an artist and PhD student currently based at the University of Colorado, primarily in the Media Archaeology Lab & the Blow Things Up Lab. My dissertation is titled Voluntary De-convenience and my work is focused on tech defamiliarization as an educational tool, using workshops as both an education and artistic practice. I am interested in the technological, social and environmental implications of convenience. In 2018 I co-founded Sharing Turtle, a critical/satirical techno-practice with the tagline solving technological solutions, and I regularly host workshops on tech repair, retro technology, privacy & security, open source practices, and alternative networks.</p>
+
+<hr />
+<h2>Workshop</h2>
+<h3>Resistant Networks with Retro-Tech</h3>
+<p>In the Media Archaeology Lab my colleagues and I have the unique opportunity to experiment with 'obsolete' technologies, including networking protocols. Though they are outdated, these technologies provide a unique opportunity to experience a form of technological connection that is rarely available - direct, limited, and affectively more honest than the networks we've become accustomed to. My talk-shop will offer an overview of the projects currently running in the MAL in addition to getting hands-on with some ideas for building personalized, defiantly non-commercial networks with abandoned and retro technologies, from the slightly absurd to the potentially utilitarian.</p>
+
+<p>During the session the group will be given the opportunity to activate an ad-hoc, ephemeral network using OLPC laptops. This will serve as the underpinning for a discussion of retro and abandoned hardware as a real opportunity for resistant networking. The talk will emphasize methods for engaging those who consider themselves 'bad with tech' in alternative networking practices and in alt-tech community spaces, in order to extend influence and understanding into a group that often feels unqualified to participate in conversations about the technology that effectively controls modern life.</p>
+
+<p>In addition, I will offer information about current projects and future opportunities for community engagement at the Media Archaeology Lab.</p>
+
+<p>The workshop will run Saturday, October 19, 2019, from 5:30 pm - 6:30 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
+
+<p>All materials will be provided for participants in the workshop.</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="https://link.springer.com/article/10.1007/s42803-019-00005-9" target="_blank">Recent paper on networks with abandon tech at the MAL</a></li>
+	</ul>
+</p>

participants/lydia-jessup/index.html

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-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
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-    <h3>Lydia Jessup</h3>
-<p><img src="lydia.jpg" width="256px" /></p>
-<p><a href="https://www.lydiajessup.me/" target="_blank">Website</a> | <a href="https://twitter.com/lydsicle/" target="_blank">Twitter</a></p>
-<p>Lydia is a creative + public interest technologist working at the intersection of urban space, tech + design. Her <a href="https://www.lydiajessup.me/" target="_blank">work</a> ranges from interactive data visualizations, to a community board radio, to speculative VR waiting rooms. She thinks a lot about the affordances of civic spaces and is currently re-imagining bus stops using machine learning. She is a master’s student at NYU ITP and former policy work and economist. She previously studied international relations at Tufts and worked for four years in public policy research at the UChicago Crime Lab and in Peru at Innovations for Poverty Action.</p>
-
-<hr />
-
-<h2>Tour</h2>
-<h3>Feminist History of the Internet Walking Tour with <a href="../emma-rae-norton">Emma Rae Norton</a></h3>
-<p>This tour aims to put women back into the narrative of computing and internet history. We’ll use 721 Broadway, the location of NYU’s Interactive Telecommunications Program (ITP), as a launching pad for our tour that will lead us on an adventure full of pre-browser chatrooms, e-magazines distributed on floppy discs, hypertext conferences and the first computer generated art and music. We’ll discuss how the women pioneers behind these technologies have influenced the computers and internet we use today as well as the impact they have had on digital culture.</p>
-
-<p>The Tour itinerary is below. This takes about 2.5-3 hours and is 4-5 miles of walking. Please see our attached summary and map for more details.</p>
-
-<ul>
-	<li>Location 1: ITP, Red Burns + media studies</li>
-	<li>Location 2: @Cafe, location of Webgrrls meetings and one of NYC’s first internet cafes</li>
-	<li>Location 3: Metrobeat Office + Silicon Alley ecosystem overview</li>
-	<li>Location 4: ECHO, one of first “social networks” online (BBS)</li>
-	<li>Location 5: Bell Labs, World’s Fair 1964 and modern day School for Poetic Computation</li>
-	<li>Location 6: Google + the history of hypertext</li>
-</ul>
-
-<p>We were inspired to create this tour after reading Broad Band by Claire Evans.</p>
-
-<p>It is advised to bring with you on the tour: Good walking shoes, proper attire for weather elements (hat/umbrella/sunglasses etc), camera or note pad if desired</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://drive.google.com/file/d/15iqfxIki71aSmUScJVmZBmHc8MMX8YPf/view?usp=sharing" target="_blank">One page overview</a></li>
-		<li><a href="https://drive.google.com/file/d/1_o7G8jK6p4V1zpYOUECkGkhf9WqvUGxK/view?usp=sharing%5D" target="_blank">Detailed Tour Packet</a></li>
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-	We're on the <a href="dat://c0965105755be00cafd7d176c6ccdce467b896c7284b4915733a83e6f2f78231/" target="_blank">dat network</a>, too.
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participants/lydia-jessup/index.md

@@ -0,0 +1,36 @@
+---
+layout: page
+title: Lydia Jessup
+---
+<h3>Lydia Jessup</h3>
+<img src="lydia.jpg" width="256px" />
+<p><a href="https://www.lydiajessup.me/" target="_blank">Website</a> | <a href="https://twitter.com/lydsicle/" target="_blank">Twitter</a></p>
+<p>Lydia is a creative + public interest technologist working at the intersection of urban space, tech + design. Her <a href="https://www.lydiajessup.me/" target="_blank">work</a> ranges from interactive data visualizations, to a community board radio, to speculative VR waiting rooms. She thinks a lot about the affordances of civic spaces and is currently re-imagining bus stops using machine learning. She is a master’s student at NYU ITP and former policy work and economist. She previously studied international relations at Tufts and worked for four years in public policy research at the UChicago Crime Lab and in Peru at Innovations for Poverty Action.</p>
+
+<hr />
+<h2>Tour</h2>
+<h3>Feminist History of the Internet Walking Tour with <a href="../emma-rae-norton">Emma Rae Norton</a></h3>
+<p>This tour aims to put women back into the narrative of computing and internet history. We’ll use 721 Broadway, the location of NYU’s Interactive Telecommunications Program (ITP), as a launching pad for our tour that will lead us on an adventure full of pre-browser chatrooms, e-magazines distributed on floppy discs, hypertext conferences and the first computer generated art and music. We’ll discuss how the women pioneers behind these technologies have influenced the computers and internet we use today as well as the impact they have had on digital culture.</p>
+
+<p>The Tour itinerary is below. This takes about 2.5-3 hours and is 4-5 miles of walking. Please see our attached summary and map for more details.</p>
+
+<ul>
+	<li>Location 1: ITP, Red Burns + media studies</li>
+	<li>Location 2: @Cafe, location of Webgrrls meetings and one of NYC’s first internet cafes</li>
+	<li>Location 3: Metrobeat Office + Silicon Alley ecosystem overview</li>
+	<li>Location 4: ECHO, one of first “social networks” online (BBS)</li>
+	<li>Location 5: Bell Labs, World’s Fair 1964 and modern day School for Poetic Computation</li>
+	<li>Location 6: Google + the history of hypertext</li>
+</ul>
+
+<p>We were inspired to create this tour after reading Broad Band by Claire Evans.</p>
+
+<p>It is advised to bring with you on the tour: Good walking shoes, proper attire for weather elements (hat/umbrella/sunglasses etc), camera or note pad if desired</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="https://drive.google.com/file/d/15iqfxIki71aSmUScJVmZBmHc8MMX8YPf/view?usp=sharing" target="_blank">One page overview</a></li>
+		<li><a href="https://drive.google.com/file/d/1_o7G8jK6p4V1zpYOUECkGkhf9WqvUGxK/view?usp=sharing%5D" target="_blank">Detailed Tour Packet</a></li>
+		<li><a href="https://drive.google.com/file/d/1wBLtQLHEqFINcKWHeLs6OaRm-ywF6_91/view?usp=sharing" target="_blank">Map Close Up</a></li>
+	</ul>
+</p>

participants/martin-nadal/index.html

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-    <h3>Martin Nadal</h3>
-<p><img src="nadal.jpg" width="256px" /></p>
-<p><a href="http://martinnadal.eu/" target="_blank">Website</a> | <a href="https://twitter.com/muimota/" target="_blank">Twitter</a></p>
-<p>As an artist, my works talk about how technology shapes society, creating artistic artworks with technology from a critical point of view.
-I am specially interested in how algorithms shape our society and following this line of research I've developed works as "Money Never Sleeps", that talks about the role of the drug overuse of the financial elites in the 2008 crisis and "Death of Things", an artwork about how the technology will survive the human.
-In the past years I’ve been working with cryptocurrencies and blockchain. With my colleague César Escudero we have written a paper about "Critical Mining" that is featured in the "Artist Re:Thinking the Blockchain" book and developed "Bittercoin".</p>
-
-<hr />
-
-<h2>Exhibiting</h2>
-<h3>Fango, a Facebook, Amazon, Netflix, Google Obfuscator</h3>
-<p><img src="fango.jpg" width="100%" style="max-width: 600px" /></p>
-<p><em>FANGo</em> is a defense weapon against surveillance capitalism. Hidden under its appearance of mobile phone charger will be provided with a micro controller that takes control of the smartphone plugged in making queries to google, amazon and other search engines, launching videos in YouTube in order to deceive data brokers in their data capture process.</p>
-
-<p>Facebook, Amazon, Netflix and Google were grouped under the acronym FANG as the most important and high-performing companies of the NASDAQ and pioneers of what is known today as surveillance capitalism.</p>
-
-<p>In a similar way as industrial capitalism through its mechanics turned nature or work into a commodity such as real estate or labor, surveillance capitalism turns experiences that occur in the private sphere of the human being into commodities that can be bought and sold.</p>
-
-<p>The difference of this type of capitalism is substantial as it integrates the human experiences of private realm in the production processes without the individual being fully conscious. This affects the economic sphere but also the independence of the human being, because with the logic of maximizing profits the companies will try to modify the user's behaviour without the user being able to do much to defend himself. The aim of the project is to disrupt this mechanics, adding noise to the captured data, making it difficult to transform the captured user data into predictions, thus devaluing the value of the extracted data.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="http://martinnadal.eu/fango/" target="_blank">Project Site</a></li>
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participants/martin-nadal/index.md

@@ -0,0 +1,29 @@
+---
+layout: page
+title: Martin Nadal
+---
+<h3>Martin Nadal</h3>
+<img src="nadal.jpg" width="256px" />
+<p><a href="http://martinnadal.eu/" target="_blank">Website</a> | <a href="https://twitter.com/muimota/" target="_blank">Twitter</a></p>
+<p>As an artist, my works talk about how technology shapes society, creating artistic artworks with technology from a critical point of view.
+I am specially interested in how algorithms shape our society and following this line of research I've developed works as "Money Never Sleeps", that talks about the role of the drug overuse of the financial elites in the 2008 crisis and "Death of Things", an artwork about how the technology will survive the human.
+In the past years I’ve been working with cryptocurrencies and blockchain. With my colleague César Escudero we have written a paper about "Critical Mining" that is featured in the "Artist Re:Thinking the Blockchain" book and developed "Bittercoin".</p>
+
+<hr />
+<h2>Exhibiting</h2>
+<h3>Fango, a Facebook, Amazon, Netflix, Google Obfuscator</h3>
+<p><img src="fango.jpg" width="100%" style="max-width: 600px" /></p>
+<p><em>FANGo</em> is a defense weapon against surveillance capitalism. Hidden under its appearance of mobile phone charger will be provided with a micro controller that takes control of the smartphone plugged in making queries to google, amazon and other search engines, launching videos in YouTube in order to deceive data brokers in their data capture process.</p>
+
+<p>Facebook, Amazon, Netflix and Google were grouped under the acronym FANG as the most important and high-performing companies of the NASDAQ and pioneers of what is known today as surveillance capitalism.</p>
+
+<p>In a similar way as industrial capitalism through its mechanics turned nature or work into a commodity such as real estate or labor, surveillance capitalism turns experiences that occur in the private sphere of the human being into commodities that can be bought and sold.</p>
+
+<p>The difference of this type of capitalism is substantial as it integrates the human experiences of private realm in the production processes without the individual being fully conscious. This affects the economic sphere but also the independence of the human being, because with the logic of maximizing profits the companies will try to modify the user's behaviour without the user being able to do much to defend himself. The aim of the project is to disrupt this mechanics, adding noise to the captured data, making it difficult to transform the captured user data into predictions, thus devaluing the value of the extracted data.</p>
+
+
+<p>Additional information
+	<ul>
+		<li><a href="http://martinnadal.eu/fango/" target="_blank">Project Site</a></li>
+	</ul>
+</p>

participants/matthias-hurtl/index.html

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-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
-  	<div class="social">
-      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
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-    <h3>Matthias Hurtl</h3>
-<p><img src="mmths_pp.png" width="256px" /></p>
-<p><a href="http://randomaccessmemory.at/" target="_blank">Website</a></p>
-<p>Matthias Hurtl (AT/NL) is a sound artist and researcher currently based in Rotterdam/the Netherlands. In his practice, he often is fascinated by activities occurring in the earth's orbit. His current research Drowning in Æther focuses on the audibility of satellite signals through a practice-based approach. Part of the project involved developing his personal signal hunting toolkit to capture and improvise with satellite signals.</p>
-
-<hr />
-
-<h2>Presenting</h2>
-<h3>Drowning in Æther</h3>
-<p>In my practice, I am often fascinated by activities occurring in the earth's orbit. Currently, my interest is centered around the countless number of signals and indeterminate messages emitted by the artificial objects discreetly surrounding us. Multitudes of satellites transmit different rhythms and frequencies, spreading inaudible, encoded messages into what was once known as the æther. Signal transmissions have been a persistent part of human history and since the emergence of radio technology we are now more than ever dependent on them. Many of our technological developments rely on radio technology. GPS, for example, is implemented in a multitude of everyday devices and is assisting them in tracking every move we make. Most of those signals are not meant to be heard by the human ear.</p>
-
-<p>My current research focuses on signals transmitted by ghost satellites and outdated hijacked military satellites.</p>
-
-<p>Ghost satellites are space debris, malfunctioning objects floating in space that are no longer in use. Some of them still continuously communicate to earth even though nobody is listening to them anymore nor understands their data. They have outlived their designated function and their research programs have been shut down for decades, but despite that, they do not withdraw, streaming continuously the silent proof of their presence.</p>
-
-<p>The latter are UHF (ultra high frequency) satellites hijacked by a small community referred to as satellite radio pirates. These man-made objects are in a geostationary orbit 36000 km from the earth and are mostly used by the U.S. military and NATO. Since these are first-generation satellites (launched in the 60s), the communication channel is open, not encrypted, so satellite radio pirates are capable of exploiting the satellites as their private worldwide radio communication network. They not only converse with each other but also use that military equipment as their private entertainment network, occasionally playing music and sometimes, perhaps often, getting drunk while doing so.</p>
-
-<p>My lecture performance Drowning in Æther focuses on the audibility of satellite signals and invites the audience on a trip through the radio spectrum, to drown in the noise of the static, hunt the Pirates of the Ionosphere and the silent whispers of forgotten ghost satellites.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="http://drowning.in/aether/" target="_blank">Project Site</a></li>
-	</ul>
-</p>
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participants/matthias-hurtl/index.md

@@ -0,0 +1,27 @@
+---
+layout: page
+title: Matthias Hurtl
+---
+<h3>Matthias Hurtl</h3>
+<img src="mmths_pp.png" width="256px" />
+<p><a href="http://randomaccessmemory.at/" target="_blank">Website</a></p>
+<p>Matthias Hurtl (AT/NL) is a sound artist and researcher currently based in Rotterdam/the Netherlands. In his practice, he often is fascinated by activities occurring in the earth's orbit. His current research Drowning in Æther focuses on the audibility of satellite signals through a practice-based approach. Part of the project involved developing his personal signal hunting toolkit to capture and improvise with satellite signals.</p>
+
+<hr />
+<h2>Presenting</h2>
+<h3>Drowning in Æther</h3>
+<p>In my practice, I am often fascinated by activities occurring in the earth's orbit. Currently, my interest is centered around the countless number of signals and indeterminate messages emitted by the artificial objects discreetly surrounding us. Multitudes of satellites transmit different rhythms and frequencies, spreading inaudible, encoded messages into what was once known as the æther. Signal transmissions have been a persistent part of human history and since the emergence of radio technology we are now more than ever dependent on them. Many of our technological developments rely on radio technology. GPS, for example, is implemented in a multitude of everyday devices and is assisting them in tracking every move we make. Most of those signals are not meant to be heard by the human ear.</p>
+
+<p>My current research focuses on signals transmitted by ghost satellites and outdated hijacked military satellites.</p>
+
+<p>Ghost satellites are space debris, malfunctioning objects floating in space that are no longer in use. Some of them still continuously communicate to earth even though nobody is listening to them anymore nor understands their data. They have outlived their designated function and their research programs have been shut down for decades, but despite that, they do not withdraw, streaming continuously the silent proof of their presence.</p>
+
+<p>The latter are UHF (ultra high frequency) satellites hijacked by a small community referred to as satellite radio pirates. These man-made objects are in a geostationary orbit 36000 km from the earth and are mostly used by the U.S. military and NATO. Since these are first-generation satellites (launched in the 60s), the communication channel is open, not encrypted, so satellite radio pirates are capable of exploiting the satellites as their private worldwide radio communication network. They not only converse with each other but also use that military equipment as their private entertainment network, occasionally playing music and sometimes, perhaps often, getting drunk while doing so.</p>
+
+<p>My lecture performance Drowning in Æther focuses on the audibility of satellite signals and invites the audience on a trip through the radio spectrum, to drown in the noise of the static, hunt the Pirates of the Ionosphere and the silent whispers of forgotten ghost satellites.</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="http://drowning.in/aether/" target="_blank">Project Site</a></li>
+	</ul>
+</p>

participants/maya-richman/index.html

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-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
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-    <h3>Maya Richman</h3>
-<p><img src="SpringMorrisPhoto_Mozilla_Fellow_32A9851.jpg" width="256px" /></p>
-<p><a href="https://twitter.com/mayarichman/" target="_blank">Twitter</a></p>
-<p>Maya is a security practitioner for social change organizations and activists. As a Mozilla fellow in 2018-2019, she worked alongside the Astraea Lesbian Foundation for Justice researching the ways technology and surveillance impacts the safety and strategy of LGBTQI organizations in the US. During her fellowship, she developed a methodology to reflect on and ground sustainability practices within the Astraea. Prior to joining Mozilla, Maya worked at The Engine Room facilitating spaces for organizations, groups, and individuals around the world to share their experiences and improve their collective security and emotional well-being. She previously studied computer science, hacker politics, and open source culture at McGill University.</p>
-
-<hr />
-
-<h2>Workshop</h2>
-<h3>Feminist Approach to Organisational Safety with <a href="../paola-mosso/">Paola Mosso</a></h3>
-<p>We believe in feminism as a political framework for an alternative future for freedom, and organisational security and feminist integral protection and care, as part of it.</p>
-
-<p>During the session, we’ll spark the conversation by sharing key steering concepts on how a feminist approach to organisational safety would look like, building up on previous discussions in community gatherings with feminists working towards social justice, supporting defenders from around the globe.</p>
-
-<p>We’ll build on key elements of intersectional feminist theory to encourage critical perspectives that emphasize intersectionality and a holistic and participatory approach when designing and implementing organisational safety policies.</p>
-
-<p>Some of the key concepts and questions we’ll explore with participants are:</p>
-
-<ul>
-	<li>Care - Why is care political? How are organisations not only taking care of themselves but also the partners they support? How are organisations taking care of their and their partners data?</li>
-	<li>Critical thinking around technology  - What technology are we using? Why or why not? What makes a technology service aligned with our political values?</li>
-	<li>Security language  - How to deconstruct our language when it comes to ‘security’? Is there a difference between ‘security’ and ‘safety’?</li>
-	<li>Decision making  - Is it participatory when it comes to decisions around technology? How to facilitate intergenerational dialogue? What are the power relationships that we reproduce without noticing?</li>
-	<li>Holistic  - How can we combine digital protection, with psychosocial and physical protection responsibly?</li>
-	<li>Diversity  - How can we design an organisational safety strategy that builds from the differences of team members identities in a thoughtful, responsible and effective way?</li>
-</ul>
-
-<p>The sessions objectives will be to:</p>
-
-<ul>
-	<li>Align on key concepts and/or principles of a feminist organisational safety approach</li>
-	<li>Collectively share tactics and practices towards implementing this approach</li>
-	<li>Build a larger network of diverse practitioners in cybersecurity, care workers and feminist organisational development defenders</li>
-</ul>
-
-<p>The workshop will run Saturday, October 19, 2019, from 3:45 pm - 5:25 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
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participants/maya-richman/index.md

@@ -0,0 +1,40 @@
+---
+layout: page
+title: Maya Richman
+---
+<h3>Maya Richman</h3>
+<img src="SpringMorrisPhoto_Mozilla_Fellow_32A9851.jpg" width="256px" />
+<p><a href="https://twitter.com/mayarichman/" target="_blank">Twitter</a></p>
+<p>Maya is a security practitioner for social change organizations and activists. As a Mozilla fellow in 2018-2019, she worked alongside the Astraea Lesbian Foundation for Justice researching the ways technology and surveillance impacts the safety and strategy of LGBTQI organizations in the US. During her fellowship, she developed a methodology to reflect on and ground sustainability practices within the Astraea. Prior to joining Mozilla, Maya worked at The Engine Room facilitating spaces for organizations, groups, and individuals around the world to share their experiences and improve their collective security and emotional well-being. She previously studied computer science, hacker politics, and open source culture at McGill University.</p>
+
+<hr />
+<h2>Workshop</h2>
+<h3>Feminist Approach to Organisational Safety with <a href="../paola-mosso/">Paola Mosso</a></h3>
+<p>We believe in feminism as a political framework for an alternative future for freedom, and organisational security and feminist integral protection and care, as part of it.</p>
+
+<p>During the session, we’ll spark the conversation by sharing key steering concepts on how a feminist approach to organisational safety would look like, building up on previous discussions in community gatherings with feminists working towards social justice, supporting defenders from around the globe.</p>
+
+<p>We’ll build on key elements of intersectional feminist theory to encourage critical perspectives that emphasize intersectionality and a holistic and participatory approach when designing and implementing organisational safety policies.</p>
+
+<p>Some of the key concepts and questions we’ll explore with participants are:</p>
+
+<ul>
+	<li>Care - Why is care political? How are organisations not only taking care of themselves but also the partners they support? How are organisations taking care of their and their partners data?</li>
+	<li>Critical thinking around technology  - What technology are we using? Why or why not? What makes a technology service aligned with our political values?</li>
+	<li>Security language  - How to deconstruct our language when it comes to ‘security’? Is there a difference between ‘security’ and ‘safety’?</li>
+	<li>Decision making  - Is it participatory when it comes to decisions around technology? How to facilitate intergenerational dialogue? What are the power relationships that we reproduce without noticing?</li>
+	<li>Holistic  - How can we combine digital protection, with psychosocial and physical protection responsibly?</li>
+	<li>Diversity  - How can we design an organisational safety strategy that builds from the differences of team members identities in a thoughtful, responsible and effective way?</li>
+</ul>
+
+<p>The sessions objectives will be to:</p>
+
+<ul>
+	<li>Align on key concepts and/or principles of a feminist organisational safety approach</li>
+	<li>Collectively share tactics and practices towards implementing this approach</li>
+	<li>Build a larger network of diverse practitioners in cybersecurity, care workers and feminist organisational development defenders</li>
+</ul>
+
+<p>The workshop will run Saturday, October 19, 2019, from 3:45 pm - 5:25 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
+
+<p>All materials will be provided for participants in the workshop.</p>

participants/melanie-hoff/index.html

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-    <h3>Melanie Hoff</h3>
-<p><img src="melanie.jpg" width="256px" /></p>
-<p><a href="https://melanie-hoff.com/" target="_blank">Website</a> | <a href="https://twitter.com/melanie_hoff/" target="_blank">Twitter</a></p>
-<p>Melanie Hoff is an artist and educator examining the role technology plays in social organization and reinforcing hegemonic structures. Their work plays with structural conventions of software, installation, and workshops. They are a founding member of the Cybernetics Library, an art and research collective offering resources for study and critique of technical and social systems and Soft Surplus, a collective art studio for learning together by making things near each other. They teach at the Rhode Island School of Design, the School for Poetic Computation, and have presented their work in the New Museum, the Queens Museum, The Internet Archive, and elsewhere.</p>
-
-<hr />
-
-<h2>Workshop</h2>
-<h3>Peer-to-Peer Folder Poetry</h3>
-<p><img src="rad-nets-1.6.jpg" width="100%" style="max-width: 600px" /></p>
-<p>What if we could transform our online networks from something we passively receive to something we actively create? Folder Poetry is the practice of using the structure of computer folder organization as a new kind of poetic form like the haiku or iambic pentameter. By naming and nesting folders and files, we can create unfolding narratives, rhythmic prose, and choose-your-own-adventure poetry. In this workshop we will collectively create peer-to-peer folder poetry using the command line and Dat. Through lecture, examples, and writing folder poetry as meditation, we will explore the narrative qualities of folder structures and DAT as a tool for building digital spaces with and for our networks.</p>
-
-<p>In this session we will get intimate with computers and write poetry with their logic. This workshop is an introduction to writing folder poetry, the P2P protocol Dat, and navigating the command line interface using Bash.</p>
-
-<p>Together, we will create living networked poetry through connecting folders on the peer-to-peer web for each other to inhabit and explore.</p>
-
-<p>This workshop assumes no coding experience and simultaneously takes the position that everyone who interacts with computers in some way is already a programmer.</p>
-
-<p>The workshop will run Saturday, October 19, 2019, from 10:00 am - 12:30 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
-
-<p>Participants should bring their laptop to the workshop. Please contact Melanie beforehand if you are planning to use a Windows machine.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://github.com/melaniehoff/" target="_blank">Github</a></li>
-	</ul>
-</p>
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participants/melanie-hoff/index.md

@@ -0,0 +1,30 @@
+---
+layout: page
+title: Melanie Hoff
+---
+<h3>Melanie Hoff</h3>
+<p><img src="melanie.jpg" width="256px"></p>
+<p><a href="https://melanie-hoff.com/" target="_blank">Website</a> | <a href="https://twitter.com/melanie_hoff/" target="_blank">Twitter</a></p>
+<p>Melanie Hoff is an artist and educator examining the role technology plays in social organization and reinforcing hegemonic structures. Their work plays with structural conventions of software, installation, and workshops. They are a founding member of the Cybernetics Library, an art and research collective offering resources for study and critique of technical and social systems and Soft Surplus, a collective art studio for learning together by making things near each other. They teach at the Rhode Island School of Design, the School for Poetic Computation, and have presented their work in the New Museum, the Queens Museum, The Internet Archive, and elsewhere.</p>
+
+<hr>
+
+<h2>Workshop</h2>
+<h3>Peer-to-Peer Folder Poetry</h3>
+<p><img src="rad-nets-1.6.jpg" width="100%" style="max-width: 600px"></p>
+<p>What if we could transform our online networks from something we passively receive to something we actively create? Folder Poetry is the practice of using the structure of computer folder organization as a new kind of poetic form like the haiku or iambic pentameter. By naming and nesting folders and files, we can create unfolding narratives, rhythmic prose, and choose-your-own-adventure poetry. In this workshop we will collectively create peer-to-peer folder poetry using the command line and Dat. Through lecture, examples, and writing folder poetry as meditation, we will explore the narrative qualities of folder structures and DAT as a tool for building digital spaces with and for our networks.</p>
+
+<p>In this session we will get intimate with computers and write poetry with their logic. This workshop is an introduction to writing folder poetry, the P2P protocol Dat, and navigating the command line interface using Bash.</p>
+
+<p>Together, we will create living networked poetry through connecting folders on the peer-to-peer web for each other to inhabit and explore.</p>
+
+<p>This workshop assumes no coding experience and simultaneously takes the position that everyone who interacts with computers in some way is already a programmer.</p>
+
+<p>The workshop will run Saturday, October 19, 2019, from 10:00 am - 12:30 pm. Tickets are available <a href="https://www.eventbrite.com/e/radical-networks-tickets-72061121755">here</a>.</p>
+
+<p>Participants should bring their laptop to the workshop. Please contact Melanie beforehand if you are planning to use a Windows machine.</p>
+
+<p>Additional information</p>
+<ul>
+	<li><a href="https://github.com/melaniehoff/" target="_blank">Github</a></li>
+</ul>

participants/mike-dank/index.html

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-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
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-  <div class="col-xs-12">
-    <h3>Mike Dank</h3>
-<p><img src="mike.jpeg" width="256px" /></p>
-<p><a href="https://famicoman.com/" target="_blank">Website</a> | <a href="https://twitter.com/Famicoman/" target="_blank">Twitter</a></p>
-<p>Mike Dank is a developer and writer who builds and participates in hobbyist networks to both learn their underlying technologies and create templates for others to do the same. Mike's work follows the DIY punk ethic, showing how to approach complex technologies in a simplified way with materials you may already have or are otherwise inexpensive/easy to obtain.</p>
-
-<p>Mike is currently editor of the <a href="https://n-o-d-e.net/zine/index.html" target="_blank">N-O-D-E Zine</a>, an independent publication promoting decentralization and P2P technologies, open source, do-it-yourself tutorials and hardware design, cutting edge technology, and more. Additionally, Mike runs <a href="https://networksofphilly.org/" target="_blank">Networks of Philly</a>, an online resource that makes sense of Philadelphia's hidden network infrastructure, and <a href="https://phillymesh.net/" target="_blank">Philly Mesh</a>, a community-focused mesh network.</p>
-
-<hr />
-
-<h2>Presenting</h2>
-<h3>BGP: The Internet's Fragile Beast</h3>
-<p>BGP (Border Gateway Protocol) manages how all of our packets are routed across the Internet. It is one of the most powerful and important protocols currently deployed on the 'net, but it is also incredibly fragile. Devised as a quick fix 30 years ago (without concern for security), BGP is constantly blamed in the news as Internet outages occur worldwide due to misconfigurations by multinational telecommunications conglomerates or hijackings by government actors.</p>
-
-<p>This talk will demystify the misunderstood protocol that is BGP, and explain how entities exchange giant flows of data across the Internet, highlight past misuses, and consider what we may be able to expect in the future.</p>
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-	We're on the <a href="dat://c0965105755be00cafd7d176c6ccdce467b896c7284b4915733a83e6f2f78231/" target="_blank">dat network</a>, too.
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-  </body>
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participants/mike-dank/index.md

@@ -0,0 +1,17 @@
+---
+layout: page
+title: Mike Dank
+---
+<h3>Mike Dank</h3>
+<img src="mike.jpeg" width="256px" />
+<p><a href="https://famicoman.com/" target="_blank">Website</a> | <a href="https://twitter.com/Famicoman/" target="_blank">Twitter</a></p>
+<p>Mike Dank is a developer and writer who builds and participates in hobbyist networks to both learn their underlying technologies and create templates for others to do the same. Mike's work follows the DIY punk ethic, showing how to approach complex technologies in a simplified way with materials you may already have or are otherwise inexpensive/easy to obtain.</p>
+
+<p>Mike is currently editor of the <a href="https://n-o-d-e.net/zine/index.html" target="_blank">N-O-D-E Zine</a>, an independent publication promoting decentralization and P2P technologies, open source, do-it-yourself tutorials and hardware design, cutting edge technology, and more. Additionally, Mike runs <a href="https://networksofphilly.org/" target="_blank">Networks of Philly</a>, an online resource that makes sense of Philadelphia's hidden network infrastructure, and <a href="https://phillymesh.net/" target="_blank">Philly Mesh</a>, a community-focused mesh network.</p>
+
+<hr />
+<h2>Presenting</h2>
+<h3>BGP: The Internet's Fragile Beast</h3>
+<p>BGP (Border Gateway Protocol) manages how all of our packets are routed across the Internet. It is one of the most powerful and important protocols currently deployed on the 'net, but it is also incredibly fragile. Devised as a quick fix 30 years ago (without concern for security), BGP is constantly blamed in the news as Internet outages occur worldwide due to misconfigurations by multinational telecommunications conglomerates or hijackings by government actors.</p>
+
+<p>This talk will demystify the misunderstood protocol that is BGP, and explain how entities exchange giant flows of data across the Internet, highlight past misuses, and consider what we may be able to expect in the future.</p>

participants/mindy-seu/index.html

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-    <h3>Mindy Seu</h3>
-<p><img src="MindySeu_sm-sq-256x256.jpg" width="256px" /></p>
-<p><a href="http://www.mindyseu.com/" target="_blank">Website</a> | <a href="https://twitter.com/mind_seu/" target="_blank">Twitter</a></p>
-<p>Mindy Seu is a designer and researcher. She holds an M.Des from Harvard's Graduate School of Design and a B.A. in Design Media Arts from University of California, Los Angeles. As a fellow at the Berkman Klein Center for the Internet &amp; Society, she began the cyberfeminism archive. Formerly she was a designer at 2×4, Museum of Modern Art, and Internet Archive, where she co-organized the Decentralized Web Summit. She has lectured at CalArts, Parsons, Pratt, and RISD, among others. Seu joined the faculty of Rutger’s Mason Gross School of the Arts and Yale’s School of Art in 2019.</p>
-
-<hr />
-
-<h2>Performing</h2>
-<h3>Cyberfeminism Catalog Reading</h3>
-<p>Using an overhead camera and live projection, I would like to propose a demonstrative reading of the Cyberfeminism Catalog, a book that archives international, intersectional cyberfeminist activity from 1990–present. It includes a variety of content, including theoretical texts, hackerspaces, collectives, net art, digital rights groups, DIY teledildonics manuals, biohacktivism, data domination, and open source estrogen pioneers. Projects range from Bindi Girl (1990s net artwork about Indian American fetishization), Lower Body Poetry (1990s Taiwanese internet poetry group), Gynepunk (present-day Mexican biohacktivists that are self-proclaimed “cyborg witches of DIY gynecology”), and Assembly4 (present-day sex worker instance on Mastodon).</p>
-
-<p>The catalog currently includes hundreds of entries listed in chronological order. Each entry includes at least one cross reference, mirroring early hypertext structures. This allows readers to jump around the book. For example, VNS Matrix’s “A Cyberfeminist Manifesto from the 21st Century” (1991) connects to Jenna Sutela’s “Orgs: From Slime Mold to Silicon Valley” (2017) then “Courageous Cunts” (2012). The overhead camera will project a live feed of the book on top of a table as I flip through, reading entries, demonstrating the cross-referencing structure, and introducing the breadth of what cyberfeminism has come to include in the past three decades.</p>
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participants/mindy-seu/index.md

@@ -0,0 +1,15 @@
+---
+layout: page
+title: Mindy Seu
+---
+<h3>Mindy Seu</h3>
+<img src="MindySeu_sm-sq-256x256.jpg" width="256px" />
+<p><a href="http://www.mindyseu.com/" target="_blank">Website</a> | <a href="https://twitter.com/mind_seu/" target="_blank">Twitter</a></p>
+<p>Mindy Seu is a designer and researcher. She holds an M.Des from Harvard's Graduate School of Design and a B.A. in Design Media Arts from University of California, Los Angeles. As a fellow at the Berkman Klein Center for the Internet & Society, she began the cyberfeminism archive. Formerly she was a designer at 2×4, Museum of Modern Art, and Internet Archive, where she co-organized the Decentralized Web Summit. She has lectured at CalArts, Parsons, Pratt, and RISD, among others. Seu joined the faculty of Rutger’s Mason Gross School of the Arts and Yale’s School of Art in 2019.</p>
+
+<hr />
+<h2>Performing</h2>
+<h3>Cyberfeminism Catalog Reading</h3>
+<p>Using an overhead camera and live projection, I would like to propose a demonstrative reading of the Cyberfeminism Catalog, a book that archives international, intersectional cyberfeminist activity from 1990–present. It includes a variety of content, including theoretical texts, hackerspaces, collectives, net art, digital rights groups, DIY teledildonics manuals, biohacktivism, data domination, and open source estrogen pioneers. Projects range from Bindi Girl (1990s net artwork about Indian American fetishization), Lower Body Poetry (1990s Taiwanese internet poetry group), Gynepunk (present-day Mexican biohacktivists that are self-proclaimed “cyborg witches of DIY gynecology”), and Assembly4 (present-day sex worker instance on Mastodon).</p>
+
+<p>The catalog currently includes hundreds of entries listed in chronological order. Each entry includes at least one cross reference, mirroring early hypertext structures. This allows readers to jump around the book. For example, VNS Matrix’s “A Cyberfeminist Manifesto from the 21st Century” (1991) connects to Jenna Sutela’s “Orgs: From Slime Mold to Silicon Valley” (2017) then “Courageous Cunts” (2012). The overhead camera will project a live feed of the book on top of a table as I flip through, reading entries, demonstrating the cross-referencing structure, and introducing the breadth of what cyberfeminism has come to include in the past three decades.</p>

participants/myaisha-hayes/index.html

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-    <h2>October 18-20, 2019<br/>Prime Produce, NYC</h2>
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-      <a href="https://www.twitter.com/radnetworks" target="_blank"><img src="/assets/themes//images/twitter_logo.png" width="37" height="37" /></a>
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-    <h3>Myaisha Hayes</h3>
-<p><img src="Headshot.jpg" width="256px" /></p>
-<p><a href="https://mediajustice.org/" target="_blank">Website</a> | <a href="https://twitter.com/MyaishaAyanna" target="_blank">Twitter</a></p>
-<p>Myaisha is the National Organizer on Criminal Justice &amp; Technology at MediaJustice. Myaisha brings several years of organizing experience with her from various national and local campaigns including President Obama’s re-election campaign, Fight for $15, and the CLOSErikers Campaign. As the grandchild of a political prisoner, she is deeply committed to organizing people power that leads to radical transformative change and justice. Myaisha earned her BA in Black Studies at Occidental College and currently lives in Brooklyn, New York.</p>
-
-<hr />
-
-<h2>Presenting with <a href="../ulandis-fort">Ulandis Fort</a></h2>
-<h3>The Fight for Prison Phone Justice</h3>
-<p>For the millions of families that seek to remain in touch with their incarcerated loved ones, communication can come at a high cost. For 20 years, Mrs. Martha Wright-Reed fought the prison phone industry to reduce the high cost of prison phone calls so that she could stay in touch with her beloved grandson, Ulandis Forte. While several states have reduced the cost of prison phone calls, the fight to cap rates nationally continues. Join Ulandis Forte, Prison Phone Justice Activist and Myaisha Hayes, the National Organizer on Criminal Justice &amp; Tech from MediaJustice to learn more about how communities impacted by mass incarceration have continued to fight for their communication rights.</p>
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participants/myaisha-hayes/index.md

@@ -0,0 +1,13 @@
+---
+layout: page
+title: Myaisha Hayes
+---
+<h3>Myaisha Hayes</h3>
+<img src="Headshot.jpg" width="256px" />
+<p><a href="https://mediajustice.org/" target="_blank">Website</a> | <a href="https://twitter.com/MyaishaAyanna" target="_blank">Twitter</a></p>
+<p>Myaisha is the National Organizer on Criminal Justice & Technology at MediaJustice. Myaisha brings several years of organizing experience with her from various national and local campaigns including President Obama’s re-election campaign, Fight for $15, and the CLOSErikers Campaign. As the grandchild of a political prisoner, she is deeply committed to organizing people power that leads to radical transformative change and justice. Myaisha earned her BA in Black Studies at Occidental College and currently lives in Brooklyn, New York.</p>
+
+<hr />
+<h2>Presenting with <a href="../ulandis-fort">Ulandis Fort</a></h2>
+<h3>Prison Phone Justice</h3>
+<p>For the millions of families that seek to remain in touch with their incarcerated loved ones, communication can come at a high cost. For 20 years, Mrs. Martha Wright-Reed fought the prison phone industry to reduce the high cost of prison phone calls so that she could stay in touch with her beloved grandson, Ulandis Forte. While several states have reduced the cost of prison phone calls, the fight to cap rates nationally continues. Join Ulandis Forte, Prison Phone Justice Activist and Myaisha Hayes, the National Organizer on Criminal Justice & Tech from MediaJustice to learn more about how communities impacted by mass incarceration have continued to fight for their communication rights.</p>

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-    <h3>Nancy Mauro-Flude</h3>
-<p><img src="nancy.jpg" width="256px" /></p>
-<p><a href="http://sister0.tv/" target="_blank">Website</a> | <a href="https://twitter.com/sister0/" target="_blank">Twitter</a></p>
-<p>Nancy Mauro-Flude's research is driven by the demystification of technology, and the ‘mystification’ that lie in and through the performance of the machinic assemblage. Gray magics, hijackings, driftings and seizures of power are the sensitive and subversive subterfuges by which she urges, twists and explores the aesthetic politic of the open source spirit. Systems experimentation form the basis of her work where the computer is approached as a theatre machine. Founder of Despoina’s Critical Media Coven home brewed since 2008 Tasmania. Currently coordinates HCI and Aesthetics studio, Digital Media, School of Design, RMIT University.</p>
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-<h3>VVet VVild VVifi</h3>
-<p>The internet super highway has melted. The electromagnetic spectrum is a critical resource. Avoid the roadkill! STEER OFF The DIGITAL HIGHWAY into the laaaag of lovingly handcrafted uncanny networks. Stretching the imagination of what a network is, and what it can be. Paying homage to the attunement of birds, digital literacy sewing circles, reconnoitring holistic computing hardware, alternative infrastructure, autonomous internet beacons. This is an invitation to think together with alternative net-affinities -  How can we reconfigure and accept built-in delays, or construct different textures to online fidelity? Rather than a strictly technical definition that rests in the domain of the computer scientists, this talk explores how computational media culture maybe reappraised through an aesthetic lens, to wonder around the implications of cognitive radio and it's connection to Next-Gen Cellular/WiFi  capacities and critical implications in the production of computational technology specifically through experiential prototyping with domestic materials such as vinegar and vodka (Goldsmith 2018). For those who want to be connected while choosing their own dependencies, how openness to a mixture of entities can be are deeply intertwined, the proposition probes at the edges of our complacency with our engagement with networking systems. By drawing attention to the apparatus, in order to provide a deeper understanding of the connections between policy and algorithmic industry in the arrangement of cultural concerns and apprehensions - This not only deeply informs just how malefic current conditions have become, but also envisions a more hopeful future trajectory - to re-think the mechanism - to be able to partially control and rewrite (or at least understand) technology that run the Internet, as a bespoke apparatus, as we live our lives and make meaning through and with it.</p>
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participants/nancy-mauro-flude/index.md

@@ -0,0 +1,13 @@
+---
+layout: page
+title: Nancy Mauro-Flude
+---
+<h3>Nancy Mauro-Flude</h3>
+<img src="nancy.jpg" width="256px" />
+<p><a href="http://sister0.tv/" target="_blank">Website</a> | <a href="https://twitter.com/sister0/" target="_blank">Twitter</a></p>
+<p>Nancy Mauro-Flude's research is driven by the demystification of technology, and the ‘mystification’ that lie in and through the performance of the machinic assemblage. Gray magics, hijackings, driftings and seizures of power are the sensitive and subversive subterfuges by which she urges, twists and explores the aesthetic politic of the open source spirit. Systems experimentation form the basis of her work where the computer is approached as a theatre machine. Founder of Despoina’s Critical Media Coven home brewed since 2008 Tasmania. Currently coordinates HCI and Aesthetics studio, Digital Media, School of Design, RMIT University.</p>
+
+<hr />
+<h2>Presenting</h2>
+<h3>VVet VVild VVifi</h3>
+<p>The internet super highway has melted. The electromagnetic spectrum is a critical resource. Avoid the roadkill! STEER OFF The DIGITAL HIGHWAY into the laaaag of lovingly handcrafted uncanny networks. Stretching the imagination of what a network is, and what it can be. Paying homage to the attunement of birds, digital literacy sewing circles, reconnoitring holistic computing hardware, alternative infrastructure, autonomous internet beacons. This is an invitation to think together with alternative net-affinities -  How can we reconfigure and accept built-in delays, or construct different textures to online fidelity? Rather than a strictly technical definition that rests in the domain of the computer scientists, this talk explores how computational media culture maybe reappraised through an aesthetic lens, to wonder around the implications of cognitive radio and it's connection to Next-Gen Cellular/WiFi  capacities and critical implications in the production of computational technology specifically through experiential prototyping with domestic materials such as vinegar and vodka (Goldsmith 2018). For those who want to be connected while choosing their own dependencies, how openness to a mixture of entities can be are deeply intertwined, the proposition probes at the edges of our complacency with our engagement with networking systems. By drawing attention to the apparatus, in order to provide a deeper understanding of the connections between policy and algorithmic industry in the arrangement of cultural concerns and apprehensions - This not only deeply informs just how malefic current conditions have become, but also envisions a more hopeful future trajectory - to re-think the mechanism - to be able to partially control and rewrite (or at least understand) technology that run the Internet, as a bespoke apparatus, as we live our lives and make meaning through and with it.</p>

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-    <h3>Nancy Wachira</h3>
-<p>Nancy Wachira is an Information technology specialist with a Bachelor of Science in Business Information Technology. She is currently employed at Dimension Data Africa-Kenya as a Technical Support Engineer. In 2018, she was a youth Internet Governance Fellow at UNESCO in Paris France. She is also an ambassador of <a href="https://www.digitalgrassroots.org/" target="_blank">Digital Grassroots</a>. Together with a team of young people, our goal is increasing digital literacy amongst the young population (14 - 29 years) globally in order to promote their activity as stakeholders in the Internet ecosystem at the most basic levels.</p>
-
-<hr />
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-<h2>Meetup</h2>
-<h3>Youth Gathering at Radical Networks with <a href="../juliana-novaes/">Juliana Novaes</a></h3>
-<p>There is an importance to having the youth, the generation with the highest levels of Internet usage, thinking critically about the use of connected systems either via optic cable, satellite, wireless connections to relay various data, communication and resources in different parts of the world. The main objective of the session is to connect youth who are involved in networks technology for social purposes and have a discussion on the importance of addressing infrastructure and networks critically.</p>
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participants/nancy-wachira/index.md

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+---
+layout: page
+title: Nancy Wachira
+---
+<h3>Nancy Wachira</h3>
+<p>Nancy Wachira is an Information technology specialist with a Bachelor of Science in Business Information Technology. She is currently employed at Dimension Data Africa-Kenya as a Technical Support Engineer. In 2018, she was a youth Internet Governance Fellow at UNESCO in Paris France. She is also an ambassador of <a href="https://www.digitalgrassroots.org/" target="_blank">Digital Grassroots</a>. Together with a team of young people, our goal is increasing digital literacy amongst the young population (14 - 29 years) globally in order to promote their activity as stakeholders in the Internet ecosystem at the most basic levels.</p>
+
+<hr />
+<h2>Meetup</h2>
+<h3>Youth Gathering at Radical Networks with <a href="../juliana-novaes/">Juliana Novaes</a></h3>
+<p>There is an importance to having the youth, the generation with the highest levels of Internet usage, thinking critically about the use of connected systems either via optic cable, satellite, wireless connections to relay various data, communication and resources in different parts of the world. The main objective of the session is to connect youth who are involved in networks technology for social purposes and have a discussion on the importance of addressing infrastructure and networks critically.</p>

participants/nicholas-gregg/index.html

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-    <h3>Nicholas Gregg</h3>
-<p><img src="nick-gregg.jpeg" width="256px" /></p>
-<p><a href="https://www.nickgreggworks.com/" target="_blank">Website</a></p>
-<p>Nick Gregg is a composer, designer, and educator working through the sensory landscape we call reality. Find his past, present, and future work at <a href="https://www.nickgreggworks.com/" target="_blank">https://www.nickgreggworks.com</a>. Nick is currently a masters student at NYU’s Interactive Telecommunications Program where he is slowly realizing the necessity for educational models that both enlighten and level the current tech-infused world.  He is co-founder and creative director of the ensemble Mother Falcon and Mother Falcon Music Lab - currently in its 8th season, the lab provides mutli-media education for Austin-area youth.</p>
-
-<hr />
-
-<h2>Exhibiting with <a href="../emma-rae-norton/">Emma Rae Norton</a> and <a href="../sukanya-aneja/">Sukanya Aneja</a></h2>
-<h3>Liquid Router</h3>
-<p><img src="LiquidRouter.jpg" width="100%" style="max-width: 600px" /></p>
-<p><em>Liquid Router</em> is a physical artwork that takes the form of an active Wi-Fi router––using the router as a medium to explore and demystify the implications of third-party web tracking. Through this project we are interested in asking questions of the development and architecture of hyper-scale tracking systems. We are also committed to raising awareness around the lack of transparency built into them.</p>
-
-<p>The <em>Liquid Router</em> is built with a Raspberry Pi, and provides users with a wi-fi network to connect to. As they browse the Internet, the router 'leaks' liquid every time a request is sent to a known third-party tracker. Colored liquid diffuses into clear liquid, serving as a metaphor to the difficulty in quantifying and isolating the effects of these tracking systems. The router also displays information about the individual tracker, putting a face to this invisible background activity. Information on how this technology works, and the entire landscape around data harvesting will be disseminated through the form of a zine.</p>
-
-<p>Additional information
-	<ul>
-		<li><a href="https://drive.google.com/file/d/1r9LnAaBAfwjOy4kMCxoopBRhTJxH2Ma4/view?usp=sharing" target="_blank">Project Poster</a></li>
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participants/nicholas-gregg/index.md

@@ -0,0 +1,23 @@
+---
+layout: page
+title: Nicholas Gregg
+---
+<h3>Nicholas Gregg</h3>
+<img src="nick-gregg.jpeg" width="256px" />
+<p><a href="https://www.nickgreggworks.com/" target="_blank">Website</a></p>
+<p>Nick Gregg is a composer, designer, and educator working through the sensory landscape we call reality. Find his past, present, and future work at <a href="https://www.nickgreggworks.com/" target="_blank">https://www.nickgreggworks.com</a>. Nick is currently a masters student at NYU’s Interactive Telecommunications Program where he is slowly realizing the necessity for educational models that both enlighten and level the current tech-infused world.  He is co-founder and creative director of the ensemble Mother Falcon and Mother Falcon Music Lab - currently in its 8th season, the lab provides mutli-media education for Austin-area youth.</p>
+
+<hr />
+<h2>Exhibiting with <a href="../emma-rae-norton/">Emma Rae Norton</a> and <a href="../sukanya-aneja/">Sukanya Aneja</a></h2>
+<h3>Liquid Router</h3>
+<img src="LiquidRouter.jpg" width="100%" style="max-width: 600px" />
+<p><em>Liquid Router</em> is a physical artwork that takes the form of an active Wi-Fi router––using the router as a medium to explore and demystify the implications of third-party web tracking. Through this project we are interested in asking questions of the development and architecture of hyper-scale tracking systems. We are also committed to raising awareness around the lack of transparency built into them.</p>
+
+<p>The <em>Liquid Router</em> is built with a Raspberry Pi, and provides users with a wi-fi network to connect to. As they browse the Internet, the router 'leaks' liquid every time a request is sent to a known third-party tracker. Colored liquid diffuses into clear liquid, serving as a metaphor to the difficulty in quantifying and isolating the effects of these tracking systems. The router also displays information about the individual tracker, putting a face to this invisible background activity. Information on how this technology works, and the entire landscape around data harvesting will be disseminated through the form of a zine.</p>
+
+<p>Additional information
+	<ul>
+		<li><a href="https://drive.google.com/file/d/1r9LnAaBAfwjOy4kMCxoopBRhTJxH2Ma4/view?usp=sharing" target="_blank">Project Poster</a></li>
+		<li><a href="https://youtu.be/8R89N3UGAZA" target="_blank">Project Video</a></li>
+	</ul>
+</p>

participants/norman-shamas/index.html

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-    <h3>Norman Shamas</h3>
-<p>Norman Shamas is a security and privacy harm reduction specialist. They work with activists and marginalized folx globally, in particular sex workers, queer, trans*, and gender nonconforming communities. Norman works as an independent consultant and is a member of <a href="https://openprivacy.ca/" target="_blank">Open Privacy</a>'s board of directors.</p>
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-<h2>Presenting</h2>
-<h3>Looking at the Margins: Incorporating Harm Reduction Into Tech</h3>
-<p>By and large, tech is failing marginalized communities. But these issues aren't unique to the tech sector and are reflections of how society stigmatizes marginalized communities and activities they engage in. By shifting focus and prioritizing communities typically at the margins, we can reimagine radical futures with tech.</p>
-
-<p>One of the most impactful shifts we can make is to start incorporating harm reduction into tech and system design. Harm reduction is a philosophy of survival and self-determination that comes from the struggles of queer and trans BIPOC, drug users, and sex workers.</p>
-
-<p>This talk will focus on introducing the idea of harm reduction and looking at some of the barriers to building it into software/platforms and tech systems. We will look at two primary examples: queer dating apps and FOSTA-SESTA/tech impact on sex workers.</p>
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participants/norman-shamas/index.md

@@ -0,0 +1,15 @@
+---
+layout: page
+title: Norman Shamas
+---
+<h3>Norman Shamas</h3>
+<p>Norman Shamas is a security and privacy harm reduction specialist. They work with activists and marginalized folx globally, in particular sex workers, queer, trans*, and gender nonconforming communities. Norman works as an independent consultant and is a member of <a href="https://openprivacy.ca/" target="_blank">Open Privacy</a>'s board of directors.</p>
+
+<hr />
+<h2>Presenting</h2>
+<h3>Looking at the Margins: Incorporating Harm Reduction Into Tech</h3>
+<p>By and large, tech is failing marginalized communities. But these issues aren't unique to the tech sector and are reflections of how society stigmatizes marginalized communities and activities they engage in. By shifting focus and prioritizing communities typically at the margins, we can reimagine radical futures with tech.</p>
+
+<p>One of the most impactful shifts we can make is to start incorporating harm reduction into tech and system design. Harm reduction is a philosophy of survival and self-determination that comes from the struggles of queer and trans BIPOC, drug users, and sex workers.</p>
+
+<p>This talk will focus on introducing the idea of harm reduction and looking at some of the barriers to building it into software/platforms and tech systems. We will look at two primary examples: queer dating apps and FOSTA-SESTA/tech impact on sex workers.</p>